Juan Torres Calderon Furniture

"Bleu" by Kumi Sugaï (1996) Experience the allure of contemporary Japanese art with "Bleu," a stunning copperplate etching by the celebrated artist Kumi Sugaï. Created in 1996, this...

A pair of early prints by KAWS being sold together. Supermodel #1 1999 Supermodel #2, 1999 Screen prints signed in pencil, numbered and dated 99. The prints are matched numbered ...

Thomas Moran (American, 1837-1926). Thomas Moran "Castle of San Juan de Vlua, Vera Cruz" Etching C. 1884

Louis Icart (1888-1950). Color lithograph on paper. Don Juan. 1920s. Signed in pencil. In perfect condition. Total dimensions: 50 cm x 67.5 cm. Image dimensions: 39.0 cm x 57.5 cm.

Dated 1971, We offer this rare Litograph by Francisco Zuniga (1912 - 1998), Title, Cinco Mujeres Sentadas signed and dedicated to Dick Hesket in pencil. Note: For better transportat...

Signed Print by Jacqueline Humphries, 2014

Nació en Mixquiahuala Hidalgo.1? Su padre, quien tocaba jazz y leía (Algo fuera de lo común en esos años en el México rural) expuso a Gálvez a la cultura, aunque esto dio lugar a un ...

'Untiled' by Sonia Delaunay, 1971. Lithograph in colours on hand made Japanese paper, signed and numbered 43/75 in pencil, from the UNESCO portfolio...

Rapto (The Abduction of Hippodamia) - The subject from the Greek mythology describes the kidnapping of the bride Hippodamia during her wedding by the centaur Eurytus, resulting in a battle between humans and centaurs. Álvaro Siza started drawing at the age of six. With a great variety of drawings on his portfolio, many of them are inspired by mythology and historic scenes. “The drawings are what came to my mind in this very moment. I like mythology and expressing the stories in images. I have made a lot of mythological drawing...

Beautiful and rare screen print “Senza titolo” (architectural study) by Ettore Sottsass, 1986 Produced by Kalos Arti Applicate in 1986, signed and numbered 3 / 100 in pencil. Frame...

United Kingdom - Offset Lithograph on Paper, from the original show 1993 Christopher Wool’s paintings and prints explore the confluence of image, text, and pattern. They often feature enigmatic, confrontational found phrases or illegible scribbles, which are either stencilled or plastered in black across flat white fields. The artist occasionally covers the compositions with spray-paint marks and screen-printed elements (some taken from his previous works), erasing and relayering as he goes. His process—which focuses on the possibilities of reproduction, appropriation, and accretion—is as important as the results themselves. Wool studied at Sarah Lawrence College and the New York Studio School. New York’s vibrant 1970s downtown No Wave and punk scenes became major influences, and Wool reached his mature style in the mid-1980s. Wool has exhibited in New York, Los Angeles, Chicago, London, Paris, Tokyo, Berlin, and beyond, and his work belongs in the collections of the Museum of Modern Art, the Centre Pompidou, and the Tate. His work has achieved eight figures on the secondary market. Drawing from Minimalism and Conceptualism, Felix Gonzalez...

Antique map titled 'Carte Particuliere de l'Isle de Juan Fernandez - Byzondere Kaart van 't Eiland Juan Fernandez'. Map of the Chilean Juan Fernandez Island, topped by a view of it...