Jules Erbit Art

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

"Simchat Torah" by Jonah Kinigstein Large Oil on Board Painting of Rabbi Frame: 46 X 32 Image: 39 X 25.5 Jonah Kinigstein (b. 1923) is an American Postwar & Contemporary painter. H...

Mid-Century Modern portrait of a man by California artist Genevieve Rogers (American, 1904-1984). The abstracted background has texture created with d...

Older, realistic portrait of an older Jewish shtetl tailor by Polish artist. Here the artist conveys a sense of quiet grandeur through the eyes of his subject and the way it's rendered. Part of a distinguished European lineage of Jewish genre...

Albert Roca (1945) - Sailor playing the accordion oil on board painting Medidas óleo 62x46 cm. Medidas marco 73x57 cm. Painter of landscapes and figures, ...

King and queen with clowns and jesters. Bold, colorful, expressionist masterful painting. Jonah Kinigstein (b. 1923) is an American Postwar & Contemporary painter. He works in a figurative expressionist style. His works are featured in the Smithsonian American Art Museum, the National Academy of Design, the Whitney Museum of American Art, and the Museum of Modern Art in New York. He lives in New York City. Jonah Kinigstein was trained at Cooper Union Art School, The Grande Chaumiere in Paris; and Belle Arte in Rome. He has been a Fulbright Fellow. He has holdings at MOMA, the Ain Herod Museum in Tel Aviv; Smithsonian; the Albright-Knox Gallery and the Nelson Gallery of Art. He lived and worked in Brooklyn New York. Kinigstein was inducted as an Academician into the National Academy of Design in 1997. Exhibits include: Young Americans at the Whitney Museum of American Art; the National Academy of Arts and Letters; ACA Gallery; Rittenhouse Gallery; the Washington Irving Gallery; and the Pindar Gallery. Contemporary American Painting and Sculpture (CAPS) '59, University of Illinois, Arthur Okamura, Fred Farr, Jonah Kinigstein, Lawrence Calcagno, Reuben Tam and Rico Lebrun. Jonatha Kinigstein attended The Cooper Union and Grand Chaumiere, Paris. He received a Fulbright scholarship to study in Rome, and has also received awards from the Butler Art Institute; American Academy of Arts and Letters; Silvermine Guild; and Louis Comfort Tiffany Foundation. Kinigstein has had solo shows at Galerie Bretau, Paris; Alan Gallery, Grippi Gallery, ACA Gallery, and Pindar Gallery, New York; Siembab Gallery, Boston; Rittenhouse Gallery, Philadelphia; among others. His work is in the collections of the Whitney Museum of American Art; Museum of Modern Art; Allentown Art Museum; Albright Art Gallery; Butler Art Institute; and more. He has taught at the Brooklyn Museum and National Academy of Design School of Fine Arts. Born in 1923 in Coney Island, Jonah’s early influences were discovered during visits to the Metropolitan Museum- “When I really saw the old masters, it blew my mind, of course.” He attended Cooper Union for a year before he was drafted into the Army, serving from 1942 – 1945. Soon after, Jonah moved to Paris where he spent time at the Académie de la Grande Chaumière, conversing with other aspiring artists, exchanging ideas, exhibiting his work, seeing established artists, and generally soaking up a fertile creative environment. He exhibited in several shows including the Salon D’Automne, Salon de Mai, and the Salon des Moins de Trente Ans, and had one-man shows in the Galerie Breteau and Les Impressions D’Art. After Paris, Jonah moved to Rome on a Fulbright Scholarship and studied at the La Schola Di Belles Artes. After a year, he returned to the U.S. and exhibited his paintings at the Downtown Gallery in Manhattan. A classically trained painter whose ambitions were frustrated by the New York art world’s obsession with Abstract Expressionism and the lucrative industry that grew up around it. Like so many painters, he was unable to make a living solely from painting, so he worked in the commercial art world and did freelance illustration and design. Throughout this time, Jonah’s commitment to his own art never wavered, and he continued to paint and occasionally exhibit. He was included in the MoMA show, Summer Exhibition: New Acquisitions; Recent American Prints, 1947–1953; Katherine S. Dreier Bequest; Kuniyoshi and Spencer; Expressionism in Germany; Varieties of Realism along with Alexander Archipenko, Francis Bacon, Balthus, Will Barnet, Leonard Baskin, Eugene Berman, Reg Butler, Lovis Corinth, Andre Derain, Otto Dix, Raoul Dufy, Max Ernst, Lucian Freud, George Grosz, Alexei Jawlensky...

Basket Weaver with his Baskets for the Market 1950s figurative oil Expressive and detail portrait of a weaver and his baskets, heading to market by California impressionist nna Oley...

French school from the end of the 19th century Drawing Pencil and pastel 40 x 29 cm (55 x 46 cm with cardboard support) Collector's stamp or workshop stamp at the bottom right ? “A.D.”

Joan Vives Maristany (XX) - Woman in mourning - Oil on panel Oil measures 25x13.5 cm. Frameless.

Certainly a family of artists, such as, of course, Amadeu (1912-2004), known for a long artistic career, as a teacher of several generations of painters and as an artistic popularize...

William (Sunny) Weintraub, Israeli (Born 1926) Oil on masonite William Weintraub (He was also known as Shlomo Weintraub and nicknamed Sonny Weintraub) Genre: Impressionist Subject: Portrait Medium: Oil Surface: Canvas Dimensions: framed 24 X 32.5 canvas 19 X 27 In an ever-changing art world that embraces one movement after the next, the timeless art of portraiture can become lost. Portraiture is often associated with the royal paintings of centuries-old French kings, European nobility, and other wealthy individuals from art history's past. However, styles like Social Realism and Dutch genre painting spotlighted...

Portrait of the daughter of Francois Boucher, Marie-Emilie Baudouin, holding a basket of flowers. Pastel on Parchment. The work is related to an oval portrait painting...