Jules Pierre Roulleau Furniture

A striking Italian 18th century giltwood and polychrome statue of two eagles. The statue is raised by a most decorative polychrome ground and branch like designed base. Above are two...

Resin Statue Eagle Imperial, Lusitanus Home Collection, by Lusitanus Home. Decorative Eagle resin statue with hand-painted details and resin base in gold leaf applied by hand. Desig...

This exceptional piece meticulously reproduces Danish sculptor Bertel Thorvaldsen's oeuvre realized in 1806 and preserved at the Thorvaldsen Museum ...

This carved giltwood eagle statue is portrayed with outstretched wings and legs pulled up as though just landing upon something. There is a wooden peg on ...

JULES BENNES French, fl. late 19th to early 20th century "The Race" Medium-brown nuanced patina on sand-cast bronze Signed in cast "J. Bennes" Item # 112PZE03S A remarkable fin...

JEAN-ALEXANDRE JOSEPH FALGUIERE French, 1831-1900 "La Vainquer au Combat de Coqs" (Winner of the Cockfight) Patinated bronze signed in base A. Falguiére with foundry cachet of Thi...

A very fine Italian 19th century Carrara marble life-size marble sculpture of "Hebe and The Eagle"; depicting a young maiden seated on a rocky outcrop holding an urn over her shoulder and serving water from a bowl to a thirsty eagle, raised on a circular base by Aristide Fontana (Italian 19th Century - Active 1870-1890), Carrara, Inscribed to the reverse; "Aristide Fontana Sc./Carrara", circa 1870-1880. Hebe, the Greek goddess of youth, was the daughter of Zeus and Hera and was the hand-maiden and cup bearer of the gods and the symbol of youthful beauty and chastity. She is often depicted as a temptress tantalizing the eagle of Jupiter with a cup of ambrosia and her body. In her role as cup-bearer she offered nectar and ambrosia and here she holds the cup before the eagle, Zeus' messenger. This sculpture subject matter resembles Bertel Thorwaldsen's, marble sculpture of Ganymede and the Eagle, circa 1817 and currently at the Chrysler Museum, Norfolk, VA. The most notable difference between both sculptures is that, unlike in Thorwaldsen's work, this sculpture depicts a figure of a young semi-nude maiden bearing a pearl necklace centered with a charm engraved with the letter "S". This sculpture subject matter can also be attributed to Psyche, perched on a Stygian rock and threatened by dragons, is rescued from her task by Jupiter's eagle, who brings her a lekythos filled with the river's water. Although Apuleius' story of Cupid and Psyche had been a common theme in European art since the Renaissance, the particular incident of Psyche rescued by Jupiter's eagle was seldom illustrated. Comparable to themes in mythology, Old Testament figures and heroines in particular were popular subjects of artworks in the mid-19th century. Several scenes from the Biblical (Gen. 24) story of Rebecca's meeting with Eliezer, and subsequent marriage to Isaac, were depicted in the 19th century. The most frequent representation shows Rebecca at the well with a pitcher. Other examples of the subject include those by the Italians Cesare Lapini, Giovanni Battista Lombardi and Domenico Menconi and American sculptors Brown, Mozier, and Chauncey Bradley Ives...

In classical mythology, Hebe, the personification of youth, is also cupbearer to the gods. She is the daughter of Juno and Jupiter (represented here by his eagle). Seated between his wings, she is holding the oinochoe (wine pitcher) in one arm while with her free hand she gracefully offers him divine nectar known as ambrosia, a drink which reinforced the Olympians' immortality. The three-piece clock garniture centred around the large silvered bronze figural group after the original by Albert-Ernest Carrier-Belleuse, supported on a gilt-bronze mounted onyx clock base, denoting the hours in Roman numerals, the central clock flanked by a pair of silvered and gilt bronze female figures in neoclassical garb, their amphoras issuing five scrolling candleholders...

Impressive large bronze of an eagle holding a serpent on a cactus (national symbole of Mexico). Number 2 out of 5 examples made by Alberto Estrada. Bronze on a black marble base.

A very good quality 19th century silvered bronze statue entitled 'The Spring of Life', depicting a mother and child. Signed; A.G.Lanzirotti, Paris.

Presented is a 20th century bronze sculpture, after Jules Moigniez, of an eagle on a rocky perch. The dignified eagle has its wings tucked and his head turned to the side, showcasing exquisite craftsmanship. Textured feathers, a rugged base, and sharp talons show Moigniez’s artistry at the lost wax process. The bronze sculpture sits atop a marble base. Jules Moigniez (1835-1894) was a French sculptor widely known for his highly detailed bronze works depicting dynamic wildlife. After studying under Paul Cromolera, Moigniez made a name for himself at his first exhibition in 1855 at the Paris Exposition Universelle. From 1859 to 1892, he showed regularly at the annual Saloons, with a total of 30 recorded works exhibited. A successful sculptor in France, Moignez increased his British and American collector base by exhibiting at the London International Exhibition of 1862. Intensely dedicated to the process of casting, Jules and his father decided to establish their own foundry in 1857, solely for the purpose of having complete control at every step, as well as the freedom to experiment. They created bronzes with unusually and unique finishes, experimenting in gilded, silver, and multi-color chemical patinas. Most of his works were cast using the lost-wax patina and were always chiseled and chased with great skill and care. While many bronze artists at the time focused solely on the subject, Moigniez incorporated highly detailed bases to accommodate his various animals. After Jules Moigniez’s tragic death in 1894, his father continued to cast his son’s bronzes from the Moigniez foundry. Just before Moigniez’s father also passed away, he sold the foundry and his casts to Auguste Gouge, a family friend who once cast bronzes for Jules' teacher Paul Cromolera. Gouge continued to produce Moigniez’s bronze sculptures until WWI. Eagle sculptures, such as this, gained such popularity in America because of the symbolic and historical meanings associated with the elegant bird. The eagle motif has been widely used throughout American history, most notably as part of our Great Seal. The founders of the United States were fond of comparing their new republic with the Roman Republic, in which eagle imagery was prominent. Since then, the eagle motif has appeared in allegorical engravings...

Our lost-wax bronze eagle statues are stunning additions to our beloved bronze patriotic collection. An eagle naturally makes one think of freedom and pat...