Justus Sustermans Paintings

By Martha Ochoa Oil on Canvas Canvas Size: 24" x 16" Framed Size: 27" x 19.25" This lovely painting by Martha Ochoa is from the Cusco tradition. The Cusco School was an artistic tra...

Dipinto di scuola toscana della seconda metà del XVII secolo raffigurante un ritratto maschile di tre quarti, immerso nell'eleganza e nella maestosità proprie dell'epoca. La figura è...

By Martha Ochoa Oil on Canvas Canvas Size: 23.75" x 15.75" Framed Size: 27" x 19.25" This lovely painting by Martha Ochoa is from the Cusco tradition. The Cusco School was an artist...

Portrait of a noblewoman. Attributed to Carlo Ceresa. (1609 - 1679, Bergamo) Oil on canvas. Size cm 110x86,5cm with frame Around 1640. This portrait depicts a middle-aged woman with great realism, typical of Lombard and Bergamo painters in particular. Carlo Ceresa, probable author of this unsigned painting, had studied with Daniele Crespi...

By Martha Ochoa Oil on Canvas Canvas Size: 48" x 32" Framed Size: 55.5" x 40.5" This lovely painting by Martha Ochoa is from the Cusco tradition. The Cusco School was an artistic tradition that first emerged in the 16th and 17th centuries in Cusco, Peru, blending indigenous and European baroque artistic styles. It is renowned for its catholic iconography, which often feature vibrant colors, elaborate ornamentation, and blended elements combining Catholic and native symbolism. This painting portrays the Virgen del Carmen...

A 17th century English portrait of a lady by Sir Peter Lely (1618-1680), half-length in a painted feigned oval, wearing a green silk gown with chestnut coloured cloak over one shoulder, her fair hair curled in the fashionable ringlet style of the period. Oil on canvas in an English giltwood 'Lely' frame. We are grateful to Diana Dethloff and Catharine MacLeod (who are currently working on a Lely catalogue raisonné) for their confirmation of Lely as the artist from photograph analysis of this previously unidentified early work. Provenance: Private collection Nottingham until 2021 Mellors and Kirk sale December 2000, lot 1173 The sitter is likely to have been from an upper class or aristocratic family in court circles, who were the main source of Lely`s patronage. The simple composition serves to highlight the beauty of the sitter through portraying her pale decolletage and complexion, set against the gentle gaze of her blue eyes, the soft blush of her cheeks and her full red lips. Peter Lely (1618-1680) was originally of dutch origin and became Principle Painter to the King in 1661, following in the footsteps of Van Dyck who had died in 1641. He dominated the portrait painting scene in England for over 20 years, creating a distinctive 'court look' in his work which had a strong influence on many other artists. He had an extremely successful and popular portrait practice which meant that he soon had to develop production methods that could accommodate the high demand for portraits, and also for copies and versions of them which were given as gifts to family and courtiers. The use of studio assistants was a common practice for busy artists and as with Van Dyck, Lely is known to have used specialist assistants to execute particular parts of his paintings. Artists who worked in Lely`s studio included John Baptist Gaspars who specialised in drapery painting, William Wissing, John Greenhill...

Anonymous - Old man - Oil on board Oil size 34x25 cm. Frameless

olio su tela, 62 x 51 cm (senza cornice) Il dipinto è stato per lungo attribuito alla mano di Francesco Gessi, allievo di Guido Reni, come riporta un'iscrizione a matita datata 1945...

Portrait of Cosimo III de’ Medici, Grand Duke of Tuscany, in Armour Oil on canvas, dating from the late 17th to the early 18th century. Original period frame in carved and gilded wo...

Portrait of a Lady - Ettore Frattini Italia 2005 - Oil on canvas cm.100x70. The painting by Ettore Frattini depicts an elegant and refined noblewoman, the painting is inspired by t...

Portrait of a Levantine Merchant, 18th Century Italian school. Oil on canvas. Circle of Giuseppe Nogari (1699-1763) Dimensions with frame cm 71 x 5...

19th Century oil on canvas portrait of a cavalier. The painting is signed or annotated top right. There is a supplier's trade stamp to the back of the canvas. A wonderful jewel of a...