Karel Hladík Furniture

A contemporary bronze sculpture depicting a bull, with dark patina. Created with the traditional technique of the lost-wax (à la cire perdue) that allows a great precision and finesse in the details, this small bronze sculpture depicts a proud bull firmly standing on its four paws resting on a shaped base. Placed anywhere in a home, on a commode, buffet or console table, this cast bronze bull...

Made of non-woven textile (Airtag) by D. Švejdova. Signed. Marked by VUV Brno (Research Institut in Woolen) Very good original condition.

- perfect original condition, bright colours - marked jr

A fine bronze of a miner by Jean-Baptiste Germain (1841-1910) A large and beautifully cast sculpture of a hard working miner, titled 'Mineur' with fine patination. The miner depict...

Handmade Wool Artwork made by M. Dombrowsky. An abstract, minimalist work made of wool and wood. Each work is handcrafted, the wool dyed and spun by hand. Intricately wrapped, and ti...

The quality of this tapestry lies in the harmonious interplay of colors combined with the construction of geometric shapes and patterns, creating a powerful impression and a positive...

Sculpture bull bronze all in patinated solid bronze, lost wax bronze technic.

An exquisite Benin bronze sculpture in shape of a bell depicting an Oba. Oba translates to "ruler" in the Yoruba and Bini languages of contempor...

ISIDORE JULES BONHEUR French, 1827-1901 Taureau Aberdeen-Angus" (Standing Aberdeen-Angus Bull) Patinated sand-cast bronze Signed to base "I. BONHEUR" Item # 211HDB17Z An exquisite and very rare casting of an Aberdeen-Angus bull, an unusual and distinctive breed of cattle from Scotland, this sculpture by Isidore Jules Bonheur is almost without a doubt cast by the foundry of his brother-in-law Hippolyte Peyrol and a rather early model as well in light of the distinctive construction method. In her text on the selection of 46 animal bronzes in the collection of the Georgia Museum of Art, Eleanor Luciano notes regarding this model that "Bonheur is never recorded to have been to Scotland, where he would have seen this unusual breed. Rosa Bonheur painted in Scotland, and its seems likely that Isidore would have drawn the idea for this bull either from one of her sketches or from an agricultural show in France. The animal's rich mane and strong modeling make this one of the most successful." Notable is the very fine surface patination which exhibits a glassy finish with a complex range of colors presenting in the body of the bull, overall being medium brown but augmented with an underlying reddish hue against auburn highlights. The base is signed "I. BONHEUR" in the typical manner. Museum Collections: * National Gallery of Art, Washington DC, acc. no. 2006.128.3 * Georgia Museum of Art, University of Georgia...

Bronze sculpture of bull on marble and wood base-signed.

Woven wall tapestry by Brazilian textile artist Kennedy Bahia circa 1980. Hummingbird, butterflies and flowers. “Known nationally and internatio...

An antique 17th century Brussels mythological tapestry, size 11'6 H x 10'8 W, from the workshop of the renowned weaver, Jan Leyniers, after cartoons by Charles Le Brun...