Karl Ens Serveware, Ceramics, Silver and Glass

This one-of-a-kind Italian Work of Art, a sculpture bird by Antonio Pavia, is a rare highly collectible object, entirely handcrafted, with an ostrich egg as the body, decorated with ...

Hand painted bird figure in beautiful bright colors. Unfortunately half of the right wing is missing. It is handmade by Ens Germany. Ens porcelain is one of the most oldest manufacto...

Korean Glass 25, is a unique sculpture in clear glass and porcelain that is handblown, painted and cut by the South Korean artist, Choi Keeryong. The interior detail of the piece is handpainted in blue, red and green. Keeryong is based in Scotland. His work is informed by his investigations into the similarities and cultural differences that we all experience in relation to the objects around us in contrast to where we live. Something he is has personally experienced living in another country. In this collection, Keeryong has developed a process using the ancient Korean ‘Saggam’ pottery technique, which allows him to explore a state of ambiguity created for the viewer’s visual experience. Using delineating geometric patterns and counterfeit letters (meaningless Korean words) he combines his glass with found English teapots...

An exceptional, fine and impressive antique Mexican sterling silver bird model; an addition to our animal related silverware collection. This exceptional vintage Mexican cast sterling silver table...

A Volkstedt porcelain model of a parrot German, early 20th century Measures: height 14cm, width 13cm, depth 6cm This bold, bright, and beautiful porcelain bird model of a parrot...

The superb pair of porcelain figures depicts two birds modeled in a naturalistic stance, each standing on a shaped base with foliage and grassy details. The bodies are carefully stru...

Porcelain figure group playing the Blind man's buff Beautifully crafted artwork, hand painted 19th century, French. Dimensions: 50 x 30 x 30 cm (approximate).

A Meissen polychrome porcelain statue with a performer dressed in flamboyant red trousers with gold detailing, a patterned shirt, and a royal blue coat with elaborate gilding. Resti...

A hand-painted porcelain figure of a young woman playing a hurdy-gurdy, mounted on an ornate base. Dating from the early 1900s, this piece beautifully captures the rural charm and f...

Porcelain rooster. Germany, early 20th century. Signed F. Eisenhofer.

Korean Glass with Gold 9 is a unique sculpture by the South Korean artist Choi Keeryong. Created from cast and cut glass combined with porcelain, the piece is finished with elegant details in gold lustre. Keeryong is a South Korean artist based in Scotland. His work is informed by his investigations into the similarities and cultural differences that we all experience in relation to the objects around us in contrast to where we live. Something he is has personally experienced living in another country. In this collection, Keeryong has developed a process using the ancient Korean ‘Saggam’ pottery technique, which allows him to explore a state of ambiguity created for the viewer’s visual experience. Using delineating geometric patterns and counterfeit letters (meaningless Korean words) he combines his glass with found English teapots...

Striped Fold II is a unique sculpture by the British artist Steven Edwards, created from white and coloured parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...