Kinkozan Decorative Objects

Signed Kinkozan 金光山 From our Japanese collection, we are delighted to offer this Japanese Satsuma Vase by Kinkozan. The vase is potted in globular form with a tightly pinched neck and rolled top rim beautifully decorated with four highly detailed individual panelled scenes. The first a Geisha baring a gilt basket with her child playing with a fan infant of a gilt fence encompassing blossoming foliage and bamboo plants. The second scene depicts two birds, a Red Headed Japanese Wood Pigeon and a white dove in the foreground with a similar gilt fence with blossoming kiku flowers (chrysanthemums). The third scene is painted as a bustling village community with multiple figures going about their daily jobs, a central Palanquins can be seen with two figures carrying a seating figure. To the background a mountainous river landscape can viewed bordering the top left corner. The final scene appears similar to the opposing one with birds swooping high above a polychrome Japanese...

A pair of Satsuma ceramic plates made by Kinkozan studio circa 1880-1900s during the late Meiji Period. Each dish features miniature enamel decoration o...

A large Japanese ceramic vase from the end of Meiji period circa 1890-1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time based in Kyoto. In the typical style of satsuma made at the turn of 20th century, the vase is elaborately decorated with a rather unusual kinran-de (gold paint) and green enamel highlight on a mottled brown background. The painterly decoration depicts a large seasonal floral arrangement in a circular fashion. Besides the obviously superb craftsmanship, what sets this particular vase apart from many lower quality and mass-produced pieces is its tone-on-tone color pallet that is visually somber and the small and sensitive details that heralds the change of the seasons. When the viewer goes beyond the first casual glimpse of the blossom and foliage, one would notice that on the edges of certain leaves as well as along the stalks, there accumulates a very thin layer of the white dust that represents the frost. The flower in bloom are chrysanthemums. Despite of being splendid, they are the messengers of the autumn. The large lotus leaf was subtly rendered in a bended and slightly withered manner, just past its prime. Although the lotus is still in bloom, the prominent seed pod indicates it may be the last for the season. The sentimental capture of the change of the seasons is not unusual in Japanese art. This vase poetically represents such a subtle transition from summer to fall, perhaps depicting the very first frost. The neck of the vase is also slightly unusual with two rolled rings...

A satsuma ceramic dish made by Kinkozan studio circa 1980-1900s in the late Meiji Period. The dish with a thick robust wall is supported by a large ring base and features finely deta...

A large Japanese ceramic vase from end of Meiji period circa 1880s- 1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time based in Kyoto. In the typical style of satsuma made at the turn of 20th century, the vase is of a moon jar shape and finely decorated with kinran-de (gold paint) on a cream white background with even fine crackles. What sets this particular vase apart from many lower quality and mass-produced pieces is the meticulously renditioned surface decoration. Lavishly gilded with a continuous design, the carefully composed imagery depicts an elaborately decorated float cart in a festival parade. A group of people are seated within the float with a woman and a child standing in the front. Surrounding the float are streams of marchers dressed...

A ceramic satsuma ware vase with very fine surface decoration made by Kinkozan circa 1880-1900s of late Meiji Period. The vase is of an elegant and relatively rare form with a trumpet shape body and the so-called garlic neck and opening. The surface is exquisitely decorated in a floral scheme with gilt and a light jewel-tone enamel. The top part showcases large bundles of wisteria blossom in white and purple, cascading down from a gilt wood trellis...

A miniature Japanese ceramic vase from the end of Meiji period circa 1880s- 1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time ...

A pair of signed Sbei Kinkozan VII Satsuma polychrome porcelain vases with gold standard (kinrande) from Kyoto, Imperial City, Japan. Kyo Satsuma ceramics contain intricately detail...

A Pair Satsuma earthenware vases by Kinkozan, Meiji period of square section, decorated with birds and flowers alternating with figures, all reserved on a midnight-blue ground with floral designs, each signed Kinkozan zo...