KTZ

Palest blue and chartreuse whimsical satin floral jacquard column gown, with 3/4 sleeve, graceful neckline and lovely floral motif in shades of blue and chartreuse, creating timeless...

Roberto Cavalli floral print dress. Circa 2000s . Cut out each sides . Halter top with deep V neckline . Backless . Maxi dress . Flower jewelry Size f...

Thierry Mugler S/S 1994 White Fan Pleated Dress; with pleated gathering to central metal ring at midriff, satin-covered lightly-boned corset to interior. Fi...

Designed by John Galliano for the Givenchy Couture spring/summer 1997 collection; his last collection for the label. Galliano only designed for the fashion house for 2 years which ma...

Jean Paul Gaultier diffusion line JPG Jean’s maxi dress, circa early 2000s Very good vintage condition Size: Small

A similar example was exhibited and illustrated in 'Schiaparelli & Prada Impossible Conversations' MMA 2012.

MORPHEW ATELIER Cream Multicolored Hand Embroidered Antique One Sleeved Backless Gown with Fringe Vintage condition: Measurements Overall length: 57 in Bust : 33 in Waist : 25 i...

This early 2000s Dolce & Gabbana dress captures the house’s signature sensual tailoring with a playful print and vibrant color palette. Crafted from a silk-blend paisley, the contour...

Composition: 100% Silk Measurements All measurements taken laid flat - Bust: 17.50" / 45cm - Waist: 14.75" / 37.5 cm - Hips: 18.75" / 50cm - Total Length: 44.5" / 113cm Please...

Christian Dior silver metallic knitted maxi dress, adorned with hand painted floral fabric. From the Fall/Winter 1998 collection, as seen on the runway. Lined. Important collector it...

An exceptional and exquisitely constructed bridal gown attributed to Badgley Mischka, dating to the late 1990s to early 2000s, a formative period when the American design house was defining its signature blend of red-carpet glamour and refined bridal elegance. The gown is distinguished by a meticulously hand-beaded lace bodice, densely embroidered with scrolling floral motifs in ivory-on-ivory beadwork and sequins. The embellishment is both intricate and restrained, demonstrating the atelier-level craftsmanship for which Badgley Mischka was celebrated during this era. A sculptural square neckline with wide-set straps frames the décolletage, while long, semi-sheer lace sleeves provide balance and architectural softness. The fitted bodice transitions seamlessly into a fluid silk crepe skirt, cut close through the hips before falling into a gentle, elongated hemline with subtle flare. This contrast between ornate surface detail and minimalist drape is emblematic of Badgley Mischka’s bridal work at the turn of the millennium—timeless, elegant, and deliberately understated. The back of the gown is finished with a row of fabric-covered buttons, reinforcing its couture sensibility and period authenticity. The interior reveals structured boning and refined finishing, consistent with atelier or runway sample construction. The absence of a sewn-in label is in keeping with known Badgley Mischka bridal samples from this era, many of which were produced for showroom presentation or press and never intended for retail sale. Presented in exceptional vintage condition, with beadwork intact and fabric retaining its original luminosity, this gown represents a rare opportunity to acquire a true designer bridal piece from a pivotal moment in modern American fashion history. Authentic vintage Badgley Mischka...

Junya Watanabe 2002 Denim Runway Dress This exceptional Junya Watanabe runway dress, labeled for Comme des Garçons, epitomizes avant-garde design ...