Kusbudiyanto Figurative Paintings

Meredith Walker’s "Ochre Rabbit" is a whimsical and serene example of contemporary folk art, blending narrative illustration, primitive symbolism, and the tactile charm of hand-paint...

***This artwork is currently on exhibit at the Instituto Cervantes, Chicago until September 2025. If purchased this artwork will be available to ship after September 1, 2025. Contact the gallery with questions. Raya, like every productive artist, is a collection of actions, utopias and talents. He is an acrylic painter and a muralist; an installation artist and a practitioner of the theory of the fragment as a synthesis of the whole; he is Chicano but his work has no passport; he is an obsessive self-portraitist (I, as the multiplicity locked within the I) and his an advocate of his community (in the fullest sense of the world); his is from Chicago and - being a nation onto himself - is a native of his art education; his yearns for the Tijuana of tomorrow while being a full-fledged inhabitant of the Tijuana of half a century back; he admires high-tech while being a fan of Frida Kahlo. --Carlos Monsivais Marcos Raya Dog Years oil on canvas 17h x 17w in 43.18h x 43.18w cm MSR054 Marcos Raya brings together old and new works in a variety of media that mostly explores the sociological impact of technological change. His paintings, collages and installations present an idiosyncratic hybrid of Mexican folklore...

Jesse’s imagery often merges playful and gritty elements, blending floral patterns, vintage-inspired designs, and bold outlines with a touch of whimsy. His artwork exudes a sense of ...

Debabrata Basu - Untitled - 48 x 60 inches (unframed size) Acrylic on Canvas Style : Debabrata derives his style and theme by introspecting within himself. The fears of uncertainty,...

Adorator, 2004 Acrylic on canvas 78.74 H x 35.43 W in. 200 H × 90 W cm Signed The painting "Adorator" is part of a larger series of works entitled " Minotaur" and inspired by the m...

"Mario SAFE my GUCCI ass" Mixed media Painting 37" x 48" in by John Paul Fauves 2017 Mixed media, acrylic and oil on canvas 37" × 48" inch From GUCCI in Wonderland series GUCCI in Wonderland series contains two parts. First one, GUCCI in wonderland, is an inspiration that came to John Paul Fauves after doing a 10 piece collection of some Alessandro Michele art campaigns. There was so much magic realism in the GUCCI brand and concept that transcended from being a clothing label to something more surreal. It is here when the artist decides to give a hold to his new collection for 2018 named "holy exit" and dive into this new world of colors and wonders. ​ The second part, Alice in Wonderland, represents the artist a world of fantasy and dreams. It seems as if the author Lewis Caroll could write like a dream. The same concept of surrealism is what FAUVES feels about Gucci design and branding. It as if Gucci can design and create form the world of dreams, and this is what the artist wants to represent in his art GUCCI in wonderland. ​ ABOUT John Paul FAUVES: John Paul Fauves (born in 1980) is a contemporary Artist from Costa Rica . His artistic journey started at a very young age after he became a student of Joaquin Rodriguez del Paso , one of the most important Costa Rican modern art tutors. John Paul spent 15 years studying and mastering his technique, and only a few years ago he finally started showcasing his work. In his paintings he engages questions of identity as they relate to art history as well as our everyday interactions with mainstream culture and social media. Greatly inspired by modernist masters as wellas pop-artists, Fauves mixes fragments of different iconic images in vivid and colourful compositions. Of his experimental and high eclectic style, he says, “art is an expression from the soul, and the soul is somethinglimitless. This is why I am always searching for different elements to bring into the work.” 2019: ​ Alts Iz farloyrn, Los Angeles, CA Portraits of Someone, London ​ ​ 2018: ​ [ Mi / Me ] solo exhibition at DOPENESS ART LAB, Taipei, Taiwan Arte de La Peer Papi Chulo group exhibition, Krause gallery, NYC Down the Rabbit Hole group exhibition, Imitate London, London, UK ARCO Madrid Art Palm Beach, Miami ​ 2017: ​ Art Basel Miami PIXELS Pre-Basel group exhibition by JM Art Management at Laurent & Martin gallery LA Style Fashion week FACES, group exhibition by JM Art Management at HOMME gallery A Loss of Innocence, solo exhibition Guy Hepner...

This beautiful painting by Malka is from her latest body of works called "Figurinot" - Whether portraying human figures or porcelain and ceramic sculptures, Malka grants each subject...

Oil pastels, China ink and acrylic painting on raw cardboard glued on a canvas (80x60cm) This composition is a collage of thousand pieces of paint skin. Every dot on picture is a p...

This is a framed original painting. Biography Creating paintings inspired by western movies and by Remington and Russell, he is a native of the West, having been born and raised in rural Colorado. He studied art at Baylor University in Waco, Texas; at the California Institute of the Arts in Valencia, and at the University of Colorado, Boulder where he earned a Master's Degree in 1979. For two decades he worked as curator at the Yellowstone Art Museum in Billings, Montana, before leaving in 1999 to begin work as a full-time painter and independent curator. His work is in the collections of the Buffalo Bill Historical Center in Cody, Wyoming; the Art Museum of Missoula; and the Yellowstone Art Museum; the Federal Reserve Bank in Helena, Montana; and the Deaconness Medical Center in Billings, Montana. Artist Statement For a long time, the images in my paintings have been identifiably, even iconically, western-stagecoaches and false-front main streets, poker games and gun battles, cowboys, Indians, cavalry troopers and horses, all suspended in a choreographed matrix of dancing paint. Distinct from the traditional western genre-which inventories the minutia of cowboy gear or tells sentimental stories of rangeland romance-my paintings embody something more elemental and timeless, animated and abstract. The images tend to be stark, graphic, and charged with painterly energy. Though they are derived from fugitive television images, the paintings, as paintings, are still, silent and non-ephemeral. They register the technological transfer of primal shadows onto the electroluminescent screens of our collective consciousness, a shimmering blur of perception and memory transposed in an interchange of gesture and description, painted marks simultaneously arresting and embodying movement. I've always liked what a painter friend, Marc Vischer, wrote in 1988 about an early group of my western paintings. Now, I'm fourteen years closer to actualizing my vision for this work, and his astute remarks seem more pertinent today than they did then. He wrote in part, "For McConnell, a searing light emanates from a new desert: that of television. And from that most desolate backdrop, he salvages fragments from a movie world that spoke of honor in a land that was lawless. In a romantic sense, McConnell's works are a visual seance. Figures, like specters distorted through intense heat waves, are captured from their eternity of 24 frames a second. Their shapes and shadows are brought back into a radically different world and given substance and texture. It is an impossible attempt to freeze them, to arrest the present's ceaseless molestation of the past, to close off the continuum. Sometimes this is done darkly and thickly as an emphatic gesture of permanence. In other works a few light strokes quickly applied suggest the ephemeral nature of film and perhaps the fleeting nature of our own lives." I have been examining new imagery in my paintings, drawing subjects from Mexican graphic novelas, modern women and men of romance and mystery from the mid-20th century, motorcycles and airplanes. The end titles of movies, stated in several languages, have inspired me to begin a new series of cross-media translations in both acrylic and watercolor. My paintings have long begun where the movies have left off. The elements of water and light co-mingle in some pieces from this series and in others which take the viewpoint of a swimmer, watching other swimmers from the wet side of this aqueous membrane, looking up toward the light. My arrival in Montana in 1982 brought me into intimate contact with some of the most storied places of the historic West and also gave me the opportunity to study the paintings of two of the most influential codifiers of western imagery, Frederic Remington and Charlie Russell...

Bijan Choudhury - Untitled - 48 x 60 inches (unframed size) Mixed Media on Canvas Inclusive of shipment in roll form. Style : The Marxist orientation did not allow Bijan Chowdhury "...

This beautiful painting by Malka is from her latest body of works called "Figurinot" - Whether portraying human figures or porcelain and ceramic sculptures, Malka grants each subject...

Sulphur, 2005 Acrylic on canvas (Signed) 39.37 H x 39.37 W in. 100 H × 100 W cm Signed The painting "Sulphur" is part of a larger series of works entitled " Minotaur" and inspired ...