Kwangho Lee Furniture

A pair of Chinese Plique-à-Jour enamel (translucent enamel) double gourd vases, each one with removable lid, exquisite all-over enamel decoration, each one signed with lotus flower.

No.98 stoneware sculpture, Tonfisk by Ciona Lee One of a Kind Dimensions: Ø 13 x H 19 cm Materials: White stoneware, satin cream glaze Variations of size and colour available ...

An exceptional and stunning pair cylindrical Chinese cloisonné enamel sleeve vases dating from the early 20th century, probably late Qing. The tall pair of vases...

Small size, early 1900s Gothic Revival light fixture. In architecture, a chimera or grotesque is a fantastic or mythical figure used for decorative purposes, but in the 12th and 1...

A vey fine, antique cloisonne enamel vase. With a depiction of Mt. Fuji enshrouded by clouds against a light blue ground. Simply a lovely little Japanese vase! Date: Late 19th or ...

Very stylish and rare, 1920s Art Deco chrome and art glass pendant light. This early 20th century, French Art Deco light fixture is another great example of the stylish and meaningf...

Attractive and highly decorative, fine quality workmanship pendant. If the elegant seahorse is your favourite animal or if you appreciate applied arts in general then this striking ...

Japanese bronze geese koros, Late 19th century. The pair of goose koros or censors are in the form of geese with their long necks extended and their ...

No.8 stoneware sculpture, Tonfisk by Ciona Lee One of a Kind Dimensions: W 11 x D 5.5 x H 9 cm Materials: grogged stoneware, satin cream glaze Variation...

A fine antique Japanese flower vase. In hand-hammered copper (or possibly a thin-bodied bronze) with applied silver bands to rim, footrim, shaped edge, and with a lotus petal border at the joint of neck and body. Having the usubata form with a wide flared neck and mouth. The 'usubata' vase is a form favored for large scale floral arrangements by the Ikenobo school, the oldest and largest school of Japanese ikebana founded in the 15th century by Buddhist monk Senno Ikenobo. It is believed that the wide and shallow rim of an usubata vase which displays the surface of the water best imitates natural conditions of growth while also contributing to the longevity of an arrangement with the increased surface area of the water better oxygenating the plants. The base retains still retains hand-hammered marks. There is evidence of seams and folds throughout from the construction, and the surface has a cloud-like brown patina throughout. Simply a wonderful Japanese mixed metal vase...

No.18 stoneware sculpture, tonfisk by Ciona Lee One of a kind Dimensions: W 12 x D 7 x H 10 cm Materials: speckled stoneware, shiny white glaze Variations of size and colour avai...

A large, beautifully patinated late 19th century water pitcher or vessel, of dovetailed copper construction with forged iron handle. Indistinctly engraved ??? to the neck, meaning ‘u...