Laurent Lamarche Abstract Sculptures

Peace and Love II is a unique mirror-polished stainless steel sculpture by contemporary artist Franck K, dimensions are 147 × 147 × 5 cm (57.9 × 57.9 × 2 in). The sculpture is signe...

AYN GALLERY propose a curated collection of unique objects like this exceptional and a unique table from the artist Philippe Pasqua. Pasqua is one of the ...

This contemporary glass wall sculpture in a captivating turquoise blue was created by an award-winning artist. Cheryl Wilson Smith is known for her uniquely beautiful glass work—its...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of contemporary art, illustrating the creation of beauty, meaning, and emotional impact fr...

Title: Lantern Column II Year: 1998 - 2014 Medium: Mold blown glass, cast polymer, steel, cast iron Size: 46 inches Price: $6,500 Niho Kozuru is a Japanese-born mixed media artist based in Boston, MA. Kozuru casts and reconfigures molds of her own designs, classical and industrial turned architectural forms in unexpected materials. Using rubber, glass and clay she creates columns with undulating silhouettes. The “Lantern Columns” are a group of 7 towers, ranging from 4 feet to 7 feet tall. They have been shown in various configurations in multiple US States as well as the Fukuoka City Museum in Kyushu, Japan. Kozuru made 60 components by blowing glass into molds of her own designs while at Artists in Residency at Penland School of Crafts in North Carolina. After traveling the world, the Lantern Columns have been arranged into their final configuration, with a steel armature within and each topped with a vivid cast iron final...

“Shattered” wall mirror IV is a unique mirror-polished stainless steel sculpture by contemporary artist Franck K, dimensions are 200 × 200 × 5 cm (78.7 × 78.7...

Linen, linen strap, acrylic glass (mirror, iridescent), gesso, golden wax, wire & acrylic paint on panel Eric Beauplace is a French contemporary plastic artist born in 1962 who live...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

“Shattered” wall mirror III is a unique mirror-polished stainless steel sculpture by contemporary artist Franck K, dimensions are 90 × 90 × 13 cm...

This 3D print is one of a series of works exploring spiral geometry and is inspired by spiral forms in nature seen in small scales such as arthropods as well as cosmic scales like sp...

Jamie Harris straddles the disciplines of painting and glass blowing approaching his work, “more from a painterly perspective than as a traditional glassblower.” His work is primaril...

Elza Mayhew (1916-2004) was known for her abstract bronze sculptures, many large scale, that were described by Colin Graham of the Art Gallery of Greater V...