Layne Rowe Centerpieces

A rare and wonderful monumental large European sterling silver pierced bridal basket with open work handle inset with a beautiful cobalt blue glass.

Carved diamond form rock crystal centerpiece with gemstone decoration. Created by Phoenix Gallery.

Colosseum II is a silver pleated metal centerpiece, that could be used also as fruit bowl This product is part of the collection New Roman, by Jaime Hayon: inspired by the vessels of the Roman Empire, this collection transforms antique references into a celebration of contemporary craft. New Roman collection also includes Colosseum I (all copper), and Colosseum III (copper and silver plated).

Adspera is a centerpiece in brass designed by Chiara Andreatti for Paola C. and it is part of the collection Coquille, a collection composed of cake stands, centerpieces, fruit bowls...

Mawa “A centerpiece draw its inspiration from Nature. Mawa, narrow at the base and wider towards the top, borrows its features from a flower in all its splendor.” This container reinterprets the archetype of the woven basket in a contemporary way, with ample proportions and organic asymmetrical forms. The wicker is enhanced by a leather band at the base that gives the object decorative impact. The piece is difficult to make precisely due to the asymmetrical form. Use and maintenance All the items are made with raw materials and are guaranteed for interiors. If it is necessary, they can also be installed outdoors as long as they are sufficiently protected from atmospheric agents and not directly exposed to the sunlight or water, in spaces like verandas, gazebos, arcades or protected spaces. The raw materials used for weavings could be not extremely homogeneous due to different physical properties and the items could have dimensions a bit different from descriptions listed in this document. The colors could change for the same reasons. Those features are the demonstration of authenticity of each product that is unique and handcrafted in Italy by Mogliano’s masters. Woven wicker is extremely resistant over the years, if it is stored in a dry place and without excessive temperature changes, and it could also change color or nuances due to its sunlight exposure based-on nature. The weaving by the craftsman is performed with soft and wet material, an the material dries naturally with the passage of time losing its elasticity. For this reason, avoid excessive pressures, overloads of heavy weights or impacts. The bases or wooden parts are entirely in solid wood: with the aging they could change in size and present natural micro-cracks. Avoid direct and long exposure to the sun, completely avoid wetting. About the lamp usage, in normal condition the items don’t require special maintenance. Technicals About item technical details and bulbs specifications, please refer to the technical data sheets. Cleaning Use a soft cloth for cleaning. Don’t use any chemicals, acids, scourers or steel brushes. The base in natural wood must be cleaned and dusted using a soft cloth, even slightly damp. Immediately wipe again with a soft, dry cloth. For lamps cleaning, unplug the appliance from electric power...

Unique II Stoneware sculpture by Lisa Geue Dimensions: D 11 x W 12 x H 18.5 cm Materials: Stoneware with Chamotte, Porcelain Slip, Kaolin, multiple firings Non-functional. Lisa...

A white glazed ceramic basket of fruit, probably Italian. The pineapple stem has been repaired with a small loss. The leaf of another fruit has two two areas of mismatched filling. A...

A chic round off-white/antique white 'woven' 'wicker' pottery centerpiece bowl with soft edge, circa late-20th century to the early aughts. Beautiful as a standalone piece or fill wi...

Austro-Hungarian silver filigree round basket with handle. Blue glass inner liner, circa 1840. Dimensions: H 27.5 cm; diameter 22, weight gr. 1430.

A great large metal bowl basket with a twig-like design in a bright gold hue, circa 21st century. Bowl makes a beautiful standalone piece, centerpiece...

George Jones Majolica large 'Rose Basket' 9.5-in wide in cobalt blue, circa 1872. Impressed British Registry mark stamp to reverse for 17 February 1872. George Jones pattern number '...

Marked: Thomas Pitts, London 1771. Arms: Carson Impaling Parker.