Le Roy Furniture

An unusual French Restauration period ormolu mantel clock. The elaborately pierced gilt bronze case in the form of a lyre, with an Apollo mask cresting, on a white marble stepped bas...

A very impressive and stylish early 19th Century gilded ormolu and green marble mantle clock, having two classical maidens either side feeding Rams, an Eagle above the circular white...

The combination of sumptuous, lustrous ormolu and finely decorated Sevres style porcelain makes this mantel clock an exceptional piece. Built in France and retailed by the prestigiou...

This sophisticated gilt bronze mantel clock is an elegant piece of mid-19th century design, beautifully cast and gilded and set with two delicate Sèvres style porcelain panels. The clock case's finest feature is the charmingly naturalistic scene at its top, showing a full-length sculpture of a female figure sitting with a basket and two doves. They are displayed on a naturalistic, oval-shaped plinth, which is decorated all around its exterior with painstakingly intricate foliate motifs. Either side of the plinth there are two Sevres style porcelain panels, each of which shows a winged putto. One putto is shown writing, while the other is shown holding a dove. Each is set inside a turquoise blue border decorated with delicate gilt scrolls. In the centre of the plinth sits the clock dial, which is enamelled and contains Roman numerals. It is signed 'Prize Medal 1851 / Miroy Fres Brevetes / Paris' after the clock's maker, Miroy Freres...

French Empire period gilt bronze mantel clock French, early 19th century Measures: Height 50cm, width 36cm, depth 12cm This mantel clock, wrought from gilt bronze during the French Empire period, features a rectangular base, set above four bun feet, the front of the base adorned with a gilt bronze relief panel...

This magnificent five-piece clock set is designed in the style of 18th century porcelain produced by the famous Sèvres Manufactory in France. The set is comprised of a mantel clock, a pair of flanking vases—which double-up as candelabra—and two candlesticks. The five items are crafted from ‘bleu Sèvres’ (navy) colored porcelain, which has been finely parcel gilt, jewelled and painted, and mounted in gilt bronze (ormolu). The mantel clock is composed of a circular porcelain dial, with a central painting of cherubs in flight, encircled by black Roman Numerals within white medallions. This is set within a gilt bronze bezel, crowned by a porcelain lidded urn, fitted with gilt bronze satyr head handles, draped with flower swags, and topped by a gilt bronze grape cluster finial. The clock case is supported on four porcelain columns, which are surmounted by a gilt bronze pinecone-tipped staff, draped with tasselled fabrics. A gilt bronze sculpture of a dancing Maenad (also called a Bacchante)—a female follower of the classical god of wine and ecstasy, Dionysus (or Bacchus). The woman plays the tambourine and is accompanied by a putto. The clock is placed on a shaped gilt bronze base, with two projecting scrolled wings, decorated with gilt bronze acanthus leaves and porcelain patera. The base is mounted with porcelain paintings of classical trophies, and putti within a gilt bronze cartouche frame. It is set on two gilt bronze feet, which are decorated with pointed porcelain covers and gilt bronze rosettes. Depending on personal preference, the vases that accompany the clock can be left as they are or made to serve as candelabra. When vases, they are topped by porcelain domed lids, with gilt bronze grape finials. To turn the items into candelabra, these lids are replaced by gilt bronze covers. Each cover is fitted with six gilt bronze branches—five of which are scrolling and decorated with acanthus leaves, and one extends upwards in a straight line. These terminate in wide drip-pans and urn-shaped capitals. The porcelain vase bodies feature fine paintings of couples courting in garden settings, and they are fitted with gilt bronze cherub head...

A very good quality late 19th Century French champlevé enamel and porcelain clock garniture, set in a gilded ormolu case, the porcelain panels to the clock and urns depicting classic...

Antqiue late 19th Century French Japy Freres gilt brass enameled mantel clock featuring neoclassical styling with polychrome champleve enamel accents, four columns with spire finials, beveled glass sides and trophy vase topper. Stamped with Japy Freres Medaille D'honneur stamp. Eight day striking movement. 9470. Made in France. Japy Freres was founded in 1806 by Frédéric and his sons.. Japy Freres manufactured their clocks and watches in one place on a production line using machines...

This charming late 19th century French clock set takes inspiration from a range of styles and periods, and is beautiful in its final e...

This beautiful clock set, which comprises of a mantel clock and a pair of vases, was designed in France in circa 1870 in a wonderful Renaissance Revival style. The set has been craft...

A fine Empire period mantel clock with bun feet raising a rectangular base with a central portrait of Bacchus flanked by exquisitely chiseled motif of swirling foliage surmounted by a figure of the goddess Ceres grasping in her lowered hand a wreath woven with foliage and berries while in her garment she collects a bountiful harvest; she rests beside the clock tower with a framed lens opening to access the white enamel dial with black Roman numerals inscribed Etn. Tavernier set with Breguet style hands, raising an urn filled with fruits of the soil; against the tower rest the implements of labor, a shovel and flat rake. The movement is engraved "B". A significant clock movement maker, Etienne Tavernier (French, 1756-1839) is listed in Tardy's horology reference as working closely with the house of Abraham-Louis Breguet as well as providing clock movements...

This exquisite clock set is designed in an elegant 18th-Century Rococo manner, in the style of Sèvres porcelain wares. Rococo is characterised by its use of pastel colours, graceful ...