Lee Jaffe Landscape Photography

Rare Original Photo of JFK Speaking on the Front Lawn 16.5 x 12.5” framed Circa 1960's Photographer Unknown This photograph comes framed in a white frame with a white matte under...

St. Louis and the Arch Vintage Photograph St. Louis: title, signature, dated 1977, copyright 1982, and edition 1/10 to verso. View down Walnut St. of St. Louis' city hall building. ...

13.5 x 10.5 inch gelatin silver print, printed circa 1980 Framed to 26.5 x 22.5 inches Signed on verso Berenice Abbott's "New York at Night" is one ...

Dante's View, Death Valley Gelatin silver print, (1938), printed in 1981 Unsigned Signed with the estate stamp verso (see photo) A lifetime printing by Brett Weston (1953-1954), supe...

Plaster Works, Los Angeles, 1925 Toned silver print Negative by Edward Weston Print by Cole Weston (1919-2003) From: Edward Weston Portfolio, 1971 Published by Witkin-Berley Ltd., Ne...

Limited Edition series of Classic a couple Porsche Targa within Palm Springs California. Mid Century Modern Design Architecture. Photography by Tom Blach...

Since its construction, Mitchell Funk has been chronicling the Twin Towers, of the World Trade Center. More specifically, he has been recording how light affects and transforms the two giant monoliths. Like us all, Mitchell was inspired by the formidable presence of the two buildings. Living in Brooklyn Heights with great views of lower Manhattan gave him a special advantage and opportunity to assemble some of the most iconic Twin Tower images ever taken. To Mitchell Funk, the Twin Towers, of the World Trade Center were the perfect synthesis of commerce and art. Most modern architecture is simply functional. Minoru Yamasaki's Twin Towers were in fact something quite radical. They were a steel and glass expression of Minimalism on the grandest scale in human history. Everything in the towers was stripped down to its essential quality with nothing extraneous added ….. except light. The way the buildings reflected light made them unique and inspired Mitchell to record them in color for 32 years. Although, the exterior was actually made of a very reflective blue/grey stainless steel the warm light of daybreak and sunset could change their color and transform them from buildings into and mystical monumental sculptures. With the help of the sun as a key player, Mitchell’s images of the Twin Towers progress from the mystical to the spiritual as they reflect the sun’s intense golden energy. Under these conditions, one could argue, that the Twin Tower housed the same type of divine energy as the adjacent churches. In the wake of the 9/11 tragedy, one could interpret Twin Tower sunset images differently. A sunset can be a symbol for the end of the day or simply The End. The 1969 image “Dead End” is a visual prognostication. The North Tower is under construction in the background and in the foreground, Mitchell has framed it between two street signs that read Dead End. In Mitchell’s Twin Tower photographs, he is not taking a tourist picture that says “here I am on the Brooklyn Heights Promenade...

Limited Edition series of Classic a couple Porsche Targa within Palm Springs California. Mid Century Modern Design Architecture. Photography by Tom Blachford. What began for Tom Bla...

alternative photo - done on assignment in Cape Hatteras Signed lower right, numbered, 3/15 dated

The latest and final release in Australian photographer Tom Blachford’s long-running project, Midnight Modern, will be exhibited for the first time at TOTH Gallery in New York. Loos...

Limited Edition photography by Tom Blachford. Mid Century Modern Architectural Design. What began for Tom Blachford as a fateful discovery one night has developed into an ongoing s...

Limited Edition series of Classic a couple Porsche Targa within Palm Springs California. Mid Century Modern Design Architecture. Photography by Tom Blach...