Leon Noel Delagrange Furniture

French Art Nouveau Marble Bust of Female Beauty. Signed Proff Mattey.

For the art nouveau lover, or anyone who loves beauty, here is a life size bronze beautifully cast young maiden finished in a warm rich patina. The young woman's countenance is so l...

Beautiful Art Nouveau bronzed colored plaster bust. Bust with lots of patina, damages, as found condition, this adds lots of character to the item. A nice addition in every living ro...

Beautiful alabaster sculpture of an Art Nouveau lady resting on a marble plinth. Signed R. Schoggi.

Captivating late 19th century French bronze bust of a beautiful woman, enhanced by the variegated rich brown patination and excellent tactile surface detail, raised on an integral bronze base with raised title to the fore. Signed ?E Villanis and further raised on a breche griotte stepped and shaped marble plinth ADDITIONAL INFORMATION Height: 33 cm Width: 16 cm Depth: 11 cm Condition: Excellent Original Condition circa: 1890 Materials: Bronze Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik Page No: 17 SKU: 8616 ABOUT Puccini's Opera - La Bohème SYNOPSIS - A group of friends are living a Bohemian life in Paris and trying to make their livings creating art. Rodolfo, the writer, falls in love with the seamstress, Mimi, while Marcello, the painter, and Musetta, the singer, are the on-and-off-again couple by their sides. When the four are happy, they spend their time celebrating life and love. However, Mimi is revealed to be very ill, and Rodolfo struggles to come to terms with the fact that she will inevitably die. Rodolfo and Mimi break up, and months later, Musetta discovers Mimi extremely sick and close to death. She brings Mimi to Rodolfo and Marcello's apartment. Rodolfo immediately takes her in and tries to nurse her back to health, but he is too late. Almost as soon as the two are reunited and have professed their love for one another, Mimi succumbs to her illness and dies. Emmanuel Villanis Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues. Most of these were manufactured in bronze, but there are also models in white metal and terra cotta. Different patinas were used. The bronzes were mainly cast by the Societé de Bronzes de Paris and can be recognised by the round stamp...

-Art Nouveau bust - Alabasta with marble pedestal - Signed latour - Good condition

Signed under the left shoulder: ”CerNelille”.

Polychromed cast aluminium “Art Nouveau” bust of a young woman dressed in a ruffled bustier. Entitled “Strawberries with Champagne”, it is signed on the left side with the sculptor...

A stunning antique bust from the Art Nouveau period. We think this is French and dates from around the 1890-1900 period. It depicts a young girl in a shawl, it is signed and numbe...

Stunning Art Nouveau bronze bust depicting the character "Lola" modelled in the midst of an inquisitive look. The study has a multi hued patination of colours that accentuate the very fine hand chased surface detail. Signed ?E Villanis...

A very fine late 19th century French bronze bust of an attractive classical maiden modelled in the Art Nouveau style, with fabulous multi hued patination of brown and a subtle green, accentuating the excellent hand finished detail. Signed E Villanis, with Societe des Bronzes foundry seal, numbered and with raised title to the fore. ADDITIONAL INFORMATION Height: 28 cm Width: 16 cm Depth: 10 cm Condition: Excellent Original Condition circa: 1890 Materials: Bronze Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik Page No: 79 SKU: 8775 ABOUT Sylvia Ballet - Silvia Sylvia, (the spelling is different in french) is a classical ballet. It features a nondescript mythical setting and a late nineteenth-century score, in which it's themes correlate to giving it a more classical feel, however, it was quite revolutionary for its time. The score was and still is recognized for its greatness. Delibes' work is certainly the best appreciated aspect of the ballet for its innovation, creativity, and maturity. Frederick Ashton's choreography complements the music very well in this respect, staying true to the spirit of the original production while incorporating modern techniques and adding his own unique touch. The ballet itself follows Sylvia who is a loyal follower of Diana (the goddess of the hunting and chassitity). The story starts with Sylvia being stalked by the diety Eros. When she discovers this they fire their bows at each other respectively. However only Eros's shot is true and wounds Sylvia. This is where she is kidnapped by an unknown assailant later revealed to be Orion. Sylvia escapes the caves of Orion by getting her captor intoxicated and pleading to Eros to rescue her. When he begrudgingly rescues her he takes her to the temple of Diana where her love awaits. This leads her to repeal her oath of Chassity taken as a follower of Diana. Emmanuel Villanis Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues. Most of these were manufactured in bronze, but there are also models in white metal and terra cotta. Different patinas were used. The bronzes were mainly cast by the Societé de Bronzes de Paris and can be recognised by the round stamp...

Glazed ceramic woman bust, Art Nouveau period, France, early 20th century.