Leonard Richmond Art

Signed center left, 'Nura' for Nura Woodson Ulreich (American, 1899–1950) and created circa 1935; additionally stamped, verso, with certification of authenticity. An early twentieth...

An excellent example of Doragh's best work. The scene is believed to be New Castle, Delaware circa 1920. The painting has been professionally restored. The ...

Excellent example of Cortès Paris scene. Provenance: Galerie Haussmann, Paris.Herbert Arnot, Inc., New York, New York (May 29, 1964).Country Store Gallery, Austin, Texas (February 2...

René Magritte - LE DOMAINE D'ARNHEIM, 1962 (THE DOMAIN OF ARNHEIM) Date of creation: 2010 Medium: Lithograph on BFK Rives Paper Edition number: 155/275 Size: 60 x 45 cm Condition: Ne...

New York City artist Eliot Candee Clark was well known for his impressionist landscapes. He was the son of painter Walter Clark. Many of his paintin...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró XIV Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Condition: In ...

"Three Ribbon Heads", Art Deco Female Figurative by John Luke Eastman. 1984 Beautiful mid-1980's hand colored Art Deco style lithograph by Southern California artist John Luke Eastman (American, b.1929). In this 1984 version of Eastman's "Three Ribbon Heads", a delicate flowing line drawing of three consecutive women's faces in profile are framed by ribbons in a circular composition. As in many of the artist's works, Eastman captions the piece with the following phrase: " In this life we have three lasting qualities...faith, hope, and love. But the greatest of them is love." Hand signed and dated in pencil lower right, "John L. Eastman 84" artists proof. Displayed in a light grey mat and new art deco-style giltwood frame. Paper size: 20"H x 16"W. Framed size: 19.5"H x 23.25"W x 1"D. John Luke Eastman is a Southern California artist with a unique style. A graduate of UCLA with a degree in graphic arts, he was successful fashion illustrator and art director for prestigious department store in L. A. before turning his full attention to fine art. Over the part decade he has created and mastered the unique style that is currently found in his limited edition silk-screen graphics. A versatile artist, who has illustrated many record and book covers he refers to his style as "the 5th dimension" or "beautiful distortion". The qualities he seeks to impart through his works are fluidity of movement, a feeling of spatiality, weightlessness and beautiful color. His artworks have been in a lot of shows across the country. He recently had show at Celux (Louis Vuitton membership...

Cloudy landscape. Oil sketch on cardboard. Unsigned. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1] After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...

Edward Antoon Portielje (1861 - 1949), C.H. Hermans, possibly his second wife Rosa Hermans Dutch riverlandscape with windmill Signed upperleft corner 'Edward Portielje' and lowerright corner C.H. Hermans 1880 Oil on panel Dimensions excl. frame: 17 x 26 cm. Dimensions incl. frame: 34 x 43 cm. Edward Antoon Portielje (8 February 1861, Antwerp – 18 December 1949, Antwerp) was a Belgian genre painter. He was born to the painter Jan Portielje and his wife Eulalie (née Lemaire, 1828–1903). His older brother, Gerard, was also a genre painter. His first art lessons came from his father. Then he attended the Royal Atheneum and, from 1873, took after-school classes at the Royal Academy of Fine Arts with Edward Dujardin. From 1877 to 1881, he was a full-time student at the Academy under the tutelage of Polydore Beaufaux, Charles Verlat and Nicaise de Keyser...

Max Usadel (ca.1880-1950), Temple of Paestum, dat. 1912 View of the temple of Paestum with two ox carts in the foreground. The setting sun creates a dramati...

'Agay, le château et le Sémaphore'. Oil on canvas. +/- 1922 Signed lower right Measurements : 60 x 73 cm. This painting will be recorded in the second volume of the Catalogue Raisonn...

Marching on a Butterbur Leaf