Leslie McKinley Howell More Art

Mary Caroline Richards Vase, circa 1970s Glazed earthenware 4 1/2 x 5 inches Provenance Estate of Carolyn Brown, New York 2025. Mary Caroline (M. C.) Richards (1916 – 1999) was bo...

This Totem by Marc Zimmerman is currently on display at Earthbound Farm, nestled in California's Carmel Valley. -- "My natural flow with clay stems from my first artistic passion; p...

​Interesting Pop Art tile Sculpture plaque by Guillermo Wagner Granizo (American, 1923-1995). A colorful woman with a beehive hairdo is surround by a fe...

This Totem by Marc Zimmerman is currently on display at Earthbound Farm, nestled in California's Carmel Valley. A country totem with a playful chicken and farm produce brings fun an...

This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. Dive into the whimsical realm of mystique with this utterly enchanting totem. Crafted with meticulous detail, this...

Pablo Picasso's (1881-1973) love affair with ceramics started in 1946, when he came across a pottery fair in the South of France. There, he met the proprietors of the Madoura Pottery...

Melanie Sherman Bowl with Lounge Chair & Coffee Table Earthenware, 24K German Gold Luster, Glaze, Underglaze, China Paints, Vintage Transfers, Multiple Cone 6 Firings, Hand-built 20...

Melanie Sherman Vase (Handmade, Pastel, Warm Tones, Smooth, Curvy) Porcelain, Glaze, Cone 6 Firing 2025 Size: 10.5 x 5 x 7.5 inches (26.67 x 12.07 x 19.05 cm) Signed by hand COA pro...

Melanie Sherman Bowl with Vintage Chair Earthenware, 24K German Gold Luster, Glaze, Underglaze, China Paints, Vintage Transfers, Multiple Cone 6 Firings, Hand-built 2024 Size: 1.75 ...

Higashida Shigemasa Shino Teabowl with Box stoneware and shino glaze 3 x 5.5 x 5.5" date unknown signed by artist

A very rare original Price Price mug! Ken Price Wave Cup clay and glaze 3.5 x 5 x 4.25” 1992 Ken Price (1935 - 2012) received a BFA from the University of Southern California after ...

“Untitled” ceramic, is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This piece is signed on the bottom and can be found on page 92, plate #125 in “John Glick: A Legacy in Clay.” John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...