Liam Hennessy Abstract Paintings

This abstract painting depicts the Arctic Ocean from above. I didn't have a template and designed the composition as I thought it should be. This painting was the first time I worked...

Work on cardboard

With Arctic 2 the Arctic series continues. It is another painting that I have recycled. I used coarse and fine-grained modeling pastes, a homemade past...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

This hand painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

I use the word landscape in a broad sense that encompasses internal and external perceptions, but not necessarily what is visible. The landscape, in a space-time context, becomes a t...

Marcela Jardón delves into the interplay between spatial perception and emotional resonance. Utilizing a blend of mixed media techniques, the composition invites viewers to explore t...

I use the word landscape in a broad sense that encompasses internal and external perceptions, but not necessarily what is visible. The landscape, in a space-time context, becomes a t...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Jim Rattenbury’s work is of our time, yet it is filled with signs from other eras, both distant pasts and distant futures. He creates marks on his works that are accessible to childr...

b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.