Linda Lillegraven Art

An oil painting of cars parked along the street, coated with snow. Christmas lights sparkle in the yard behind the cars, a modest ranch house leaves the front porch light on, welcomi...

Mid Century Seascape and Figural Original oil painting on Linen 1956 Solitary figure on wharf by California artist Robert Watson, painted 1956 (1923 - 2004)The following, is from To...

Serene depiction of an Ohlone Mother and Child walking a forest path by Anton Dahl (Swedish-American). Ohlone Mother and child are walking through the North...

"Coral Cove Rock" is an oil painting by contemporary artist, Carl Bretzke. Coral Cove is located in Jupiter Florida, known for it's large rocks along the b...

Early Impressionist landscape by England-born artist Robert Wood. The work features waves crashing against a beach in Laguna Beach, CA as the sun sets in the background. Signed in th...

Bold composition of two people on a porch by Majel McHugh Logan (American, 1916-1982). Two people sit facing each other on a porch, backlit by warm sun. The piece is sketchy but confident, with thick brushstrokes adding high contrast shadows and highlights. Although the subjects' faces are undefined, there is nonetheless an expressive quality in their body language. Signed "Majel Logan" in the lower right corner.\ Artist's tag on verso with title. Presented in a wood frame with a gold accent. Frame size: 14.75"H x 16.75"W Canvas size: 14"H x 16"W Majel Logan (nee McHugh) (American, 1916-1982) was born in Utah. After graduation from St. Mary of the Wasatch College in Utah, she studied at the Pennsylvania Academy of Fine Arts. She continued to study at Idaho State University before eventually settling in Santa Clara, CA. Although she was a professional artist at the time, she nonetheless continued her studies at San Jose State University in the 1970s. By the mid-70s, she had won 43 awards in state, regional, and local competitions, including Fiesta des Artes (Los Gatos...

An oil painting of a street in Sag Harbor, NY. A simple, modest scene set in the Fabulous Hamptons. This section of Division street is where a number of local churches are based and ...

A wonderful impressionist summer street scene of Washington Square Park in New York City. Waltsak has portrayed this piece in a most intimate, yet energetic way, and has packed so mu...

A wonderful example of Peterson’s views of the Florida Coast during her winter trips down south. Painted during Peterson’s mature period, this lively work underscores the energy of ...

A wonderful realistic portrait of the Penobscot, a mid-19th century coastal sidewheel steamer, rendered in Cameron’s hallmark marine portrait style - technically meticulous, historically informed, and visually serene. Executed with crisp linework and a soft, luminous palette, the ship is shown in profile navigating calm Atlantic waters under both steam and sail, her red paddle box emblazoned boldly with her name. Commissioned in 1843 by Menemon Sanford’s Steamship Line and constructed in New York, the Penobscot was a near twin to her sister ship, the Kennebec, but became especially prized for her seaworthiness. Measuring 228 feet in length with a 48-foot beam and twin 14-foot paddlewheels, she carried schooner rigging fore and aft, providing the added stability necessary for coastal and offshore passages. Initially assigned to the Maine coastal excursion routes, she would later be reassigned to the elite New York–Philadelphia line and eventually sold and renamed Norfolk for pre-Civil War service along the southern coast. This work is oil on canvas and is signed in the lower right. It is housed in its original black frame and retains the artist’s description of the ship on the reverse. Size: 22 inches tall by 44 inches wide (painting) 26 inches tall by 48 inches wide by 1 inch deep (frame) Provenance: Private collection; Acquired from the above About the artist: A Delaware artist, Scott Cameron paints the simple elegance of the America’s Cup races, serene coastal marsh scenes, timeless landscape vistas and historic steamboats in a style reminiscent of the era in which they reigned. An admirer of Andrew Wyeth and the Brandywine School of painters, Scott has combined the detail and quiet stillness of that School in his landscapes with the Luminist School’s sense of light glowing from within. A soft gentle atmosphere seems to fall over each scene adding to the peacefulness of the setting, and a sense of a time gone by. His America’s Cup scenes capture the action at a moment in time, allowing the beauty of the wind-filled sails to become the central design element of each painting. Scott Cameron has exhibited his oil paintings in numerous national and regional shows from the Mystic Seaport Museum to solo and group shows in some of the foremost galleries throughout the Northeast and Mid-Atlantic states. Favorite painting locations are the waterways and coastal inlets of Martha’s Vineyard and Maryland’s Eastern Shore and the gentle rolling landscapes of rural Pennsylvania, Delaware and Maryland. Meticulous research is behind every historic steamboat and America’s Cup painting...

Wonderful Impressionist view of St. Marks Square, Venice. Pam Masco was an American from Massachusetts, and a graduate of the School of the Boston Museum of Fine Arts (1976). She was married to the English artist John Heseltine. Her work is in well-known private and corporate collections and has been shown at the Royal Society of British Artists, the Royal Watercolour Society and other London Galleries as well as in the Provinces. She travelled throughout the U.S.A. and Europe and painted American and European subjects, portraits, landscape and figure compositions, still life and interiors. From 1978 she was involved in drawing, painting, technical painting courses, watercolour and graphic design. She illustrated for major British and American publishers until 1988. Authors include Bruce Chatwin...

Gorgeous turn of the 20th Century Mount Shasta landscape by Anna Carver Bingham (American, 1849 - 1924), 1901. Several deer gather around calm waters that...