Lois Samuels Serveware, Ceramics, Silver and Glass

This stoneware bowl, numbered 21567, is a stunning creation by the acclaimed Danish ceramic artist Gerd Bøgelund. Crafted with precision and finesse, it embodies the artistic excelle...

This is a very good Desert Plate in the Water Lily pattern, made by Hicks and Meigh of Shelton, Staffordshire, England between 1812 and 1822, probably circa 1815. This is a beautifu...

Balloon Vase 01 Raw White Handmade ceramic vase made by Danish artist Louise Roe. Ø6.5-22.5 - H25 CM About the artist: LOUISE ROE is a Copenhagen based interior design brand,...

This is a good stone China (Ironstone pottery) Small Dish or Bowl / Saucer, hand painted in the tobacco leaf pattern, number 2061, made by the Spode factory in the early 19th century...

This is a good stone China (Ironstone) Desert Plate, hand painted in the tobacco leaf pattern, number 2061, made by the Copeland (Spode) factory in the 19th century, English Victoria...

This is a very beautiful hand painted dinner plate, produced by the Spode factory in the late Georgian period, Circa 1820. This is pattern number 2283, the chinoiserie decoration ...

This is a very beautiful hand painted dinner plate, produced by the Spode factory in the late Georgian period, Circa 1820. This is pattern number 2283, the chinoiserie decoration ...

Sculpture form no_002 by AOAO Dimensions: W 37 x D 4 x H 47 cm Materials: plaster Color options available upon request. The idea was born after deciding to reconnect with my family and my grandfather – a sculptor artist. Learning to sculpt and being a designer compelled me to combine these two mediums and use their best values. Experimenting with the functionality of sculpture and the meaning of furniture led me to create the collection. Studio AOAO is an interdisciplinary studio combining art and design. It was created by Alicja Strzyzynska and Onur Iseri in Amsterdam in 2020. “We specialise in making sculptural pieces by experimenting with the functionality of sculpture and the meaning of furniture. In our works, we focus on the emotional connection between the object and the user. All of our work seeks the experience of intimacy and the metaphysical bond between personal interaction and meaningful narrative. Through sculptural value and reflective design, we aim to create pieces that last for generations and help reduce environmental waste.” The inspiration to sculpt came from Alicja’s roots, her grandfather – an artist sculptor. Alicja completed Masters of Arts Degree in Product and Visual Communication Design at Warsaw Academy of Fine Arts and finished her bachelor degree in Interior Architecture. Alicja previously worked in Tokyo and Amsterdam in architectural design studios. Onur completed his business studies in Japan and worked in digital design & marketing as well as teaching in Tokyo. The studio’s first collection debuted at Rossana Orlandi Gallery during Milan Design Week 2021. The studio currently collaborates with RO Gallery...

set of 4 Tiles from the series "Zanuso 31" , consists of 4 elements decorated with orange decal on glossy white glaze forming a sun. In 1968, CEDIT introduced to the world of cerami...

This is a very good Dinner Plate in the Long Tailed Pheasant pattern No.2, made by Hicks and Meigh of Shelton, Staffordshire, England between 1812 and 1822, probably circa 1815. Thi...

This is a beautiful square plate or dish produced by the Spode factory and made of porcelain, in the early 19th Century, Circa 1815 to 1827. The dish is well potted on a low foot ...

This is a hard paste porcelain waste or slop bowl by New Hall in a hand painted Chinoiserie figure pattern No. 20, dating to the late 18th century, circa 1790. The bowl is well potted on a mid depth foot. The decoration is hand-painted using bold enamels in a charming chinoiserie figure pattern, number 20, showing a Lady with a parasol being presented a flower by a young man, all by a fence in a garden setting. The inner rim has a repeated border pattern and the inside base has a hand painted flower bud sprig which is worn and faded. This is a recorded New Hall pattern No 20. Overall a charming 18th Century Bowl...