Lori Eubanks Landscape Paintings

Duomo at Sunset at Piazelle Michelangelo, Florence is part of newly released small works from V....Vaughan's collection of recent travels in Italy and France. V....Vaughan painted each of these on location "en plein air" It has an Impressionistic Style as seen in many of Virginia Vaughan's paintings. The Piazzale Michelangelo...

Calm farm scene of a bucket filled with daisies by an unknown artist (20th Century). In the background a brick barn has a door open, with weeds and plants growing in front of it. A p...

LOOK FOR FREE SHIPPING. PRICE NEGOTIABLE Orange and Purple Trees in Harmony is an contemporary impressionist landscape painting that was painted from scenes near Brenham and Chap...

"The Wild Coast - Big Sur" Contemporary Seascape in Oil on Canvas Vibrant coastal seascape by notable California artist Erin Gafill (American, b. 1963). Brightly colored hills casca...

Reaching Higher, Original Signed Contemporary Impasto Floral Landscape Painting 36" x 24" x 1.5" (HxWxD) Oil on Canvas Hand-signed by the artist. The s...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right. Complemented by a hand carved and gilt frame. William L. Lathrop (1859-1938) Deemed “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887, at the Art Students League. Lathrop first moved east in the early 1880s, and took a job at the Photoengraving Company in New York City. While there, he befriended a fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony. Lathrop's early years as an artist were ones of continuing struggle. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together to travel to Europe with Henry Snell in 1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades...

In this gilt wood framed oil on canvas waterscape, American Impressionist artist Harry Hoffman depicts the last moments of a morning sunrise over a river in predominant hues of lavender, purple, pink and blue. The sky is reflected in the water below with a sandy brown beach and large green tree in the foreground. Harry Leslie Hoffman was born in Cressona, a small community in Pennsylvania’s Schuylkill Valley. His mother was an amateur artist who encouraged her son to pursue a career in the arts. In 1893, Hoffman entered the School of Art at Yale University and studied with John Ferguson Weir, the son of Robert Walter Weir. After graduation in 1897, Hoffman moved to New York to continue his studies at the Art Students League. He also traveled to Paris and took classes at the Académie Julien. In the summer of 1902, Hoffman attended the Lyme Summer School of Art, in the town of Old Lyme on the Connecticut coast. The school was headed by Frank Vincent Dumond and was located in a boarding house owned by Florence Griswold. The school eventually grew into an artists’ colony and a center for American Impressionism. When Hoffman first arrived as a student, he was not permitted to stay in the house which was designated for the professional artists only. However, his outgoing personality soon won him many friends at the colony. In 1905, Hoffman settled in Old Lyme and worked as a full member of the artist colony. He was particularly influenced by Willard Leroy Metcalf, an Impressionist also working in Old Lyme. Fellow artists later fondly recalled Hoffman’s antics at the Griswold house, which included playing the flute and banjo, tap-dancing, singing humorous songs, and performing magic tricks. In 1910, Hoffman married another Old Lyme artist named Beatrice Pope, and the couple had one child in 1921. Hoffman and his wife often escaped New England during the harsh winter months. In the winters of 1914 and 1915 he traveled to Savannah, Georgia with fellow Old Lyme artist William Chadwick...

A classic scene of a large mid-Nineteenth Century schooner at rest in the Mediterranean port painted by the Italian countryman Tomaso De Simone. The complete narrative scene around the schooner's broadside is complemented with a British merchant steam/sail ship, local boats and the colorful sky and headland architecture of the ancient city. The vast serenity and unspoiled life of cruising the Mediterranean Ocean...

This evocative oil study by Charles Sprague Pearce captures a rare moment of stillness in the lives of two working women. Seated along a golden riverbank, their figures are bathed in...

Antique American or possibly European impressionist coastal oil painting by Harry Sutton Palmer (1854 - 1933). Palmer painted in the UK and California. Oil on canvas. Framed. Si...

Antique large American impressionist oil painting by John Joseph Enneking (1841 - 1916). Oil on canvas. Framed. Signed. In excellent original condition. Handsomely framed in a gi...

Attrib. Ralph Davidson Miller 1858-1945 "Desert landscape" c. 1910s. Oil on canvas 34"x24" unframed Unsigned Presenting an extraordinary artwork attributed to the renowned artist R...