Louise Bourgeois Sculptures

A fine abstract expressionist assemblage by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United States Navy, he attended Central Connecticut Teachers College and the Vesper George School of Art in Boston. In 1953, he had a Fulbright grant to paint in Italy, and from 1956 to 1959, he worked with Josef Albers, geometric abstractionist, at Yale University where he earned both his BFA and MFA. Boghosian became a professor of sculpture at Dartmouth College in New Hampshire, and became primarily known for his assemblages in which he uses a variety of incongruous objects such as parts of weathered barn...

Wonderful rendition of a "Mad Potter of Biloxi George Ohr" style vase by Hamilton Achille Wolf (American, 1883 - 1967). Size: 6" H x 4" W. A Post War Cali...

Hand built heavily glazed solid ceramic structure by NY artist Judy Engel. Expressionist style hand built and heavily glazed in a high metallic palladium glaze. Judy's first introd...

Faith, Hope, Love are the fundamental values of humanity. Faith gives meaning to our existence and helps us cope with life's difficulties. Hope allows us to look into the future wit...

This Modernist ceramic sculptures depicts an abstracted and cubist human form sitting cross legged with his back bent forward and arms outstretched. The sculpture, realized by Jaru o...

Ceramic sculpture of combined clay bodies, unique processes developed by Anna Bush Crews, looks to inherent qualities in the material, the way it smoothes, or not, the way it stretch...

In the manner of Julio Gonzalez, mixed metal sculpture. Neo-Dada Abstract Sculpture: Assemblages Abstract sculpture followed a slightly different course. Rather than focusing on non-figurative subject matter, it concentrated on materials, hence the emergence of Assemblage Art - a form of three-dimensional visual art made from everyday objects, said to be 'found' by the artist (objets trouves). Popular in the 1950s and 1960s in America, assemblage effectively bridged the gap between collage and sculpture, while its use of non-art materials - a feature of Neo-Dada art - anticipated the use of mass-produced objects in Pop-Art. Assemblage sculpture is exemplified by the works of Louise Nevelson (1899-1988), such as Mirror Image 1 (1969, Museum of Fine Arts, Houston), and by Jean Dubuffet (1901-85) and his Monument with Standing Beast (1960, James R. Thompson Center, Chicago). The idiom was considerably boosted by an important exhibition - "The Art of Assemblage" - at the Museum of Modern Art, in New York, in 1961. Other examples of the Neo-Dadaist-style "junk art...

Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Unsigned, but was acquired with a collection of his work. Unframed. ...

A fine abstract expressionist assemblage by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United States Navy, he attended Central Connecticut Teachers College and the Vesper George School of Art in Boston. In 1953, he had a Fulbright grant to paint in Italy, and from 1956 to 1959, he worked with Josef Albers, geometric abstractionist, at Yale University where he earned both his BFA and MFA. Boghosian became a professor of sculpture at Dartmouth College in New Hampshire, and became primarily known for his assemblages in which he uses a variety of incongruous objects such as parts of weathered barn doors, antique dolls' heads, old leather, marbles, and ping-pong balls. This three piece assemblage includes a Union Leader tobacco can...

Abstract Expressionist ceramic by French artist Claude Urbani. Signed to the front side and dated 93. Incised Antibes 1993 to the revers...

“Metamorphosis” is a unique over-glaze Chinese porcelain pot by renowned ceramist and painter, Jared FitzGerald. Blowing in the wind. The wind crosses to the mountain and loops lazily in circles in the blue sky. “Metamorphosis” is part of a new series from Fitzgerald’s studios in Jingdezhen, China. This series uses over-glaze, a new ceramic firing technique that diverges from Fitzgerald’s previous ceramic practice, which used the traditional under-glaze technique with blue and white colors. Over-glaze allows FitzGerald to paint with a range of colors; unlike with other glaze techniques, such as under- or middle-glaze, over-glaze allows FitzGerald to paint onto an already fired ceramic panel, so there is no serious change in the color of the pigments. This is a special technique which allows the artist to mix Chinese painting techniques with western techniques derived from oil painting. Over-glaze decoration is considered one of the most important modern glaze techniques in Jingdezhen now. The traditional overglaze decorative colors in Jingdezhen include Gucai (antique colors...

“Under the Sea” is a unique over-glaze Chinese porcelain pot by renowned ceramist and painter, Jared FitzGerald. Below the azure blue line that circles t...