Luft Tanaka Table Lamps

The Paddle lamp is a small, brutalist-inspired table lamp, perfect for bedside or accent lighting in larger living spaces, created by Streicher Goods in Brooklyn, NY. The lamp feat...

Beautiful ceramic table lamp with geometric motifs and a rattan lampshade, France 1950s. Excellent condition. Dimensions in cm ( H x D ) : 44 x 40.5 Dimensions of the ceramic base ...

Wonderful sculptural ceramic table lamp by Bernard Rooke ( B. 1938 ). This gorgeous stoneware lamp has been refitted and rewired to current standards and is fitted for a general E27 ...

Decorative pair of butterfly lamps. Made of metal, covered with white plaster and the bases are covered with gold leaf. The butterflies reach ...

The Double Decker lamp is a tall, brutalist-inspired table lamp, perfect for lighting in larger living spaces, created by Streicher Goods in Brooklyn, NY. The lamp is composed of a...

Brutalist mid-century Danish ceramic table lamp by Fridtjof Sejersen for Sejer Unik ceramic workshop, ca 1960s or 70s. It´s made in his own studio ...

The Dome lamp is a brutalist-inspired table lamp, perfect for accent lighting in all spaces, created by Streicher Goods in Brooklyn, NY. The Dome lamp has a cylindrical form with a...

The Hi-Hat lamp is a tall and broad brutalist-inspired table lamp, perfect for bedside or accent lighting in larger living spaces, created by Streicher Goods in Brooklyn, NY. The l...

Mid-century Danish Brutalist ceramic table lamp by Fridtjof Sejersen for Sejer. Made ca 1960s to 1970s. It´s made in his own studio workshop in Nr. A...

The Disc lamp is a small, brutalist-inspired table lamp, perfect for lighting living spaces, created by Streicher Goods in Brooklyn, NY. The lamp features a cylindrical base that p...

An organic and Brutalist style Butterly table lamp. No chips or cracks. Easily retired for all regions. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...

FINLEY_Dark Lava ​ ​​In Kalin Asenov's studio located in Savannah, GA, each piece is meticulously handcrafted using the slab construction technique. This ancient method of hand-buil...