Luigi Brusotti Buffets

Provincial Buffet in Stripped Oak, France, Late 19th Century Channeling the softened contours of provincial Louis XV ornament An ode to rustic refinement, this late 19th-century Fre...

With a tactile geometry and restrained rusticity, this Spanish cabinet evokes the poetic architecture of Iberian vernacular design. Its façade, framed in solid elm, is composed of re...

A super Art Deco two-door cabinet finishing on a pedestal base shown with nickel plated hardware in beautiful rich stained rosewood veneer. Sleek two door cabinet/sideboard/bar on a ...

Sculpted in stoic relief yet softened by time, this oak sideboard by Gaston Poisson asserts a quiet monumentality. Its architectural presence is anchored by fluted cylindrical feet, ...

Elegant and unusual chimney-shaped bar cabinet, tessellated in black opaline glass outlined by aceso profiles, the 45-degree closing door opens to a mirror mosaic interior, the t...

Elegant French Art Deco credenza circa 1930 in palisander with sweetheart curved double door front meeting at a central slightly rounded vertical element. Nickel plated bronze escutcheons and striped accents contrast the dark wood beautifully. The central vertical rounded element is echoed in a columnar detail at the cabinet’s corners. Thin stripes of metal draw...

Pier luigi Colli oak sideboard, Mid-Century Modern, Italy, 1950s Beautiful oak sideboard. The oak has lovely patina throughout the piece. It is a large-scale sideboard with four doors and architectural details throughout. Amazing oak grain visible throughout the piece. Smoked glass mirrors cover the front doors. The piece is in original vintage condition. Measures: 19 inches deep 93 inches wide 33 inches high Hays Company/Pier Luigi Colli The firm was founded in Turin in 1850, as a laboratory that embroidered for the upholstery of armchairs and sofas. The manufactory collaborated with the Martinotti and C.ia furniture manufacturer, Giuseppe and then Luigi Martinotti, who since 1831 produced luxury furniture in style and from the end of the century in the most up-to-date liberty style. At the death of Federico Martinotti, the last male descendant of the family, in the twenties, the widow gave way to Teresa and Maria Colli and the two companies reunited, assuming the name "Colli da 1831" (with the date they referred To the foundation of the firm Martinotti). Then came Pier Luigi Colli (1895-1968), younger brother of the two holders who had attended the courses of the École des arts décoratifs. Pier Luigi Colli, thanks to his close relationship with Paris, imported Lalique glasses and Jean Perzel decor lamps in Turin. The company took care of the real train setup, built by Fiat Ferroviaria and the technical office, led by Pier Luigi Colli, designed and produced the chairs of the Magna University of Turin and the furniture of the Turin seat of the Bank Italy and the Prefecture. In addition to the furniture, the company produced embroidery for coverings and curtains, carpets, lamps with Seguso glasses, door locks and door handles. The company also carried out works designed by external architects: Gio Ponti (partition walls and windows in the Turin headquarters of Vembi), Giovanni Gariboldi (furnishings for the Richard Ginori showroom in Rome), Carlo Mollino (railing of the RAI auditorium and window frames Of the Royal Theater), Domenico Morelli (furniture of the Rai skyscraper); Gabetti and Isola (neoliberty furniture on the stock exchange) Aldo Morbelli (furniture of Fasano jewelery in Via Roma...

A composition of stoic presence, this French credenza reveals a language of sculptural restraint and measured rhythm. Executed in solid natural oak circa 1940, the piece commands att...

Modernist dramatic bow front credenza attributed to Andre Frechet, with a horizontal frieze of diamond and rectangular shapes inlaid in shagreen. Thin n...

This French buffet unfolds like a carved hymn to symmetry and craft. Its tripartite façade is marked by a rhythmic procession of concentric rosettes, each hand-carved with meditative...

Spanish Revival Bleached Oak Buffet, 1930s "Simplicity is the ultimate sophistication." — Leonardo da Vinci Spain, 1930s Crafted from solid oak and gently bleached to reveal its natural warmth, this Spanish Revival buffet embodies the quiet grandeur of Iberian craftsmanship. The robust structure is softened by the timeworn patina, while the hand-carved, paneled doors showcase the depth and dimension characteristic of traditional Castilian woodworking. Aged iron latches and strap hinges add an authentic touch, evoking the old-world charm of Spanish haciendas. Rooted in Spanish Revival architecture, this buffet takes inspiration from the grand interiors of 17th-century Andalusian and Catalan homes, where dark, monolithic woodwork was an essential part of the aesthetic. The geometric relief carvings echo the intricate coffered ceilings and Moorish influences that shaped Spain’s design heritage, while the sturdy, functional form reflects the rustic simplicity of Spanish Colonial furnishings. - Hand-Carved Paneled Doors – A striking interplay of recessed geometric motifs, celebrating Castilian craftsmanship. - Bleached Walnut Finish – A contemporary touch that lightens the piece while preserving its historical integrity. - Hand-Forged Iron Hardware – Traditional Spanish-style latches and hinges, adding an artisanal flourish. - Four Upper Drawers & Three Spacious Cupboards – A perfect blend of form and function, offering ample storage. - Stepped Base & Framed Side Panels – Architectural details that reinforce the piece’s stately presence. Spanish Revival furniture...

Pierre Lahalle & Georges Levard — A fine French Art Deco mahogany buffet/cabinet with two doors and four drawers (fitted with optional compartments), accented by black lacquered ...