Luisa Albert Figurative Paintings

As we gaze upon this artwork, we are immediately struck by the warmth and tenderness exuding from the scene. The woman, with a gentle smile on her face, carefully feeds the pet calf, while the redhead girl, her eyes sparkling with excitement, reaches out to touch the adorable creature. The artist's attention to detail is impeccable, with each brushstroke conveying a sense of life and movement to the painting. Nevertheless, the beauty of this painting lies not only in its technical prowess but also in the emotions it evokes. Visual research gets us to authorship of Walter Goodall (1830 - 1889) an British painter. But since the painting is not signed apparently – it is hard to state for sure. Antique oil painting on canvas with stamp for 'Brodie & Middleton, 79 Long Acre...

Michele Kortbawi Wilk's "Reign" is a 2024 oil on linen with silver leaf, measuring 12 x 12 inches, that depicts a white horse mid jump with a crown dangling from a string in its mout...

The painting captures a wonderfully amusing family moment set in the 16th century. In the center of the painting we see the father, exhausted by worries and dozing in his chair in fr...

Morgan Cameron’s (US based) “Rainbow Trout” is an oil painting on panel that depicts a swimming rainbow trout. This painting is unframed, but ready to hang. About the artist: I ...

Morgan Cameron’s (US based) “Carousel” is an oil painting on panel that depicts a white carousel horse with bridle and saddle with gilded gold accents. This painting is framed and ...

Vincenzo Colleoni (Active in Venice in the second half of the 19th century) - Interior scene with masked characters. 110 x 160 cm without frame, 145 x 194 cm with frame. Antique oi...

Glynn Williams is a British painter of animal, landscape and other subjects. His work is of the highest quality and his dedication to well observed co...

Introducing a captivating oil painting by Johan Christoffer Boklund (1817-1880). The artwork depicts a young boy practicing his painting skills. Seated beside him is a wooden horse t...

Bernard de Hoog was born in Amsterdam in 1866. He studied under J.F. Hulk and J.C. van Essen at the Quellinus School in Amsterdam. Mainly a genre and portrait painter, he occupies a distinguished place among the masters of Dutch modernism. He was associated with The Hague School, primarily a movement of realism, a reaction against Romanticism. He lived and worked in Laren, Haarlem, Bussum, and The Hague enjoying much commercial success. His paintings were readily exported to the United State, Canada, and England. De Hoog advocated the simple country life and produced many endearing interior scenes inspired by compassion for the impoverished existence of the Dutch peasantry. Set within a quiet domestic interior space, our painting catches a meditative moment of a woman in the midst of her sewing. A large window illuminates this intimate interior. de Hoog’s delicate brushwork captures the sunlight reflected in the woman’s red dress...

ILONA SAPKA studied at the School of Applied Arts, "Schola Posnaniensis" in Poznan. She received her diploma from the Faculty of Painting in the studio of stained glass led by prof. ...

FERNANDO LIGER HIDALGO Spanish , 1880 – 1945 "Interior of Alcazar of Seville" Signed & located "F. Liger, Sevilla " (lower left) Oil on canvas 2...

JOSÉ VILLEGAS CORDERO Spanish, 1844 - 1921 THE BARBER OF SEVILLE signed & dated "J. Villegas. / Junio 1913." (lower left) oil on canvas 19-3/8 x 28-3/4 inches (49 x 73 cm.) framed: 27-1/2 x 36-3/4 inches (69.5 x 93 cm.) PROVENANCE Private Collector, Seville, Spain José Villegas Cordero (Seville, August 26, 1844-Madrid, November 9, 1921) was a Spanish painter. He directed the Prado Museum between 1901 and 1918. He was the brother of the painter Ricardo Villegas Cordero. He began his apprenticeship very young with José María Romero, with whom he remained for two years until entering the School of Fine Arts in Seville, where he was under the tutelage of Eduardo Cano. In 1860, when he was only 16 years old, he sold his work Little Philosophy for 2,000 reais at the Seville Exhibition. In 1867 he traveled to Madrid, where he entered Federico Madrazo's studio. There he established friendship with painters Eduardo Rosales and Fortuny. He went regularly to the Prado where he copied Velázquez, from whom he acquired spontaneity and the use of color for his technique. Finally, and out of admiration for Fortuny's orientalist painting, he returned to Seville and organized an excursion to Morocco. At the end of 1868 he decided to travel to Rome accompanied by the painters Rafael Peralta and Luis Jiménez Aranda...