Luneville Platters and Serveware

19th century English platter in the highly collectible "Blue Willow" pattern. The platter is in vibrant hues of blue and the transfer is ...

19th century English transfer ware platter in the highly collectible "Blue Willow" pattern. This platter is from the Staffordshire region of England, where...

This antique well made silver plated asparagus service or meat server originated from England and made for the renowned Canadian Birks department store chain and dates to approximately 1900 and done in a Victorian style. The set is composed of a handled drip tray with a silver plated stand or rack that sits on bun feet with two sauce servers or boats that fit into the rack. The tray and the two sauce servers are decorated with a stylized rope motif and the tray and both sauce boats are signed "Birks Regency Plate".

19th century platter in the rose medallion pattern. Losses to paint at edges from age and use.

19th century Staffordshire platter in the highly collectible "Blue Willow" pattern. The platter is marked R.K. and Co, which is the mark from Robinson, Kir...

This 19th century large blue willow serving platter is signed Staffordshire, England. The condition is in mint condition.

19th century Staffordshire platter in the highly collectible "Blue Willow" pattern. This platter features a combed back, which is typical in older Staffordshire...

19th century stone china platter from the Staffordshire region of England. The transfer pattern is the highly collectible Blue Willow pattern. The platter has signs of being loving...

French Napoleon III majolica slip aperitive or dessert set by Jerome MASSIER, Vallauris, France, end of 19th century. 6 (2x3) plates : anemone, pansy and daisy - Diameter : 7.5"(19cm). 1 platter with the three same flowers - Height : 3"(7.5cm), Diameter : 13"(33cm). Platter and plates (except one) are intaglio stamped. "J.Massier Vallauris" (platter), "Jerome Massier Vallauris" (4 plates) "Jerome Massier Fils Vallauris AM" (1 plate). Excellent original condition (an original crack in the firing on a plate, see last photo). The Massiers’ work represents a link between traditional Victorian majolica and Art Nouveau pottery. There were three Massiers working in the second half of the nineteenth century, heirs to an old line of potters, who transformed traditional utilitarian ceramics into an art form. Their ancestors had worked for several centuries in Vallauris on the French Riviera, where, in the twentieth century, Pablo Picasso was reigning ceramic artist. Delphin Massier (1836 - 1907), and Clément (1845 -1917) were brothers. A cousin, Jérome (1850 – 1916) worked with them, using the signature « Jérome Massier fils ». By 1899 the family firm was divided into branches headed by these three men. In 1860 the Massiers began to produce their vibrantly colored majolica, perhaps inspired by the flowers of the Cote d’Azur. Clément was particularly interested in designs drawn from ancient Egypt, Greece, and Rome, as well as from Renaissance maiolica...

This large ceramic platter was sculpted in Brittany, France, circa 1880. The colorful, antique plate features a hand painted, outdoor banquet scene with Breton people eating, drinkin...

19th century Majolica bread tray from England in the wheat pattern. The tray has a central medallion of solid brown, surrounded by a yellow basket weave...

19th century English transfer ware platter in the highly collectible "Blue Willow" pattern. This is a very large platter, and has lovely transferring detail. So many of the platters ...