Maison Beurdeley

Monumental gilt and patinated bronze candelabra by Beurdeley French, late 19th century Measures: Height 273cm, width 90cm, depth...

Very large antique Louis XV style mantel clock by Beurdeley and Raingo Frères French, Late 19th Century Height 98cm, width 49cm, depth 24cm This magnificent Louis XV style mantel cl...

Very large Louis XV style gilt bronze mantel clock by Beurdeley French, circa 1880 Measures: Height 102cm, width 48cm, depth 29cm This very large mantel clock...

These exquisite wall lights were created in the late 19th century by the famous bronzier, Henri Vian (French, 1860-1905). These wall lights are stamped ‘HV 955’ for Henri Vian, along with ‘BY’ for the prestigious Beurdeley furniture-making workshop (French, founded 1818). Vian purchased several bronze models that were created by Beurdeley when the company closed in 1895. These lights were most likely cast from a Beurdeley model. Typical of both Beurdeley’s and Vian’s work, these lights are designed in an 18th century Louis XVI (Neoclassical) style. The wall lights feature gilt bronze (ormolu) backplates which are designed to look like ribbons, tied in bows and ending in tassels. These ribbons support gilt bronze oval frames...

A Fine and Rare Louis XV Style Gilt-Bronze Mounted Marquetry Occasional Table. By Emmanuel Alfred (dit Alfred II) Beurdeley. Paris. The top with marquetry of precious fruitwoods and rare timbers depicting a central cartouche of two monkeys standing in a classical landscape, dressed as men playing a drum and a tambourine. The surrounding marquetry composed of rocaille framed trellis parquetry panels with ribbon-tied trophies. The shaped top surrounded by a three-quarter gilt-bronze gallery. The top slides back and the drawer opens to reveal a writing tray. The serpentine sides with cartouches with flower-filled marquetry. On cabriole legs headed by gilt-bronze rocaille clasps. Stamped ‘A. BEURDELEY A PARIS’. France, Circa 1885. Beautifully rendered by Beurdeley this ‘table Singeries’ is ennobled with the fullest frivolity of the rococo. The marquetry scene on the top derives from engravings published in Paris in the mid-eighteenth century entitled ‘Le Tambour de Basque’ and 'Le Tambourin’ by J. Guelard after designs by Christophe Huet (died 1759) from a series entitled ‘Singeries ou Différentes Actions de la Vie Humaine Representées par des Singes’. Elegantly framing the marquetry cartouche are three trophies set against a background ‘à mosaïque’, emblematic of war, the hunt, and gardening and pastoral pursuits. These designs are derived from a set of six engravings by Gilles Demarteau l’aîné (1722–1776), entitled ‘Plusieurs Trophées Dessinés et Gravés par Demarteau l’aîné’, published in Paris in the mid-18th century. The present writing table is almost identical to an 18th century table in the James A. de Rothschild collection at Waddesdon Manor (inv. 3472) which was purchased by Baron Ferdinand de Rothschild at the legendary auction of Prince Demidov’s Florentine Palazzo San Donato in 1880 (Lot 1554 — Très jolie table...

A fine Louis XVI style gilt bronze mounted mahogany vitrine, by Alfred Louis Beurdeley. French, circa 1880. Stamped to the carcass ‘A. Beurdeley à Paris’. This fine mahogany...