Maison Odiot Paris Furniture

Solid silver planter with original blue glass interior by Maison Odiot. Solid silver planter from the Maison Odiot with its original blue glass interior, 19th century, Napoleon III ...

Direct from Paris, two magnificent 19th century 950 sterling silver Louis XVI serving platters by the world's premier French silversmith “Jean-Baptiste Odiot”, includes two anti-tarnish wraps for easy storage, circa late 1870s. Odiot, a name synonymous with exceptional French silver craftsmanship, has been an emblem of elegance and luxury for over three centuries. Renowned for their exquisite serving plates and platters, Odiot's legacy is intertwined with royal patronage, remarkable awards, and a commitment to unparalleled quality. The origins of the Odiot family business date back to the reign of Louis XV in 1690, founded by Jean-Baptiste Gaspard Odiot. However, it was Jean-Baptiste Claude Odiot, his grandson, who propelled the brand to international acclaim during the late 18th and early 19th centuries. Under his leadership, Odiot became the silversmith to Emperor Napoleon I and was entrusted with crafting some of the most iconic pieces of that era. The 19th century marked a golden age for Odiot, as they received numerous prestigious commissions, including the crafting of silverware for the Russian Imperial Court and the French royal family. Odiot's ability to adapt to changing tastes and styles, from Rococo to Neoclassical and later to Empire style, solidified their reputation as masters of their craft. Odiot's commitment to quality and craftsmanship is evident in every piece they create. The use of 950 sterling silver, a higher grade than the standard 925 sterling silver, underscores their dedication to excellence. This higher silver content not only enhances the aesthetic appeal but also ensures durability and longevity. The expertise of Odiot's craftsmen is also reflected in their ability to blend traditional methods with innovative techniques. This fusion allows them to preserve the heritage of silver-smithing while meeting contemporary demands. Each piece undergoes rigorous quality checks to ensure it meets Odiot's exacting standards, resulting in silverware that is not only beautiful but also of the highest quality. Odiot's exceptional craftsmanship has been recognized with numerous awards and accolades over the centuries. At the 1809 Exposition des Produits de l'Industrie Française, Jean-Baptiste Claude Odiot was awarded a gold medal for his remarkable silverware, solidifying his status as one of the leading silversmiths of his time. The brand continued to garner acclaim throughout the 19th century, receiving medals at various international exhibitions. For instance, at the 1855 Exposition Universelle in Paris, Odiot was awarded the prestigious Grand Medal of Honor, further cementing their reputation for excellence. These accolades are a testament to Odiot's unwavering commitment to quality and innovation. In addition to formal awards, Odiot has also received praise from critics and collectors alike. Their pieces are highly sought after by connoisseurs of fine silverware, and their works are frequently featured in prominent museums and collections around the world. This enduring recognition underscores the timeless appeal and superior craftsmanship of Odiot silverware...

SET OF PLATERY in solid silver model strong contoured threads with staples and pinched ribs, mounted with a hammer. Count’s coat of arms and monograms Composed of ten dishes as follows: • 4 round hollow dishes 3612 grams Diameter 32 cm height 3 cm • 4 semi-deep round dishes 3074 grams Diameter 29.5 cm height 2 cm • 1 semi-deep oval dish...

Flatware in solid silver from the house of Odiot, goldsmith founded under Louis XV. The canteen is housed in an oak box from the Odiot house, topped by a brass plate engraved with the leafy monogram "AR" and a crown. The interior in red velvet presents five superimposed trays. The handles are decorated with foliated fillets ending in a shell, the spatulas are fiddled and all the pieces are monogrammed "AR" under a crown with five pearls. By family tradition the numbers are said to be those of the Rothschilds. All the cutlery has the edge engraved "Odiot". The hallmark on this canteen in silver (oil lamp topped by an O) is that of the Master Odiot, and corresponds to that inscribed in 1865 and then crossed...

19th Century French silver tea & coffee service on tray, comprising of a coffee pot, teapot, sugar bowl, cream jug and large oval tray. Each piece with panel reserves, cast as putto ...

Antique late 19th century French solid silver and clear glass pair of claret jugs, each body is of baluster form, beautifully swirled glass, the app...

Antique late 19th century French exquisite solid silver dinner service, very large and of heavy gauge. Consisting of; five serving oval dishes, four serving round plates, two lidded tureens and two sauce boats. Of traditional shape and decorated with elegant guilloché borders, applied with cast crowned masks above floral garlands, mounted with scrolled acanthus leaf handles and finials. Hallmarked French Silver minerva (950 standard), Paris, Maker's mark MON ODIOT...

These very elegant wine coolers and liners are from Odiot favorite silversmith of emperor Napoleon the 1st The body of the bucket on his pedestal foot is silver plated, but all gar...

This 109-piece silver flatware service was crafted by the legendary silversmith Odiot in Paris. The set includes an array of sumptuous serving pieces. The service boasts an elegant d...

Antique 19th century French rare and important set of twelve solid silver dinner plates, each of shaped-circular form with ovolo borders. En...

Antique late-19th century French pair of magnificent five-light candelabra, large and exceptionally heavy, made in the Louis XVI style, each on cast circular bases, standing on three square feet, column decorated with foliage and ribbon-tied husk bands, the tapering fluted and knopped stem applied with ribbon-tied husk swags, the top terminating in a urn-shaped leaf socket, supporting three acanthus leaf twisting branches and a central light, each branch terminating in vase-shaped foliage chased sockets with beaded wax-pans. Each part is Hallmarked French silver (Minerva's head, 950 standard), Paris, year 1880-1900, Maker's mark for ODIOT (used 1825-1895), inventory number 5797. La Maison Odiot, or House of Odiot was founded in 1690 by Jean-Baptiste Gaspard Odiot, fine silversmith during the reign of Louis XV. However it was with his grandson, Jean Baptiste Claude Odiot (born in 1763) that the firm reached its peak of notoriety, receiving exceptional commissions from Napoleon’s court and the most important Royal families of the world. In 1802 the firm participated at the International Exposition de l’Industrie in Paris winning the gold medal. Soon after, Odiot succeeded Henry Auguste as Napoleon’s official silversmith and was commissioned both the sceptre and the sword for his coronation in 1804, two massive dinner services for Napoleon’s mother and sister and one for the Emperor’s campaigns. Jean Baptiste Claude is certainly the most iconic silversmith of the Empire style, influenced by the return of the classical Greek and Egyptian patterns: his pieces, often silver-gilt, are characterised by neoclassical forms and figural elements, often fixed with rivets and bolts, and not by the classic soldering method. Jean Baptiste Claude retired in 1823, and his son Charles Nicholas took over the business. By 1825 he was already purveyor of silverware by appointment to His Majesty the King Louis-Philippe and to the Royal Family of Orleans and he started experimenting with electroplating, a technique he imported from England. Charles Nicolas excelled in the Rococo style, featuring shells and scroll motifs, flowers and richly ornate elements. Charles Nicholas was succeeded by his son Gustave who worked for the firm from 1856 through 1906. He accepted the most majestic commission ever received by the company: 3000 pieces of solid gold flatware...

Pair of gilt Maison Odiot cups with saucers, stamped at the bottom Maker’s Mark by Odiot and Head of Minerva for 1838. Measures: Cups: 7.5 x Ø 13 cm, saucers: 2 x Ø 14.5 cm.