Markel Corporation Furniture

Vintage Italian wall lights with fan shaped satin frosted white Murano glass shades mounted on bronze metal frames / made in Italy, circa 1960s Measures: height 13 inches, width 11 i...

Stunning pair of French Art Deco sconces signed "Depose Noverdy France". Molded clear frosted glass with geometric motif with polished ...

A ceramic table lamp featuring a rich brown and beige glaze adorned with floral motifs. It is elegantly topped with a contemporary lampshade and bears the signature of André l’Helgue...

Marius Ernest Sabino. Pair of Art Deco wall sconces from circa 1930, with five clear and frosted glass leaves mounted in a satin nickel frame.

Made in Czechoslovakia Made of Fabric,Ceramic 1xE27 or E26 bulb Re-polished Original condition US adapter included.

Pair of Art Deco chrome sconces. Two candelabra light bulbs per sconce.

Mid-Century Ceramic Table Lamp, Continental, 1960s A sculptural mid-century ceramic table lamp, Continental, dating from the 1960s. The cylindrical body is pierced with a rhythmic ...

A large ceramic table lamp crafted by the renowned French ceramicist duo, Les DALO. The front showcases a stylized animal that resembles a cat, contorting itself to fit. Signature o...

A beautiful pair of 1920's Art deco sconces, the color and the patina is so much nicer in person

Large scale textured ceramic lamp by David Cressey for Architectural Pottery circa 1970s Dark olive glazed stoneware with applied abstract textured design Mounted to wood base 10 i...

Pair of Mid Century ceramic table lamps, having bowling pin form bodies, with dimensional sgraffito textured surfaces in sand, orange and gold tone glaze finish. American made, in th...

Pair of French Art Deco wall sconces by Paul Kiss, circa 1925, combining carved alabaster bowls with exuberant wrought‑iron scrollwork. The deep, half‑moon alabaster shades flare gently at the rim and show dramatic veining that glows warmly when lit, giving a soft, diffuse light typical of Kiss’s use of stone.
Each bowl is cradled in a black patinated iron bracket composed of tight volutes and overlapping spirals, the lower section forming a stylized finial that anchors the composition and showcases the designer’s virtuoso fer‑forgé Paul Kiss was a Hungarian-born master of wrought iron who became one of the leading metalworkers of the French Art Deco movement in Paris during the 1920s and 1930s. In Paris he trained and worked with the great ironworkers Edgar Brandt and Raymond Subes, absorbing their technical refinement before opening his own atelier and showroom in the rue Léon-Delhomme after the First World War. Kiss specialised in hand‑forged iron furniture...