Master F.G. Furniture

A very rare - finest quality - mid 16th century Italian Renaissance engraving (after Raphael) by an anonymous pupil of MARCANTONIO RAIMONDI (1480-...

Pair of antique engravings by Johannes Sadeler I (1550-1600) with hand painted Italian frames. Literary work: Guduvaldus - Venezia 1598. From the s...

Antique print titled 'Das rennen und stechen'. Engraving of a Medieval tournament. This print originates from 'Thurnier Buch. Von Anfang, Ursachen, ursprung und herkommen (..)' b...

Rare Antique Botanical Prints by James Sowerby (1757–1822): A Timeless Tribute to British Flora Step into the enchanting world of 18th-century botanical artistry with our exceptiona...

16th Century Renaissance Borders – Ornamental Panels from L'Ornement Polychrome, Plate LXXI This vivid and highly decorative sheet is Plate LXXI from the celebrated chromolithograph...

Antique print titled 'Europa XV, XVIth Cent - Europe XV, XVIe Sele - Europa XV, XVItes Jahr'. Chromolithograph of European 15th-16th century armament. This print originates from 'Le ...

Antique View of Château de Fontainebleau, Napoleon Era Landscape Engraving, 1803 A panoramic view of Fontainebleau, capturing the grandeur of Napoleon’s residence within a refined l...

Antique print titled 'Europa XV-XVIth Cent - Europe XV-XVIe, Sele - Europa XV-XVItes Jahr'. Chromolithograph of European 15th-16th century costumes. This print originates from 'Le Co...

Beautiful and rare antique map of Greece with Albania, Mecedonia, Romania, Dalmatia and the peninsula of Salento to the Golf of Taranto. Also clearly shown the islands of the Aegaian...

Albrecht Dürer 16th Century Old Master Engraving The Sudarium Of Saint Veronica Good condition overall, framed and mounted under protective glass. Dated and signed in the plate with...

Antique View of Porte Dauphine, Château de Fontainebleau, Baltard, 1803 Depicting one of the ceremonial entrances to Napoleon’s residence at Fontainebleau. This finely engraved architectural view depicts the Porte Dauphine at the Château de Fontainebleau, one of France’s most historically significant royal and imperial residences. Created by the French architect and engraver Louis-Pierre Baltard and published in Paris in 1803, the print originates from the important Napoleonic-era work Paris et ses Monuments, mesurés, dessinés et gravés, a publication dedicated to documenting France’s architectural heritage with precision and artistic refinement. The composition presents a richly detailed perspective of the monumental gateway, with its triumphal arch, sculptural ornamentation, and flanking architectural elements rendered in meticulous copperplate engraving. The scene combines architectural clarity with atmospheric depth: the finely etched masonry, decorative reliefs, and wrought iron fencing contrast beautifully with the dramatic sky and receding perspective beyond the arch. Small figures animate the foreground, adding scale and a sense of daily life, while the strong use of light and shadow enhances the monumentality of the structure. Fontainebleau played a central role during the reign of Napoleon Bonaparte, who used the château as one of his principal residences. The Porte Dauphine served as one of the ceremonial entrances to the palace complex, making this view both architecturally and historically significant. As such, the engraving captures not only a physical structure but also a symbolic threshold into one of the key sites of imperial power during the First Empire. Baltard’s engravings are highly regarded for their technical precision and elegant execution. The crisp lines and tonal richness characteristic of early 19th-century copperplate engraving are clearly visible here, offering both decorative appeal and scholarly value. This piece is particularly well-suited for collectors of architectural views, French history, or Napoleonic-era material, as well as for interior designers seeking refined, classical imagery. Condition: Good antique condition with light age-related toning, scattered foxing, and minor discoloration to the margins. The impression remains strong with clear, well-defined lines. Plate mark visible. Framing tips: This print would display beautifully in a dark walnut or black frame with a wide ivory mat, emphasizing the depth of the engraving and creating a sophisticated, gallery-quality presentation suitable for a study, hallway, or formal interior. Note: This is an original antique engraving and not a reproduction. It is offered unframed. Frame shown for presentation purposes only. Technique: Copperplate engraving Maker: Louis-Pierre Baltard, Paris, 1803 Keywords: antique architectural engraving Fontainebleau, Porte Dauphine print, Baltard engraving 1803, Napoleonic era architecture, Château de Fontainebleau view, French classical architecture print...

A pair of outstanding prints of French nobles of the 16th century. The costumes are exquisite! The captions under each figure indicate that the figures and their costumes were from the period of Henri III...