Masuo Ojima

Beautifully hand crafted Lalique centerpiece decorative bowl in a wide open "V" form shape. The bowl is embellished by engraved frosted doves and large scrolls design details. Maker'...

Vintage Asian Modern Japanese handcrafted striped glazed brown sake server in blue or gray color. Signed by the Artist underneath.   A-448-344

A large Japanese blue and white decorated Arita porcelain charger, Edo Period, early 19th century, Japan. The large and shallow blue and white Arita porcelain charger measures 18 ...

Beautiful large centerpiece bowl crafted from stoneware clay. Inspired by the vibrant marine life of the reef and the soft motion of ocean waves, this extra large fruit bowl showcases a distinctive blend of artistry and nature, capturing the tranquil beauty of the sea. Each centerpiece bowl is wheel-thrown and hand-glazed in our studio, featuring a soft, white matte finish that beautifully enhances the organic textures of the clay. The glaze has been specially formulated for this collection, reflecting the dedication and craftsmanship that goes into each piece. Ideal for keeping your weekly fruits out on the counter or as a striking standalone accent, this white centerpiece bowl...

Large Awaji pottery vase with sprigged chrysanthemums and green and white glazes, circa 1930. Measures: 18 1/4" high, 9 1/2" diameter. Excellent condition.

Italian midcentury Aldo Londi Bitossi Rimini blue ceramic centerpiece bowl, Italy, 1950-1960s. Unusual large scale 14,17 in diameter Mid-Century Modern blue glazed ceramic (Rimini Bl...

A contemporary studio ceramic vase made by Japanese potter Ken Matsuzaki (1950-). The vase showcases distinguished "moon flask" form with shoulder loops. The moon flask form was widely recorded first in Tang Dynasty China, most likely arrived from the Mideast countries via the silk road. It was originally used as drink vessel for the nomads and the loops were used to tie it to the horse-centered owner. The exotic form persisted in Chinese ceramic production through Ming to Qing dynasty. The form is unusual in Ken Matsuzaki's work. The artist covered the vase with a thick dripping Oribe green glaze partially revealing the unglazed part of the body, which is decorated with scrolling pattern in left by ash glaze. The work is rooted in both Yohen Shino glaze technique and Oribe tradition, but interestingly it also paid homage to Sancai pottery in Tang Dynasty when green glaze was prominently used to drip and splash onto the pottery. Viewing the vase, one can see in this harmonious piece, the innovative reinterpretation of ancient aesthetics that cross the cultures, geology and time. The base is marked with the artist's signature. The vase comes with an inscribed tomobako storage box with the artist's bio and wrapping cloth with seal. The vase measures 8.6"h x 7"w x 2"d. Ken Matsuzaki’s haptic ceramics bring a contemporary approach to traditional Japanese ceramicware, most notably 16th-century Oribe pottery...

An Imperial Japanese Satsuma Charger By Masanobu, Meiji era Of large circular form, the wide rim lavishly decorated in raised polychrome enamels and gilt with a continuous border of...

Bowl, large quartz points by Aver Dimensions: D 23 x H 10 cm. Materials: quartz, steel, polyvinyl chloride, resin.  

A contemporary studio ceramic tea pot with metal handle made by Japanese potter Ken Matsuzaki (1950-). The stoneware tea pot showcases a thick dripping Oribe green glaze partially revealing the unglazed part of the body, which is decorated with scrolling pattern of ash glaze. The work is rooted in both Yohen Shino glaze technique and Oribe tradition, but interestingly it also paid homage to Sancai pottery...

18 Inch Japanese Imari Charger - very large and decorative. The mixed illustrative painted scenes are with great pattern and texture, and mixed with floral and organic images of blos...

A large and impressive Japanese Imari porcelain fluted charger with scalloped rim, signed Kaji(chu?), Edo to Meiji Period, mid 19th century, Japan. The magnificent Japanese Imari charger measures 25" in diameter, and is decorated in the typical imari palette of underglaze blue with overglaze red, orange, blue, and green enamels with gilt highlights. The large charger also features fluted sides and a scalloped gilt rim. The design of the charger is centered on a central floral medallion with three large chrysanthemum blossoms and vegetal scrolls. Radiating out from the central medallion are various brocade patterned sections that roughly follow the shape of the fluting. Some larger sections feature images of cranes and minogame (turtles with long tails), both symbols of longevity, while other feature dragons and phoenix, symbols of authority and power. Four large reserves depict charming scenes of a scholar and his students within a bamboo grove having discourse and examining scrolls. The back of the charger decorated in underglaze blue with bold floral and vegetal scrolls. With a three character inscription in underglaze blue reading Kaji(chu?) Sei. The charger is fitted with an antique metal hanger...