Masuo Ojima

Vintage Asian Modern Japanese handcrafted striped glazed brown sake server in blue or gray color. Signed by the Artist underneath.   A-448-344

A large Japanese blue and white decorated Arita porcelain charger, Edo Period, early 19th century, Japan. The large and shallow blue and white Arita porcelain charger measures 18 ...

This is a wooden kokeshi doll made around 1980s in Showa era. It was made in Nagano prefecture in Japan. The wood is a white birch. Betula platyphylla, the Asian white birch or Jap...

Edo period hand painted Japanese Arita ware porcelain dish or charger, produced in the Kakiemon style. The dish features a delicate, asymmetrical design with vibrant enamel colors, c...

This is an old wood carving made in Japan. It is a female figure by an unknown artist, and is estimated to have been made in the late Showa period (1960s-1980s). The statue is carved...

A large and charming Japanese imari charger with Chinese boys, Edo to Meiji Period, mid 19th century, Japan. The large porcelain charger measuring 16" in diameter features high, slo...

A magnificent gilded giant statue of Amitabha Buddha, carved from a single block of solid wood. Seated dhyana asana on a high lotus throne, the Buddha's full and round face, hallmark...

A decorative handmade sculpture or statue. Showing Brahma, the first of the three Hindu trinity, he is the creator of the universe. He is depicted with four faces looking at the four...

Large Awaji pottery vase with sprigged chrysanthemums and green and white glazes, circa 1930. Measures: 18 1/4" high, 9 1/2" diameter. Excellent condition.

A contemporary studio ceramic vase made by Japanese potter Ken Matsuzaki (1950-). The vase showcases distinguished "moon flask" form with shoulder loops. The moon flask form was widely recorded first in Tang Dynasty China, most likely arrived from the Mideast countries via the silk road. It was originally used as drink vessel for the nomads and the loops were used to tie it to the horse-centered owner. The exotic form persisted in Chinese ceramic production through Ming to Qing dynasty. The form is unusual in Ken Matsuzaki's work. The artist covered the vase with a thick dripping Oribe green glaze partially revealing the unglazed part of the body, which is decorated with scrolling pattern in left by ash glaze. The work is rooted in both Yohen Shino glaze technique and Oribe tradition, but interestingly it also paid homage to Sancai pottery in Tang Dynasty when green glaze was prominently used to drip and splash onto the pottery. Viewing the vase, one can see in this harmonious piece, the innovative reinterpretation of ancient aesthetics that cross the cultures, geology and time. The base is marked with the artist's signature. The vase comes with an inscribed tomobako storage box with the artist's bio and wrapping cloth with seal. The vase measures 8.6"h x 7"w x 2"d. Ken Matsuzaki’s haptic ceramics bring a contemporary approach to traditional Japanese ceramicware, most notably 16th-century Oribe pottery...

This magnificent building facade was once part of a grand mansion in Gujarat, India. It is entirely made from Teakwood, which is highly resistant to in...

Monumental Chinese Export bas relief of seated scholar, great detail with very good dimensional depth.