Matteo Mauro Mixed Media

This piece titled "Espectáculo de Proximidad II, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand-scoring on metallic paper. This piece measure 5.5"h x 5....

Mixed Media (Drypoint Etching, watercolor and digital retouch), Archival Giclée print Limited Edition of 30. Fred Borghesi is an Italian artist born in 1987 who lives and works in L...

Artist: James Coignard (French, 1925-2008) Title: "Deux Bleus Sur Noir (Two Blues on Black)" *Signed by Coignard in pencil lower right Year: 2006 Medium: Original Hand-Embellished Ca...

Artist: James Coignard (French, 1925-2008) Title: "Les Voiles (The Sails)" *Signed by Coignard in pencil lower right Year: 1984 Medium: Original Hand-Embellis...

Sam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24 inches Hand signed and numbered 3/25 in graphite pencil Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto Unframed with elegant deckled edges Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums & institutions like the Smithsonian, so they are quite scarce on the open market. Steven M. Andersen (Printer) Philip Barber (Printer) Hang Nguyen (Printer) Stephanie Nowack (Printer) Michael Reid (Printer) Daniel Rounds (Printer) Vermillion Editions Limited (Publisher) Sam Gilliam Biography: Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials. In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago. Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...

Des Oeufs Pout Ta Fette (Holiday Eggs) Mezzotint, 1960 Signed, dated, titled and numbered in pencil Edition: 50 (33/50) Image: 8 5/8 x 10 11/16" Condition: Mint Mario Avati is a Fren...

Portfolio with complete text, 5 drypoint prints with etching and aquatint and numerous illustrations on Rives BFK. The sheets are loose as issued and in superb condition. One from a ...

LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Arts) in the studios of professors Władysław Strzemiński, Adam Rychtarski, Stefan Wegner and Ludwik Tyrowicz. He graduated with special award from the Academy of Fine Arts in Krakow in 1954. In 1958 he became a member of the Piąte Koło association ("Fifth Wheel"). In 1967 he began working in the field of graphics in Lodz. In 1971, he co-founded Faculty of Graphic. In 1970s Polish etchings...

Artist: James Coignard (French, 1925-2008) Title: "Espace - Ecriture (Space - Writing)" *Signed by Coignard in pencil lower right Year: 1983 Medium: Original Hand-Embellished Carboru...

Richly-inked and superb impression of this engraving and drypoint on cream wove paper. This is the eighth state (of 8). Signed, dated and numbered 28/100 in pencil by Bourgeois. Publ...

Each print signed and numbered in pencil by the artist Total edition: 92: 75 with Arabic numerals; 10 Artist's proofs with Roman numerals; 7 Hors Commerce with Roman numerals Image...

Artist: Tom Marioni – American (1937- ) Title: Finger Print Year: 1991 Medium: Color soft ground etching with sugar lift aquatint, drypoint, fingerprint ...