Matteo Nunziati Furniture

Afra & Tobia Scarpa "Monk" dining chairs for Molteni, black leather and dark beech, Italy, 1974, set of eight. The particular feature of this model is the support structure composed...

Afra & Tobia Scarpa "Monk" dining chairs for Molteni, ivory canvas and walnut, Italy, 1974, set of four. The particular feature of this model is the support structure composed of tw...

Designed by Metis Lighting in 1992 and manufactured by Fontana Arte, the Nobi floor lamp guarantees total practicality for innovative elegant design. The two bowl-shaped glass discs ...

Original 1960s Fontana Arte Art glass floor lamp with polished brass base, stem and neck. Heavy rectangular block of tinted beveled glass fastened by ...

Rare curved glass Tango coffee table on four wooden peg legs designed in 1996 by Fabio Di Bartolomei for Fiam Italia. Signed.

Afra & Tobia Scarpa "Monk" Dining Chairs for Molteni, Red Leather and Beech, Italy, 1974, set of six. The particular feature of this model is the support structure composed of t...

Set of eight “Monk” dining chairs designed by Afra and Tobia Scarpa for Molteni in 1973. Made of black leather and black lacquered beech wood. Fully restored in Italy. Interesting i...

Afra & Tobia Scarpa "Monk" dining chairs for Molteni, cognac leather and beech, Italy, 1974, set of two. The particular feature of this model is the support structure composed of tw...

Afra & Tobia Scarpa Monk Chair for Molteni, 1970s – Walnut & Canvas A true icon of Italian modern design, the Monk chair was conceived in the 1970s by the renowned duo Afra ...

Afra & Tobia Scarpa "Monk" Dining Chairs for Molteni, Red Leather and Beech, Italy, 1974, set of four. The particular feature of this model is the support structure composed of two ...

This low coffee and side-table comes with a base and top in Canaletto walnut, natural ash, ash stained black, intense blue or anthracite. The structure's body is made out of blown Murano glass, available in amber, blue-grey or smoke grey. Here you are shown the Mastea coffee table in the Canaletto walnut base finish and in the low size. Matteo Zorzenoni started to experiment with Murano glass in the 1970s and, even if the generations have changed, the glass is blown as it once was: it needs a master glassblower and two strong lungs. Working with this material every day is like revisiting a traditional dish. The ingredients are the same but there is something new in the taste. Matteo Zorzenoni's research is mainly focused on materials and their limits, aimed at discovering their potential. His projects have been exhibited at: Maxxi Museum in Rome, the Biennale of Art and Design in St. Etienne, the London Design Festival, the Venice Biennale. Matteo Zorzenoni was a professor at the IUAV in Venice, collaborates with the IED in Madrid and hosted a laboratory for Domaine de Boisbuchet (Vitra Design Museum). After a collaboration with Fabrica, Benetton Communication Research Center, he started a new project with Jaime Hayon, which is still on going. His research in the craft sector continues with projects for customers, including Cappellini, Mercedes Benz, Replay, Alcantara, Bosa Ceramiche...

Afra & Tobia Scarpa "Monk" Dining Chair for Molteni, Red Leather and Beech, Italy, 1974. The particular feature of this model is the support structure composed of two equal tres...