Maud Humphrey Art

The work is mostly black and white to indicate that this is a night scene. On closer inspection, you will see areas of magenta and ivory throughout The publisher's label on verso ide...

Elegant and graphic study of a figure of undetermined gender. It's executed with quick and confident brush strokes in the artist's signature color scheme of black and red. It's a fla...

ARIEH ALLWEIL [ARIE ALWEIL] 1901-1967 Galicia 1901-1967 Safed, Israel (Ukrainian/Polish/Israeli) Pastel or Gouache on paper Hand signed lower right Dimensions: framed 20.5 X 23.5. im...

Adolf Arthur Dehn Haitian Scene A, ca. 1951 Watercolor gouache on board Signed on the front Frame included: held in vintage modern frame Measurements: Framed: 11 inches vertical by ...

Watercolour and pencil on paper, 76cm x 51cm, (87cm x 61cm framed). Born in London to his renowned artist mother Elisabeth Frink RA and a French architect father, Michel Jammet, Ja...

Antique illustration of a golfer getting out of a sand trap by well listed illustrator Leslie Saalburg whose work appeared in Vanity Fair and Esquire.

An Introspective 1930s Modern Portrait, "Acolyte" by Notable Chicago Artist, Francis Chapin (Am. 1899-1965). Dry watercolor on board. Artwork size: 15 x 12 inches (Framed size: 1...

A lovely gouache on cardboard painting featuring an Art Deco singer with a typical stylish outfit. Utilizing the contrast of black and white components against primary colors like y...

Graceful watercolor portrait of an elegant auburn haired female in profile, 1912. Signed "Laure" and dated lower right. Over 100 years old. Original vintage one-of-a-kind artwork on...

When a husband catches his wife with another man, it's no joke, except if it's a Gilbert Bundy mid-century cartoon for Esquire Magazine. Caption: "You'd better introduce us – I disl...

Pencil and watercolor portrait of a person in loose period clothing displaying nervous energy and vibrant demeanor by P.B. Faurnier, 1833. Signed lowe...

“Graduation Day” is emblematic of mid-century American Illustration. But the real story of this storytelling work is that it embodies the lost art of portrait painting and graphic design. Alex Ross borrows on the classical tradition and flaunts his skills as a narrative painter. In “Graduation Day”, he paints a complex composition involving at least thirteen portraits. The subjects are beautifully rendered and lit. They are set against a dark grey background and jump off the surface at the viewer. The composition is complexly designed. The future graduate in the red jacket engaging with a girl photographer is a compositional device that leads the viewer's eye to the main subject - a father congratulating his son on graduating from medical school. Creating art that relies on facial expressions and body gestures is a talent absent in contemporary art. Why? It’s very hard to do and takes years and training and practice to get it right. Despite Alex Ross's folksy subject matter, this work is a high example of naturalism and representation by an important member of the Golden Age of American Illustration. Signed lower right Born in the town of Dunfermline, Scotland, Alexander Sharpe Ross (1908-1990) moved with his family to Pittsburgh, Pennsylvania in 1911. After attending Carnegie Tech (now Carnegie Mellon University), Ross moved to New York and joined the Charles E. Cooper Studio, where he worked among such notable illustrators as Ward Brackett, Stevan Dohanos, J. Frederick Smith...