Maurice Evans Art

Yue Minjun, Remarkable People Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 × 120 cm (47 1/5 × 31 1/2 in) Stamped Signature, numbered ...

Cy Twombly Allusions, Bay of Naples (from the collection of Donald Baechler), 1975 Color offset lithograph and photo lithograph on wove paper Signed and numbered 56/80 in ink on the ...

Marina Abramovic The Artist is Present poster (Hand Signed), 2012 Offset lithograph. Hand signed by Marina Abramović LARGE: 40 × 27 inches Boldly signed by Marina Abramovic on the f...

This first edition exhibition poster was created for David Hockney's Complete Prints show at Galerie Mikro in Berlin in 1968. It features the artwork Two Boys Aged 23 or 24 from the ...

Marina Abramovic Offset lithograph poster The Hero, 2001 2023 Boldly signed in black marker on the image of the flag Bears Royal Academy authentication label on the back of the fram...

Douglas Gordon Andy Warhol in Drag, for the VANITY of Allegory (hand signed with drawing and warmly inscribed to Tim Hunt, Warhol Foundation curator), 2005 Offset lithograph poster (...

Robert Kushner Honor Thy Father and Thy Mother (The Fifth Commandment), 1987 6 Color Lithograph on Dieu Donne handmade paper 24 × 18 inches Pencil signed and numbered 6/84 in graphite on the front Unframed with deckled edges This five color lithograph on Dieu Donne hand made paper with deckled edges is pencil signed, dated and numbered from the limited edition of 84. This 1980s Robert Kushner print was created as part of the 1987 portfolio "The Ten Commandments", in which ten top Jewish American artists were each invited to choose an Old Testament commandment to interpret in contemporary lithographic form. The "Chosen" artists were, in order of Commandment: Kenny Scharf, Joseph Nechvatal, Gretchen Bender, April Gornik, Robert Kushner, Nancy Spero, Vito Acconci, Jane Dickson, Judy Rifka and Richard Bosman. This is the first time the print will have been removed from the original portfolio case. (shown). Lisa Liebmann, who wrote the introduction to the collection, observed: "...The image has, for most of us, replaced the word..." With respect to the present work, she writes, "There is a sweet smell of nostalgia to Robert Kushner's view of the FIFTH COMMANDMENT, to honor one's parents. Kushner's subtly ornate use of colors suffuses his subject with a filagreed texture of warmth. In this gentle icon, the traditional duo - all those Ozzies and Harriets in our hearts and on the airwaves -are frames as if by a bubble bath of affection." ROBERT KUSHNER BIOGRAPHY Since participating in the early years of the Pattern and Decoration Movement in the 1970s, Robert Kushner has continued to address controversial issues involving decoration. Kushner draws from a unique range of influences, including Islamic and European textiles, Henri Matisse, Georgia O’Keeffe, Charles Demuth, Pierre Bonnard, Tawaraya Sotatsu, Ito Jakuchu, Qi Baishi, and Wu...

This large scale minimalist black and white zen cliff landscape features Buddhas with mudra hands in India. Deities in the lotus yoga position with flo...

Yue Minjun, Paean on Grassland Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 x 120 cm (47 1/5 × 31 1/2 in) S...

This print depicts a baseball game mid-play. An umpire crouches with his hand up, and the batter stands poised. In the lower right, spectators peer onto the field. The awning of the stadium, silhouetted in black, cuts lines across the top of the composition, rising over a hillside crowded with homes. This finely-drawn lithograph features Zalopany's characteristic mastery of light and shadow, from the delicate texture of the field, to the spectators backlit in shadow. The composition of Baseball Game was taken from a page in an old picture book, depicting a downtown section of Caracas, Venezuela that is home to a number of Art Deco buildings, all built in the 1950's. Found images are a regular inspiration for Zalopany's large-scale realism. This print calls additionally on Zalopany's regular depiction of nature contrasted with the man-made: here, a behemoth stadium rises beside rolling hills, themselves punctuated with more buildings than trees. This contrast is enhanced by the use of textured, delicate handmade paper, which lends warmth to this dramatic black-and-white drawing. Image 37.5 x 28 in. / 95.25 x 71.2 cm. Paper 51 x 36 in. / 131 x 93 cm. Lithograph on Korean kozo paper. Edition 70. Signed by the artist lower right in pencil, numbered lower center in pencil. Born in 1955 in Detroit Michigan, Michele Zalopany is a contemporary American artist best known for her large-scale watercolor and pastel paintings based on photographs found in digital picture collections, old books, and flea markets, etc. Found photographs and film screen shots that had originally served other purposes -- family snapshots, police photos...

Lithograph realized in 1970s. Hand signed in pencil. Not numbered, as issued. Excellent condition.

William Steen Untitled, from the Art Against AIDS Portfolio, 1988 Lithograph on paper with deckled edges Hand signed, numbered 38/50 and dated on lower front with printer's and publisher's blindstamp. 20 1/5 × 15 inches Unframed Hand signed, numbered and dated on lower front with printer's and publisher's blindstamp. This powerful limited edition lithograph by William Steen was published in 1988 as part of the Art Against Aids portfolio, numbered 38/50. Superb provenance as it is was acquired from the original Art Against AIDS Portfolio published in Houston, Texas. This will be the first time the work will be removed from the portfolio. The late 1980s was the height of the AIDS epidemic, and this was one of many efforts by the creative community to raise funds to assist in fighting this deadly scourge that disproportionately affected the artistic community. William Steen 1949-2008 William Steen, artist, collector, curator, and mystic, died of pancreatic cancer on December 20 in New York, where he has lived since 2001. Long time framer at the Menil Collection, the soft-spoken Steen is remembered in Houston where he had his first exhibition of paintings in 1978 at the Roberto Molina Gallery. In 1984 Steen made his first of several trips to India, photographing thousands of Tibetan Buddhist ritual paintings. A champion of outsider art, in 2000 he tangled with the Houston Police over the grafitti mural he comissioned for the walls of the reclaimed Sterling Cleaners...