Max Marra Italian Tempera on Paper
By Max Marra
Located in Prato, Tuscany
Contemporary Italian tempera on paper signed Max Marra 2004(multimedia experimenter), tempera on a gold background. Max Marra was born in Paola, Calabria, in 1950. He moved to Lisson...
Paper, Wood
Max Marra Painting Mixed Technique on Canvas, Italy
By Max Marra
Located in Prato, Tuscany
We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Work of the famous Italian painter Max Marra, paint mixed technique on canvas dated 2004, titled "Judges"8, on the back of the painting we find a “Certificate of Authenticity”. Measures: cm 100 x 100 Max Marra was born in Paola, Calabria, in 1950. He lives in Monza and works in Lissone. Matured graphic and television experiences, from the 1980s he directed his research towards the integration of expressive technique in painting and sculpture with recycled materials. He works in the H: Orarte laboratory, which he shares with Mario De Leo. He links the teaching and commitment of cultural, organizational, and editorial promotion to artistic activity. With Mario De Leo, Luigi Bianco and other operators founded the Oason Movement in 1985 and then Harta, a bi-monthly cultural interaction, which was later joined by the Hartamotus Association. In 1988 he founded Lissone, with Mario De Meo, the interdisciplinary art studio H: Orarte, open to the consideration, dialogue, and confrontation of other artists, active in organizing cultural initiatives and events. His activity is linked to themes and specific cultural projects, identifiable in the contents and expressive tools. Strong hills, strong features, biting ideas, but also some stops in the white, which is air, which is infinite, to be captured in heavy frames, almost in a purification ritual. He exhibits in a personal exhibition in a private gallery, public institutions, participates in thematic exhibitions, and national and international collective exhibitions are present in Germany, France, Japan. Main exhibitions Cieli di terra, a cura di T. Coltellaro, Museo Archeologico, Lamezia Terme e Museo Civico d’Arte Contemporanea, Taverna, 2002; 57° Premio Michetti Laboratorio Italia, a cura di Philippe Daverio, Francavilla a Mare, 2006; Repubblica e costituzione: rassegna d’arte per i sessant’anni della costituzione italiana a cura di M. Domenicucci, F. Papale e C. Mosillo, Archivio Centrale dello Stato, Roma, 2008; Max Marra: Opere 1984-2009, Museo d’Arte Contemporanea di Lissone, 2009/10; Time passages, a cura di Omar Calabrese, Magazzini del Sale, Siena, 2011; Luoghi e realtà di ricerca tra identità e mutamento, a cura di T. Coltellaro, Collegio Sant’Adriano, San Demetrio Corone, 2011; Limen Arte vince il primo premio, Vibo Valentia, 2011; 54a Biennale di Venezia, Padiglione Italia per il 150° dell’Unità d’Italia “L’arte non è cosa nostra”, a cura di Vittorio Sgarbi, Sala del Re – Galleria Vittorio Emanuele II, Milano e Palazzo delle Esposizioni – Sala Nervi, Torino, 2011/12; Max Marra. Orizzonte senza approdo, a cura di C. Rizzi, Museo Parisi Valle, Maccagno, 2012; Cieli di cosmos, Sofia Arsenal, Museum for Contemporary Art, 2013; Equilibri materici, a cura di G. Bonomi, Centro per l’Arte Contemporanea, Rocca di Umbertide, 2015; E fu il terremoto, a cura di Vittorio Erlindo, Refettorio del Monastero di San Benedetto Po, Mantova, Monastero di Weingarten (Germania) 2018; IXION, MAC Lissone, a cura di A. Zanchetta; L’opera in bianco, a cura di S. Cortina, Galleria Cortina, Milano, 2018; Dal Rembrandt by himself all’io ritratto, a cura di G. Lepore, Accademia Nazionale delle Belle Arti di Sofia, Bulgaria 2018; Contributi al Novecento, Da Boccioni a Rotella ai contemporanei, Fondazione Stelline, Milano, a cura di B. Corà e T. Sicoli; Di studio in studio, Casa Museo Boschi Di Stefano, Milano, a cura S. Soddu, Comune di Milano e Politecnico di Milano 2019; Omaggio a Franca Rame, MusAlab Archivio Franca Rame e Dario Fò...
Canvas
Italian Modernist Abstract Sculpture Painting Shaped Canvas Brutalist Collage
By Max Marra
Located in Surfside, FL
Signed, dated, and titled "MAX MARRA XXX 2002 verso. Mixed media sculpture painting including acrylic, ink, cord, and wax on shaped canvas, 20 3/4 x 24 in., unframed. Ho viaggiato ...
Cord, Ink, Mixed Media, Wax, Acrylic
Max Marra Painting Mixed Technique On Canvas Italy 2004
By Max Marra
Located in Prato, Tuscany
Work of the famous Italian painter Max Marra; painting on canvas with mixed media dated 2004, titled "Judges II” 3, on the back of the painting we find a certificate of authenticity,...
Canvas, Wood
Max Marra Couple Paintings "Giudici II" Mixed Technique on Canvas, Italy
By Max Marra
Located in Prato, Tuscany
We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Works of the famous Italian painter Max Marra, paint mixed technique on canvas dated 2004, titled "Judges II"9 and “Judges II” 14, on the back of the paintings we find a “Certificate of Authenticity”. Measures: Cm. 80 x 80 Max Marra was born in Paola, Calabria, in 1950. He lives in Monza and works in Lissone. Matured graphic and television experiences, from the 1980s he directed his research towards the integration of expressive technique in painting and sculpture with recycled materials. He works in the H: Orarte laboratory, which he shares with Mario De Leo. He links the teaching and commitment of cultural, organizational, and editorial promotion to artistic activity. With Mario De Leo, Luigi Bianco and other operators founded the Oason Movement in 1985 and then Harta, a bi-monthly cultural interaction, which was later joined by the Hartamotus Association. In 1988 he founded Lissone, with Mario De Meo, the interdisciplinary art studio H: Orarte, open to the consideration, dialogue, and confrontation of other artists, active in organizing cultural initiatives and events. His activity is linked to themes and specific cultural projects, identifiable in the contents and expressive tools. Strong hills, strong features, biting ideas, but also some stops in the white, which is air, which is infinite, to be captured in heavy frames, almost in a purification ritual. He exhibits in a personal exhibition in a private gallery, public institutions, participates in thematic exhibitions, and national and international collective exhibitions are present in Germany, France, Japan. Main exhibitions Cieli di terra, a cura di T. Coltellaro, Museo Archeologico, Lamezia Terme e Museo Civico d’Arte Contemporanea, Taverna, 2002; 57° Premio Michetti Laboratorio Italia, a cura di Philippe Daverio, Francavilla a Mare, 2006; Repubblica e costituzione: rassegna d’arte per i sessant’anni della costituzione italiana a cura di M. Domenicucci, F. Papale e C. Mosillo, Archivio Centrale dello Stato, Roma, 2008; Max Marra: Opere 1984 – 2009, Museo d’Arte Contemporanea di Lissone, 2009/10; Time passages, a cura di Omar Calabrese, Magazzini del Sale, Siena, 2011; Luoghi e realtà di ricerca tra identità e mutamento, a cura di T. Coltellaro, Collegio Sant’Adriano, San Demetrio Corone, 2011; Limen Arte vince il primo premio, Vibo Valentia, 2011; 54a Biennale di Venezia, Padiglione Italia per il 150° dell’Unità d’Italia “L’arte non è cosa nostra”, a cura di Vittorio Sgarbi, Sala del Re – Galleria Vittorio Emanuele II, Milano e Palazzo delle Esposizioni – Sala Nervi, Torino, 2011/12; Max Marra. Orizzonte senza approdo, a cura di C. Rizzi, Museo Parisi Valle, Maccagno, 2012; Cieli di cosmos, Sofia Arsenal, Museum for Contemporary Art, 2013; Equilibri materici, a cura di G. Bonomi, Centro per l’Arte Contemporanea, Rocca di Umbertide, 2015; E fu il terremoto, a cura di Vittorio Erlindo, Refettorio del Monastero di San Benedetto Po, Mantova, Monastero di Weingarten (Germania) 2018; IXION, MAC Lissone, a cura di A. Zanchetta; L’opera in bianco, a cura di S. Cortina, Galleria Cortina, Milano, 2018; Dal Rembrandt by himself all’io ritratto, a cura di G. Lepore, Accademia Nazionale delle Belle Arti di Sofia, Bulgaria 2018; Contributi al Novecento, Da Boccioni a Rotella ai contemporanei, Fondazione Stelline, Milano, a cura di B. Corà e T. Sicoli; Di studio in studio, Casa Museo Boschi Di Stefano, Milano, a cura S. Soddu, Comune di Milano e Politecnico di Milano 2019; Omaggio a Franca Rame, MusAlab Archivio Franca Rame e Dario Fò...
Canvas
Max Marra Italian Tempera on Paper
By Max Marra
Located in Prato, Tuscany
We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Conte...
Paper, Wood
$2,560Sale Price|20% Off
H 60 in W 8 in D 2 in
Puzzle 83, David E. Peterson, Contemporary Colorful Wooden Wall Sculpture
By David E. Peterson
Located in Dallas, TX
David E. Peterson Puzzle #83, 2013 Acrylic, Exotic wood, MDF, UV resin 2 piece set of 60h x 8w x 2d in (30h x 7w x 2d in. and 30h x 8w x 2.5d inches) 152.40h x 20.32w x 5.08d cm Thi...
Resin, Wood, Acrylic
Late 19th Century Male Portrait, Tempera on Paper
Located in Firenze, FI
Portrait of a man with a twisted moustache, in the typical dark suit of the Art Nouveau era of the end of the 19th century. Gilt tablet frame, with floral decorations. Tempera techn...
Giltwood, Paper
Italian Orientalist Oil on Canvas Painting
Located in Cypress, CA
Italian orientalist oil on canvas painting. 20th century. The fine oil painting depicting an orientalist woman dressed in traditional garments w...
Canvas, Wood
18th Century Four Rural Scenes Painting Tempera on Paper
Located in Milan, IT
XVIII century Rural scenes (4) Tempera on paper, 20 x 31 cm With 18th century Venetian mirrored frame, 31 x 39 cm.
Paper
$975
H 7 in W 7.5 in D 2 in
Margins Of Matter, Abstract Mixed-Media Sculpture Wall Mounted, 7.5 x 7 x 2 in.
By Lisa Pressman
Located in New York, NY
SIGNED ON BACK. Lisa Pressman’s Shape of Memory series transforms cardboard, thread, smoke, and Letraset into evocative wall-mounted works that recall ancient relics or worn book covers. Each shaped panel floats about an inch off the wall, often casting glowing, colored shadows from painted backs that shift with the light. Stitched seams and weathered surfaces suggest scars, resilience, and the passage of time, resonating as personal artifacts of memory and healing. Known for her abstract paintings in oil, encaustic, and mixed media, Pressman’s oeuvre consistently explores impermanence and transformation. With their sculptural presence and luminous effects, these intimate objects blur painting...
Thread, Mixed Media, Acrylic, Cardboard
$3,700
H 30 in W 30 in D 1.5 in
Mnemonic Rhythm (Bright, Multicolored Textile Inspired Abstract Wall Sculpture)
By Susan Stover
Located in Hudson, NY
Mnemonic Rhythm (Bright, Multicolored Textile Inspired Abstract Wall Sculpture), made by Susan Stover in 2025 wood, oil paint, varnish, waxed linen thread 30 x 30 inches Lightweight,...
Thread, Wood, Oil, Acrylic, Cardboard
$5,370
H 48 in W 67 in
My Joyful Heart - Lively Colorful Abstract 3-D Painted Weaving
Located in Los Angeles, CA
Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...
Wire
$1,760Sale Price|20% Off
H 28 in W 10 in D 2 in
Puzzle 94, David E. Peterson, Abstract and Modern Colorful Wooden Wall Sculpture
By David E. Peterson
Located in Dallas, TX
Puzzle 94 by David E. Peterson is part of an ongoing series featuring a beautiful, exotic woods and abstract painting. These 3-dimensional wall sculptures look amazing, they are colored purple, navy and yellow, with natural wood showing through. David E. Peterson Artist Statement “Industrial Design informs my work. Inspiration might come from a brightly coloured sneaker, an eye- catching dress, an intricate watch...
Resin, Wood, Acrylic, Poplar
$18,722
H 71.66 in W 23.63 in D 1.19 in
18th Century, Pair of Italian Neoclassical Grisaille Tempera on Paper Paintings
Located in IT
18th Century, Pair of Italian Neoclassical Grisaille Tempera on Paper Paintings This pair of tempera paintings on paper, was made in Piedmont, Italy, in the neoclassical era, towards the end of the eighteenth century. Each painting, with a blue grey background, is decorated with elements reminiscent of the grotesques, characteristic of neoclassicism, grisaille paintings, or with the use of the color of white and gray to simulate sculptures in bas-relief in marble or stucco. At the center of each painting stands a classic vase decorated with garlands and frames with vegetable elements, taken with goat heads with long horns. The vase is adorned with a floral decoration topped by a long vertical element that simulates a stand. Along the axis are woven garlands foliated in the center of which are represented ovoid bas-reliefs. The base of the lift, of classical and circular taste, supports two swans with outstretched wings and ends with a small circular podgy element. In the lower part of the vase is depicted a horizontal element that supports a precious folded fabric, decorated with filigree and trimmings at the edges, behind which protrudes a flowered garland. These two particular paintings are very decorative and elegant and are suitable to be exhibited alongside other works in any environment, also in boiserie. Very beautiful in copy, interspersed with other decorative objects, placed above seats, consoles, drawers, in living rooms, studies, bedrooms, corridors and entrances. Conceptually very modern, and suitable for both antique and contemporary furniture. In good condition, the paintings are presented using wooden panels...
Paper
$3,040Sale Price|20% Off
H 32 in W 13 in D 3 in
Puzzle #119: Pastel Pink and Grey Geometric Abstract Wall Sculpture in Wood
By David E. Peterson
Located in Dallas, TX
David E. Peterson – Puzzle #119 (2022) Acrylic, Birch wood, Art Resin 32 x 13 x 3 inches Dynamic, architectural, and deeply textural, "Puzzle #119" by David E. Peterson seamlessly...
Resin, Wood, Acrylic, Birch
$6,764Sale Price|20% Off
H 48.43 in W 40.16 in D 1.97 in
Italian Renaissance Style Religious Tempera Painting on Gold Ground Wood Panel
Located in Firenze, IT
This Italian tempera painted on gilt wood gold ground panel is a Tuscan religious artwork in the style of late Renaissance - early Gothic period. The sc...
Gold Leaf
$780Sale Price|20% Off
H 15 in W 12 in
Carmen (Quadryptich Wood Panel Framed Contemporary Abstract Painting)
Located in New Orleans, LA
Artist's Statement: "Around 30 years ago, not long after I had started painting seriously, I was at a one-man exhibition of the great Brice Marden at the Fort Worth Museum of Modern...
Wax, Oil, Wood Panel
Max Marra Painting Mixed Technique on Canvas, Italy
By Max Marra
Located in Prato, Tuscany
We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Work of the famous Italian painter Max Marra, paint mixed technique on canvas dated 2004, titled "Judges", on the back of the painting we find a “Certificate of Authenticity”, a photo of the author with signature and his biography, since the latter is written in Italian, we proceeded to translate it here below. Still, on the back of the picture, we can see two small repairs done by the author himself. Max Marra was born in Paola, Calabria, in 1950. He lives in Monza and works in Lissone. Matured graphic and television experiences, from the 1980s he directed his research towards the integration of expressive technique in painting and sculpture with recycled materials. He works in the H: Orarte laboratory, which he shares with Mario De Leo. He links the teaching and commitment of cultural, organizational, and editorial promotion to artistic activity. With Mario De Leo, Luigi Bianco and other operators founded the Oason Movement in 1985 and then Harta, a bi-monthly cultural interaction, which was later joined by the Hartamotus Association. In 1988 he founded Lissone, with Mario De Meo, the interdisciplinary art studio H: Orarte, open to the consideration, dialogue, and confrontation of other artists, active in organizing cultural initiatives and events. His activity is linked to themes and specific cultural projects, identifiable in the contents and expressive tools. Strong hills, strong features, biting ideas, but also some stops in the white, which is air, which is infinite, to be captured in heavy frames, almost in a purification ritual. He exhibits in a personal exhibition in a private gallery, public institutions, participates in thematic exhibitions, and national and international collective exhibitions are present in Germany, France, Japan. Main exhibitions Cieli di terra, a cura di T. Coltellaro, Museo Archeologico, Lamezia Terme e Museo Civico d’Arte Contemporanea, Taverna, 2002; 57° Premio Michetti Laboratorio Italia, a cura di Philippe Daverio, Francavilla a Mare, 2006; Repubblica e costituzione: rassegna d’arte per i sessant’anni della costituzione italiana a cura di M. Domenicucci, F. Papale e C. Mosillo, Archivio Centrale dello Stato, Roma, 2008; Max Marra: Opere 1984 – 2009, Museo d’Arte Contemporanea di Lissone, 2009/10; Time passages, a cura di Omar Calabrese, Magazzini del Sale, Siena, 2011; Luoghi e realtà di ricerca tra identità e mutamento, a cura di T. Coltellaro, Collegio Sant’Adriano, San Demetrio Corone, 2011; Limen Arte vince il primo premio, Vibo Valentia, 2011; 54a Biennale di Venezia, Padiglione Italia per il 150° dell’Unità d’Italia “L’arte non è cosa nostra”, a cura di Vittorio Sgarbi, Sala del Re – Galleria Vittorio Emanuele II, Milano e Palazzo delle Esposizioni – Sala Nervi, Torino, 2011/12; Max Marra. Orizzonte senza approdo, a cura di C. Rizzi, Museo Parisi Valle, Maccagno, 2012; Cieli di cosmos, Sofia Arsenal, Museum for Contemporary Art, 2013; Equilibri materici, a cura di G. Bonomi, Centro per l’Arte Contemporanea, Rocca di Umbertide, 2015; E fu il terremoto, a cura di Vittorio Erlindo, Refettorio del Monastero di San Benedetto Po, Mantova, Monastero di Weingarten (Germania) 2018; IXION, MAC Lissone, a cura di A. Zanchetta; L’opera in bianco, a cura di S. Cortina, Galleria Cortina, Milano, 2018; Dal Rembrandt by himself all’io ritratto, a cura di G. Lepore, Accademia Nazionale delle Belle Arti di Sofia, Bulgaria 2018; Contributi al Novecento, Da Boccioni a Rotella ai contemporanei, Fondazione Stelline, Milano, a cura di B. Corà e T. Sicoli; Di studio in studio, Casa Museo Boschi Di Stefano, Milano, a cura S. Soddu, Comune di Milano e Politecnico di Milano 2019; Omaggio a Franca Rame, MusAlab Archivio Franca Rame e Dario Fò...
Canvas
Max Marra Italian Tempera on Paper
By Max Marra
Located in Prato, Tuscany
21st century Contemporary Italian tempera on paper signed Max Marra 2004 (multimedia experimenter), tempera on a gold background. Max Marra was born in Paola, Calabria, in 1950. He ...
Paper
Sold
H 20.67 in W 23.94 in D 3.15 in
Italian Modernist Abstract Sculpture Painting Shaped Canvas Brutalist Collage
By Max Marra
Located in Surfside, FL
Signed, dated, and titled "MAX MARRA XXX 2002 verso. Mixed media sculpture painting including acrylic, ink, cord, and wax on shaped canvas, 20 3/4 x 24 in., unframed. Ho viaggiato ...
Cord, Ink, Mixed Media, Wax, Acrylic
Max Marra Italian Painting on Canvas, 2004
By Max Marra
Located in Prato, Tuscany
21st century Max Marra Italian painting mixed technique on canvas dated 2004 and presented at the exhibition "Contemporary Art in Lombardy - Generation Years' 50".
Canvas