Max Nonnenbruch Art

Signed landscape oil on canvas circa 1910 by French post impressionist painter Leon Detroy. This work is painted in a divisionist style and depicts a view of gondolas on the canal in...

Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhood during the Second World War. During the end phase of the war, Keil's mother, also a...

Lanscape France,Ocean, France , grey, blue, azure, Normandy signed lower right Henry Maurice CAHOURS (Paris, 1889 – Vence, 1974) He was born in Paris but spent his childhood and ...

Signed and dated neo-impressionist landscape oil on canvas by French painter Leo Marie Gausson. Gausson painted this picturesque view of then fields above Triel-sur-Seine, a small to...

Signed figures in landscape circa 1950 by French impressionist painter Eduoard Cortes. The work depicts a view of La Madaleine, a Catholic parish church situated on Place de la Madel...

Duomo of Milan with peasants is a modern artwork realized by an Italian Artist in 18th century. Mixed colored oil on canvas 40x33cm with frame included. Good conditions.

Signed oil on canvas seascape circa 1920 by French naive painter Camille Bombois. This work depicts workers out at sea on a large sail boat with a few ...

Alfred BERGIER (1881-1971) Landscape Oil on cardboard Annotated “A. Bergier - Avignon” on the back 5.5 × 8.7 inches Born in Avignon in 1881, Alfred Bergier was a painter from the P...

Sunset (1925) depicts a serene lake in Värmland at the close of day, suffused with the golden light of dusk. In this composition, Werner captures one of his signature motifs: a broad...

Cattle By Pond At Dusk, Mid-19th Century Tonalist Landscape by William Keith Gorgeous mid-19th century landscape painting by William Keith (American, 1838-1911), circa 1860. This impressive Tonalist landscape, titled "In the Woods", depicts cattle beside a pond in the forest at dusk. Keith uses loose, blended brush strokes and a muted earthy palette to create an atmospheric mood that Tonalism is known for. Signed "W. Keith" lower left. Museum label on verso from Santa Barbara Museum of Art. Presented in an antique giltwood frame. Image size: 9"H x 13"W. With frame measures: 16"H x 20"W x 3"D. Provenance: Mrs. Eugene Patterson; Santa Barbara Museum of Art. Authenticity guaranteed and certificate include. Condition: Very good. Cleaning and restoration required signature to be re-touched, original images pre-restoration available. About the Artist: Brought to New York City in 1850, William Keith was apprenticed to a wood engraver in 1856 working for "Harper's" magazine. In 1858 (or 1859) he visited California for "Harper's" and then after a trip to Great Britain, settled in California as an engraver in 1862. He began exhibiting paintings in 1864 in San Francisco where he opened his studio, after having been taught painting by his wife. The Northern Pacific Railroad...

Oil on canvas; 25" x 32." From the archives of the Shaw Barton Calendar Co. used for an early calendar print. Framed. Watson sold most of his freelance pulp covers to the (1893- 1955) Frank A. Munsey Publishing Company for Argosy, Big Chief Western, Detective Fiction Weekly, and Railroad Stories. Emmett...

This painting, created during Zuccarelli's stay in England, represents the decisive moment when Macbeth, together with Banquo, meets the three witches who announce that he will be Ki...