Michael Coleman Art

This exquisite artwork, attributed to Nadya Stupina, showcases a masterful rendition of a white rose at its center. Painted on a circular canvas, the flower's soft, layered petals ex...

Artist Comments
"Traveling in England's Cotswolds region, I sought out a number of impressive gardens designed by Lancelot 'Capability' Brown," shares artist Mandy Main. "This estate, Croome Court, has a colorful history, including its 1979 purchase by John Lennon for use as a Hare Krishna...

This still life painting depicts a woven basket brimming with ripe cherries, delicately arranged on a tabletop against a subdued background. The cherries are rendered with a sheen, t...

This idyllic landscape painting depicts two grazing brown cattle in a green field before an old Danish farmhouse, partially surrounded by mature trees. The scene is imbued with a qui...

This is an important, large tempera painting of the sand dunes that line Michigan's coast. Zolton Sepeshy, who lived and painted in Michigan, also wrote a book on tempera painting. ...

Man Walking the Dog at a River Side in the Lush Green English Countryside by 20th Century British Artist Art measures 20 x 16 inches Frame measures 25 x 21 inches John Haskins...

This evocative oil painting by Richard Sigafoos presents a solitary coastal rock formation rising against a softly illuminated seascape. Rendered with confident, expressive brushwork...

Technical Sheet - Title: Santa Creu d'Olorda - Artist: Rosendo González Carbonell - Technique: Oil on panel - Dimensions without frame: 8.3 x 10.2 in - Dimensions with frame: 13 x 15 in - Date: November 22, 1981 - Condition: Excellent - Signature: Signed in the lower left corner - Location: Depicts the church and landscape of Santa Creu d'Olorda, Catalonia Description This artwork captures the bucolic essence of *Santa Creu d'Olorda*, a picturesque spot nestled in the Collserola hills of Catalonia. The painting, bathed in earthy greens and ochres, highlights Rosendo González Carbonell's mastery in rendering Mediterranean light and the interplay of shadows across the rolling hills and architectural features. His loose, textured brushstrokes evoke a warm, serene atmosphere, transporting the viewer to a tranquil rural scene where nature and architecture harmonize beautifully. The classic frame enhances the piece's artistic quality, making it an excellent choice for both seasoned collectors and lovers of Catalan tradition. Artist Bio Rosendo González Carbonell was a Catalan painter renowned for his landscapes of the Catalonia region and its surroundings. Inspired by nature and local architectural heritage, Carbonell developed a style that balances meticulous detail with an impressionistic brushstroke, bringing his compositions to life. His works often feature depictions of small villages, rural churches, and peaceful landscapes. Carbonell's artistry reflects the tradition of Catalan painters such as Joaquim Mir and Santiago Rusiñol, while also drawing inspiration from great Impressionist masters like Claude Monet and Camille Pissarro. Similar Artists If you find this piece captivating, you might also enjoy works by: - Joaquim Mir: Known for his luminous interpretations of the Catalan landscape - Santiago Rusiñol: Celebrated for his delicate depictions of rural scenes and local architecture - Josep...

This mural study is part of our exhibition America Coast to Coast: Artists of the 1930s Industry and Commerce, 1936, tempera on panel, 16 ½ x 39 ½ inches, signed verso “John Ballator, Portland Ore.” provenance includes: J.C. Penney Company, represented by Russell Tether Fine Arts Assoc.; presented in a newer wood frame About the Painting Industry and Commerce is a prime example of WPA Era muralism. Like a Mediaeval alter, this mural study is filled with icons, but the images of saints and martyrs are replaced with symbols of America's gospel of prosperity through capitalism. Industry and Commerce has a strong narrative quality with vignettes filling the entire surface. Extraction, logistics, design, power generation, and manufacturing for printing, chemicals, automobiles and metal products are all represented. To eliminate any doubt about the mural's themes, Ballator letters a description into the bottom of the study. Ballator also presents an idealized version of industrial cooperation, as his workers, lab-coated technicians and tie-wearing managers work harmoniously toward a common goal in the tidy and neatly designed environments. Although far from the reality of most industrial spaces, Ballator's study reflects the idealized and morale boosting tone that many mural projects adopted during the Great Depression. About the Artist John R Ballator achieved success as a muralist, lithographer, and teacher during the Great Depression. Born in Oregon, he studied at the Portland Museum Art School, the University of Oregon and at Yale University where he received a Bachelor of Fine Art. In 1936, Ballator was commissioned to paint a mural panel for the new Department of Justice Building in Washington DC, an important project that spanned five years with several dozen artists contributing a total of sixty-eight designs. Ballator completed murals for the St. Johns Post Office and Franklin High School, both in Portland, Oregon. He also contributed to the 1938 murals at Nathan Hale School in New Haven, Connecticut. During the late 1930s, Ballator taught art for several years at Washburn College in Topeka, Kanas, where he completed a mural for the Menninger Arts & Craft Shop before accepting a professorship at Hollins College...

Todd Carpenter's (US based) "Still Imagined" is an oil painting that depicts a black and white landscape with leafless trees and saplings together in the dark Bio/artist statement: Todd Carpenter is a Los Angeles based artist who uses black and white paint to explore the perception of space and beauty. Carpenter's formal education is in science - he holds a MS in Neuroscience from UCSD and a BS in Psychobiology from UCLA - and he brings this background into service when making art. His paintings explore the mechanisms of perception and aesthetics, examining among other things how the depiction of light can impart realism and convey emotion. Like his paintings bridging art and science, Carpenter's career has similarly straddled the two fields, and he has taught subjects ranging from neuroscience and environmental science to photography and painting. Artist Statement As a painter, I am particularly interested in how the depiction of light contributes to our experience of paintings. Painting, as with any visual art, is obviously dependent on light. But painting can also have a more specific connection in that the accurate depiction of light is crucial for achieving realism. Realism in paintings largely arises from the portrayal of depth - perceiving a painting as being realistic is equivalent to seeing its subject as existing in more than just the two dimensions of the picture plane - and one of the mechanisms by which humans perceive depth is through lighting cues. Light creates features such as shading, shadow, and contrast that tell us about the three-dimensional arrangement of our surroundings, and artists often use these features to impart realism to paintings. Light also factors in to the emotional impact of paintings. The differential illumination of our surroundings can evoke different moods, as evidenced by the influence sunsets, candlelight, and darkness can have on us. Such effectssuggest that our perception of light could be tied to primitive instincts, with light signaling factors such as shelter, nightfall, and warmth, which were once crucial for survival. The depiction of light in paintings...

Jim Beckner's (US based) "Roadway" is an original, handmade oil painting that depicts a busy city street filled with the bright patterning of cars and passerby. About the Artist: ...

Australian River Landscape Painting by 20th Century English Australian Artist, Howard Barron (1900–1991) depicting a scene along the Murrumbidgee River in Australia’s New South Wales...