Michael Dweck Paintings

Vintage American modernist abstract oil painting by Christine Opolus. Oil on canvas, circa 1960. Signed. Framed. Image size, 32L x 12"H.

'Echoes of the Avant-Garde: Mid-Century Visions III', oil on board (circa 1970s). Step into a world where the spirit of early 20th-century modernism meets the bold experimentation o...

Antique European impressionist harbor oil painting. Oil on board, circa 1920. Signed. Framed. Image size, 15"L x 18"H.

My work is an exploration of color, shape, and balance. Whether I’m working with rich, vibrant hues or softer, more subtle tones, I seek to express the depth and emotion that color c...

Signed lower left, 'Hortense M. Gordon' for Hortense Crompton Mattice Gordon (Canadian, 1886-1961) and dated 1949. Previously with: Dominion Gallery of Montreal (stamp, verso). Photo courtesy of Art Gallery of Hamilton, Ontario, Canada. Hamilton artist Hortense Crompton Mattice Gordon was one of Canada’s earliest non-representational painters, embracing abstraction in the 1930s. She was also an active member of Canada's first English-speaking abstract group, Painters Eleven. A scholarship recipient, Hortense Mattice first attended the Hamilton Art School and, subsequently, moved to Chatham, Ontario. Initially focusing on porcelain painting, Mattice quickly began building a portfolio of oils and, from 1908, was exhibiting both her porcelain and landscapes at what is now the Chatham Cultural Centre (1908) and the Art Gallery of Ontario (1909). During this time, Mattice frequently traveled to the United States and, in 1915, visited the National Gallery of Art in Washington, DC, where she would have seen early works by important modernists including Picasso and Matisse. She started her teaching career in Chatham but, having received a job offer from the artist John Sloan Gordon, returned to Hamilton to teach at the Hamilton Art School in 1918. The two artists married in 1920. In 1922, Gordon and her husband took a study trip to France and, inspired by the fervent of Modernist ideas in Paris, expanded her own approaches to art, developing an increasingly soft, loose paint handling style. It was not until the 1930’s, after a few more trips to France and her discovery of Piet Mondrian’s work, that elements of abstraction began to appear in Gordon’s work. After the death of her husband in 1940, Gordon attended the Cranbrook Academy of Art and studied with Hans Hoffmann (1941-1945) whose influence and friendship pushed her to explore non-objective painting. After her training with Hofmann and in Cranbrook, Gordon began to exhibit regularly and with success in both Canada and the United States including at the Riverside Museum (New York, 1947), Creative Gallery (New York, 1952), in Ann Arbor (Michigan, 1952), Phillips Gallery (Detroit, 1952), the Flint Institute of Arts (Michigan, 1952), Mount Allison University (New Brunswick, 1952), the Galerie Agnes Lefort in Montréal and Art Gallery of Hamilton (retrospective, 1960). She was a member of the Contemporary Artists of Hamilton (honorary president in 1948), the Ontario Society of Artists, the Hamilton Women...

"Abstract Composition 6" Abstract Oil Painting 24" x 20" inch by Ashraf Zamzami ABOUT A characteristically bold and optimistic palette does not belie the inescapably pensive nature...

Signed lower right, "Valeur" for Mogens Valeur (Danish, 1927-1999) and dated 1963. A vibrant, Post-Impressionist seascape showing green breakers rolling in towards a sandy shore beneath an evening sky tinged with lilac and mauve. A prominent member of the Bornholm School, Mogens Valeur was, at heart, a colorist and focused on representing his chosen subject with line and forms. A student of Peter Rostrup...

Signed lower right, "Mogens Valeur" (Danish, 1927-1999) and dated 1956. Mogens Valeur first studied with Peter Rostrup Boyesen, and later attended the Copenhagen Art Academy. He sub...

A large contemporary abstract expressionist acrylic on paper by French artist, Christian Manoury. Signed bottom right. Inspired by the wonderful music of Debussy, a beautifully ligh...

Like Light Upon the Field by Alyson Kinkade 12"x12" acrylic and graphite on canvas Abstract Expressionist Landscape 14x14" framed in natural wood as pictured ABOUT THE ARTIST: "Over...

Landscape mixed media on canvas 40x50 cm Original Art Ready to hang Marilina Marchica orients her pictorial research to the theme of subtraction, her attention is focused on the ae...

The materials are acrylic paint, and simple marking implements of graphite and Art Graf. Art Graf is a water-soluble media that comes in tailor’s squares, easily fitting into the han...