Michael Kidner Furniture

A beautiful and engaging lithographic exhibition poster by American abstract expressionist painter, and master printmaker Robert Motherwell (1915-1991) titled "Dance I" (1978). This work is from his 1979 exhibition "Robert Motherwell & Black " which was held at The William Benton Museum of Art at The University of Connecticut, Storrs. The lithograph/print is hand-signed by Motherwell (as well as signed in the plate top right) on wove paper. The original owner went to the opening of the show and had Motherwell sign...

Very cool original Op Art blue and silver screenprint, TUZ, by Victor Vasarely from 1974. Signed in the lower right hand corner, numbered 291/340 in the lower left. This has the orig...

Anne Youkeles (Austrian/American b. 1920) Op-Art Artist 3-D Geometric Serigraph Collage titled "New Perspective" signed, number 43/210 and dated 1971. In fine condition, not examined...

Screenprint in good condition by the Italian Op-Art artist Getulio Alviani. Getulio Alviani (1939-2018) was an Italian painter, object artist and repre...

Op Art serigraph from Hungarian/French artist Victor Vasarely, signed in lower corner and numbered 32/250. The original work is professionally framed in a matte brushed aluminum frame.

Square print optical Pop Art Victor Vasarely attributed 1970s.

Incredibly detailed Ryohei Tanaka etching of a thatched roof c1979. Beautifully framed and matted. Signed in pencil by artist. Ryohei Tanaka (1933-2019) was world renowned for his ...

Screenprint by the Italian Op-Art artist Getulio Alviani. Getulio Alviani (1939-2018) was an Italian painter, object artist and representative of Op A...

1970s Psychedelic fabric art. Shades of gray, orange and brown.

This vintage framed Victor Vasarely serigraphy Raura VAS 630. Authentic hand signed and numbered in pencil by Vasarely. Image size 30 x 26.5 inches. This has been professionally v...

Art Deco etching depecting a Camel and its rider by french Artist Paul Jouve entitled Touareg. Signature: P. Jouve

Robert Frank Untitled from the Americans, 1958, Beats Culture, Black & White. Photogravure print, mid-century, France,wax tissue mounted on conservation matboard. Influenced by the work of Jakob Tuggener and Bill Brandt, as well as Walker Evans, Frank, a native of Switzerland, Frank was fascinated by documentary photography and the notion and image of "America." Frank secured a Guggenheim fellowship in 1955 to do something new and unconstrained by commercial diktats. "The Americans" was first published in 1958 in France, before its first run in the US in 1959. The photographs were shocking and notable for their distanced view of both high and low strata of American society, creating a complicated portrait of a period that was, then and now, considered to be a skeptical portrait of post-WWII American values but also deeply empathetic and profoundly evocative of ubiquitous loneliness. Frank found a tension in the gloss of American culture and wealth over race and class differences, which gave his photographs a clear contrast to those of most contemporary American photojournalists, as did his use of unusual focus, low lighting and cropping that deviated from accepted photographic techniques. Shortly before the book was published in France, Frank returned to the US (1957) and met Jack Kerouac on the sidewalk outside a party. They started chatting. Frank showed him some of his photographs. Kerouac immediately told Frank "Sure, I can write something about these pictures." Kerouac would write the introduction to the American edition of the book, published two years later. Sociologist Howard S...