Michael Kidner Furniture

Gorgeous photo print by the iconic photographer and fashion designer Karl Lagerfeld of Max Delorme. Image captured and satin finish umber photo-lithograph printed in 1997. Measures: ...

Anne Youkeles (Austrian/American b. 1920) Op-Art Artist 3-D Geometric Serigraph Collage titled "New Perspective" signed, number 43/210 and dated 1971. In fine condition, not examined...

From: ‘Luz da Liberal e Nobre Arte da Cavallaria’, by Manoel Carlos de Andrade, Lisbon, Regia Officina Typographica, 1790. This work on riding and horsemanship was the first book on ...

Robert Frank Untitled from the Americans, 1958, Beats Culture, Black & White. Photogravure print, mid-century, France,wax tissue mounted on conservation matboard. Influenced by the work of Jakob Tuggener and Bill Brandt, as well as Walker Evans, Frank, a native of Switzerland, Frank was fascinated by documentary photography and the notion and image of "America." Frank secured a Guggenheim fellowship in 1955 to do something new and unconstrained by commercial diktats. "The Americans" was first published in 1958 in France, before its first run in the US in 1959. The photographs were shocking and notable for their distanced view of both high and low strata of American society, creating a complicated portrait of a period that was, then and now, considered to be a skeptical portrait of post-WWII American values but also deeply empathetic and profoundly evocative of ubiquitous loneliness. Frank found a tension in the gloss of American culture and wealth over race and class differences, which gave his photographs a clear contrast to those of most contemporary American photojournalists, as did his use of unusual focus, low lighting and cropping that deviated from accepted photographic techniques. Shortly before the book was published in France, Frank returned to the US (1957) and met Jack Kerouac on the sidewalk outside a party. They started chatting. Frank showed him some of his photographs. Kerouac immediately told Frank "Sure, I can write something about these pictures." Kerouac would write the introduction to the American edition of the book, published two years later. Sociologist Howard S...

Very cool original Op Art blue and silver screenprint, TUZ, by Victor Vasarely from 1974. Signed in the lower right hand corner, numbered 291/340 in the lower left. This has the orig...

Presenting a lovely limited edition etching, namely, “The Souk” limited edition etching by Azoulay Guillaume. From 1982 the etching is numbered an...

Color Etching By T. F. Simon “From The Latin Quarter” Signed & Numbered c1930 Measures - 17 3/8" x 18 7/8" x 1 1/4" This is an antique color etching by T. F. Simon, titled 'From The...

This vintage framed Victor Vasarely serigraphy Raura VAS 630. Authentic hand signed and numbered in pencil by Vasarely. Image size 30 x 26.5 inches. This has been professionally v...

This very large chrome lithographed print is unsigned, but presumed to have originated from Italy in circa 1930 in a Renaissance Revival style. The lithograph depicts a rendition of ...

Screenprint in good condition by the Italian Op-Art artist Getulio Alviani. Getulio Alviani (1939-2018) was an Italian painter, object artist and repre...

Roy Lichtenstein Lithograph for the St. Louis Art Museum, 1981. Whitney Museum of American Art September 22 - Novemver 29, 1981 Organized b...

Three Dogs – Antique Etching by Samuel Howitt from 'Miscellaneous Etchings', 1812 This charming early 19th-century etching by Samuel Howitt (1756–1822) depicts three dogs in a momen...