Michael Lucero Furniture

Vintage Handmade Double Spout Nemadji Vase Minnesota Multicolored Stamped ceramic vase antique pottery orange and blue designed decor Dimensions...

A very large and appealing Saggar fired vessel, made by Australian potter, Jill Symes. Signed, with original stickers and leaflet. This beautiful pot has ...

This remarkable Pre-Columbian Chimu terracotta vessel is a striking example of ancient Andean ceramic artistry, originating from coastal Peru and dating to approximately 900–1470 AD. The vessel features a distinctive multi-chambered form with a traditional stirrup spout, a hallmark of Chimu pottery...

This double-spouted vessel originates from the Peru and is distinguished by its sculptural anthropomorphic design. One of the chambers is shaped as a human figure with a triangular f...

Three Murano blown glass vases Molato (engraved), color clear and amber inside. To perform this work we need two different processes: the first, to model the hot vase giving form an...

A large sculptural ceramic vessel by British potter Alan Wallwork (1931 to 2016). The vessel has a grooved crescent form in neutral brown tones, with t...

'Achromatic Fold in White II' is a unique sculpture by the British artist Steven Edwards, created from parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...

Dense sculptural wooden vase composed of sculpted plywood by New York sculptor, Dick Shanley, circa 1970s-1980s. Very intriguing organic form and large sc...

Measures 12-3/4” high, 7-1/2” wide at the mouth, 2-7/8” wide at the base. Stamped on base METAAL Grainware c 1992 Michael Lax Design ML-4012 There are some light scuffs and scratches especially toward the base, patina to finish. See images for detail. Michael Lax (1929–1999) was an American industrial designer who created household products for companies such as Copco, Lightolier, Dansk, Salton, Metaal, Mikasa, Tupperware, and American Cyanamid. Several of his best-known products, including the Lytegem lamp by Lightolier and the Copco enamel...

A fabulous Michael Hawley, Chakoptewa pottery vessel made using traditional Hopi methods. Michael Hawley, of Scottsdale, Arizona, is the only living potter today creating true Siky...

Le Connessioni vase from the Ruins series by Ettore and made by Bitossi for Design Gallery Milano, Italy, 1992. Glazed stoneware. Signed to underside 'Ettore Sottsass 1992 3/9 Bitoss...

A striking and highly sculptural work of glass art by Cenedese, featuring an unconventional form with twin spouts and a fluid, circular handle that arcs gracefully between them. Thou...