Michał Bajsarowicz Art

This piece is not framed. Raluca Vulcan is a French-Romanian artist who likes to express the life and sensitivity of the human body, mostly through semi-abstract nudes and portraits...

This piece is not framed. Raluca Vulcan is a French-Romanian artist who likes to express the life and sensitivity of the human body, mostly through nudes and portraits.

This piece is not framed. Raluca Vulcan is a French-Romanian artist who likes to express the life and sensitivity of the human body, mostly through nudes and portraits.

Urania, the Muse of Astronomy in Greek mythology, symbolizes the pursuit of celestial knowledge and the wonders of the universe. She is often depicted with a globe or a telescope, hi...

There is a literary saying: "For Ukrainians, the heart is in children, the soul is in songs, and life is in gardens." The "Gardens of Resilience" series embodies the enduring will an...

Lady with Books 1 Original painting. size 39x23in / 100x60cm . Shipped stretched, as it is, ready for hanging. Framed ! Artist Statement "I started by painting interiors, being in...

Day (Nude on Armchair 1)/ Part of my "Nudeon Armchair" series. Original painting. size 39x23in / 100x60cm . Shipped stretched, as it is, ready for hanging...

"Nude with Red Glass", acrylic on canvas, 3x20in

This piece is not framed. Raluca Vulcan is a French-Romanian artist who likes to express the life and sensitivity of the human body, mostly through semi-abstract nudes and portraits...

In the painting "Mother's Embrace," the artist captures a serene and reassuring moment between a mother and her child amidst a lush garden of vibrant malva flowers, a traditional sym...

Lady with Books 1 Original painting. size 39x23in / 100x60cm . Comes with a certificate of authenticity. Shipped stretched, as it is, ready for hanging and framed, from Florida, US....

Acrylic painting on canvas Hand-signed lower left by the artist Unique work THE THOUSAND AND ONE NIGHTS OF MOHAMMAD ARIYAEI " Gentleness and oriental wisdom follow the supercharged bubbling to which we were accustomed from the previous deliberately art brut exhibition by Mohammad ARIYAEI. The Iranian painter's imagination moves serenely from the wildest frenzy to the meditative calm of great, fabulous stories. The artist then took pleasure in pouring the volcanic torrent of his barbaric figures onto the delicate latticework with which he is accustomed to lining his backgrounds with the patience of an illuminating monk. Already sweetness and paroxysm coexisted. Now gentleness wins. The trained imagination of the painter, yet spontaneously bubbling, by instinct as much as by erudition, has no difficulty in reconnecting with the abundant oriental tradition of the thousand and one nights, which, like a long underground river, resurfaces at the light of his painting. Spring renewal of traditions still alive. Systematic filling of space, a sort of oriental version of the Riches Heures...