Mike Brown Art

"Serenidad", oil on wood, 80 cm H x 42 cm W This piece of art in the shape of a cutting board is ideal for a kitchen. It is made with the use of the technique "Trompe l'oeil", that...

An oil painting of an antique pair of tongs, meant for use during ice fishing. Suspended from a small rope, hanging from a single nail, against a grey backdrop. Brushstrokes can be seen in the gray of the background, but are harder to make out on the subject. Morfis paints in an extremely refined, realist approach. Painting dimensions: 25 x 19 inches Framed dimensions: 30 x 24 x 1.5 inches Available at Grenning Gallery. BIOGRAPHY John Morfis was born in Glen Cove, Long Island in 1976. His humble beginnings made pursuing a career in art difficult and paradoxically necessary. Fixated on making things aesthetically pleasing, John made an extreme departure from his family life when he chose to base his life on art. Surrounded by mechanics, welders, and otherwise trade workers John had a tough time expressing his interest in a world much more utilitarian and much less expressive and impractical. With an extraordinary desire to be an artist and a grant awarded, John was able to earn a Bachelor of Fine Arts with a concentration in painting from the University of Hartford in 1998. While there John studied oil painting under American realist Stephen Brown. John’s first solo show took place in 2007 at the Ellen Traut Collection Gallery in Hartford, CT and was a near sell out. Since then John has had success up and down the northeastern coast of the United States working with various galleries and collectors. His work has also appeared in various group shows at the New Britain Museum of American Art in Connecticut. ARTIST STATEMENT Each painting, although a portrait of a tired hand...

A scene of distress is depicted in this work regarding Bob the Tomato, a primary character in the acclaimed children’s animation, VeggieTales. “God Wants Me to Forgive Them!?!” challenges the formative life lessons we are taught from a young age that is not always easy to uphold. Based on a prophetic dream I had surrounding ideas of violence, familial relationships, estrangement, biblical references, revenge, and ultimately death, this painting begs...

Roses and Blues (Rosas y azules), oil on panel, Expressionist Still Life. Dimension art: 27 x 22 cm. Dimension framed 51 x 46 x 4.5 cm. Small Expressionist still life...

Gianluca Corona is a still-life and portraiture contemporary Italian painter who looks for the inner truth of what he paints. His beautiful fruits, flowers, vegetables and food subj...

Gianluca Corona is a still-life and portraiture contemporary Italian painter who looks for the inner truth of what he paints. His beautiful fruits, flowers, vegetables and food subj...

"Three Magenta Peonies" is contemporary realist oil painting pink flowers on black background. A classical painting subject and style, with a fresh and intriguing touch. Signed "Personett" lower left corner. Framed in a traditional black frame w gold trim. Framed dimensions: Rachel Personett was born in Hawaii, but raised in Colorado. Being the daughter of a pilot she has always traveled extensively. She has studied part time at the Savannah College of Art and Design, The Angel Academy of Art, and finally settled on the Florence Academy of Art, graduating in 2015. In January 2016 she apprenticed the painter Odd Nerdrum in Norway for eight months. Rachel Personett works strictly from life, and enjoys the challenged of painting the ephemeral. Working from life provides the opportunity to travel around the world painting the ever changing people and landscapes. Artist Statement My mother had studied advertising in college, so she knew a lot about arts and good craftsmanship. She did talks at my elementary school each week and on a different artist. I remember being very moved by the images of Van Gogh and Andrew Wyeth. At the Florence Academy I really liked Sargent, Sorolla, Willard Metcalf, Henri Fantin-Latour and Velazquez. At Odd Nerdrums I gained new respect for Rembrandt and was introduced to other Scandinavian...

"Street Scene, Collioure" is a colorful plein air oil painting of town in France. Framed Dimensions: 18 x 14 inches Marc Dalessio was born in 1972...

Composition with jars and fruit. Realistic Oil painting still-life Bright colors. Oil on panel by Spanish artist Álvaro Toledo. Measurements in centimeters: 44 x 71 x 1 cm / Framed...

Still Life is a superb original oil painting on panel, realized by the Italian artist Vincenzino Volò, best-known as Vincenzino dei Fiori (Rémondans, 1620-Milan, 1671) around 1640-1660. Original Title: Natura morta di fiori entro vasi biansati (Still life of Bouquet in two-handled vases). On the back of the panel, two labels are glued "da Milano", "A Piacenza", ("from Milan" "to Piacenza"). The labels indicate a transfer of the artwork, perhaps in the first half of the twentieth century, from Piacenza to Milan. While instead the style and technique make us understand the artwork was commissioned or created in the Milan of Federico Borromeo, archbishop of Milan from1595 to 1630. The author of the painting can be identified in the person of Vincenzo Volò, a talented artist who fell into oblivion, recently rediscovered and appreciated. Founder of the Vincenzini family, he was born in Franche-Comté in 1620 (in the past its birth was erroneously fixed to 1606). In the mid-forties of the seventeenth century he arrived to Milan, and held a leading artistic role: he was the founder of a family workshop that imposed his style and strongly influenced Milanese collecting with his still lifes and influenced generations and generations of painters. Vincenzino also was the first painter of still life to work on the Bella Island for Vitaliano VI Borromeo and collaborated with well-known figure painters such as Francesco Cairo, Scaramuccia, Nuvolone and Fumagalli. As regards the style, the archaic tendency of Lombard painting of still life from the early decades of the seventeenth century is clearly evident, looking at primitivism and the happy schematization of the composition of the artwork. The dating of this artwork could be fixed around the first half of the seventeenth century because it is confirmed by the type of support, a wooden panel, always used by Vincenzino. As for the subject, Volò generally painted bouquets of flowers in two-handled vases placed on transversal planes seen from the front. It is possible to compare this work with other Dei Fiori's artworks: the pair of Flower Vases...

A small oil painting. A serene depiction of a winter day as seen from inside the Artist's studio. The artist's reflection is visible in the window, blurring the lines between the coz...

Fabian Jean graduated with a Bachelor of Fine Arts from Concordia University. He has had solo exhibitions in Montreal, Toronto and Halifax and has been included in several group exhi...