Miniforms Corner Chairs

Available now, this beautiful pair of Brazilian Modern armchairs are made of ebonized Pau Marfim hardwood & white leather in buttone style. The structure is composed of curved arms & feet, and were designed by Joaquim Tenreiro in the 1940’s. The wood joints are composed of delicate wood pins in Pau Marfim also, which were typically used by the artist at the time. Sold as set of two. For the restoration process, both armchairs where dissembled to understand their condition and to restore them following Tenreiro’s technique. This is shown in the last 3 images. The set comes from a private residence in Copacabana, Rio de Janeiro. This mid-century modern pair would look incredible in any modern, mid-century modern, boho chic or contemporary environment. Joaquim Tenreiro (1906–1992) was among the leading furniture designers and visual artists in mid-20th century Brazil. Tenreiro was born in Melo, Gouveia Municipality, Portugal into a family of woodworkers and carpenters. In the late 1920s, he emigrated to Rio de Janeiro and began working for the firm of Laubisch & Hirth. In the early 1940s, Tenreiro was among the first designers in the Brazilian furniture industry to adopt a European modernist vernacular. His initial efforts, including the 1942 "Poltrona Leve," met with considerable success, and in 1943 he established his own firm with factories in Rio de Janeiro and São Paulo. However, it was not until the 1950s that he began to be recognized as a master furniture designer in Brazil. His design philosophy found a great response with architects who supported modernism. A forerunner in the use of rediscovered raw materials (like cane and jacaranda -Brazilian Roswood) as well as the creator of a new formal language in 20th-century Brazilian furniture design, he drew on the lessons of past furniture-making as a vital source, not only in the mastery of technical and constructive solutions but also in the aesthetic experience, craftsmanship, and the cultural meaning of his production. As a result, his exquisitely crafted pieces evoke a refined coexistence of traditional values and modern aesthetics, firmly bound to the Brazilian cultural milieu. Literature: • Arquitetura e Decoracao, no. 12, Jul-Aug 1955 • Tenreiro book...

The Velo armchair by Uultis embodies sculptural simplicity, crafted entirely from sustainably sourced teak veneer. Defined by its dynamic silhouette, the Velo features an organically...

The UNA chair combines a curved wooden seat and legs with a leather-upholstered cylindrical back, creating a balance between comfort and simple geometry. Its design highlights the na...

Classic mid-century french lines on this ''egg" chair upholstered in brown bouclé, on four conical walnut legs ending in brass spheres.

Gorgeous pair of velvet armchairs of English manufacture of the late 1800s. The beautiful armchairs have a walnut wood structure and have been lined with sand colored velvet tending...

A beautiful and solid turned walnut Jacobean Barley Twist Armchair by Kittinger Furniture Compan, circa 1890 having fresh tweed cotton/poly blend...

Italian post modern black metal and transparent plastic Spaghetti style chair, 1980s Spaghetti model style chair by Alias, with black metal rod structure and seat and back created wi...

This listing includes one three-legged Oxbend chair in American walnut hardwood. The original inspiration for the entire Oxbend collection, this modern dining chair was designed b...

The First chair in enameled wood and metal, was originally designed in 1983 by Michele De Lucchi. Michele De Lucchi was born in 1951 in Ferrara and graduated in architecture in Florence. During the period of radical and experimental architecture he was a prominent figure in movements like Cavart, Alchymia and Memphis. His architectural designs have been mainly for office buildings in Japan, in Germany, in Switzerland and in Italy. He has taken care of numerous art and design exhibitions and has planned buildings for museums as Triennale di Milano, Palazzo delle Esposizioni di Roma and Neues Museum...

Solid varnished oak. A company that has always attributed such great importance to the author of the designs could never forget the great figures in history. That is why the BD catalogue of contemporary creations has always included those by admired classical masters. Antoni Gaudí (1852/1926) is, without doubt, the most internationally well-known Spanish architect. But is not only his buildings and brilliant architectural solutions that have travelled the globe. His integrated conception of architecture led him to pay attention, not only to structural calculations, but also to all the decorative elements, including furniture, that would form part of the building. The admiration felt by modern designers for the furniture designed by Gaudí has not gone unnoticed by BD which was the first company to rescue them from history by embarking on their serial production using traditional art and craft techniques and the same materials –varnished solid oak– in order to reproduce all the rich detail displayed by the originals when they were first produced. The Batlló chair...

A beautiful and well-made all-bamboo armchair with 'spindle' sides and back and a light-blue upholstered seat cushion, in the Chinoiserie design style, circa mid-20th century. A grea...

George III Mahogany Corner Armchair, it’s carved backrest & carved eagle form arm rests raised on turned supports with pierced urn form back splats. With green silk slip seat raised ...