Mogg Stools

Frank Gehry Wiggle stool. Made of corrugated cardboard and hardboard to the edges. Labeled underneath, excellent condition. Frank Gehry is consider...

A Maru counter stool designed by Uultis studio with walnut finish and hand-woven natural color cane seat. The Maru counter stool, with its walnut fi...

Italian 1940s Single Stool in Wood and White Linen

A refined and simple design, where the premium solid walnut in oil finish is used in its maximum expression. The central screw, entirely in wood, is the result of the work of expert ...

"Plopp" stool by Zieta, golden version Heat collection. Medium size: 50 cm high, 35 cm diameter.   “Plopp” stool copper version is a stool designed by Zieta Prozessdesign wh...

Brutalist sensibility with a soothing, gentle welcome. This supportive block was carved into a gentle arc, stone traversing its crown. Hard-lined geometry buckles and becomes organic...

Modern style counter stool by Uultis with teak wood finish base and light gray upholstered seat. Introducing the Ura counter stool by Uultis, a sophi...

Set of two oak wood stools in style of Pierre Chapo. Manufactured in France, circa 1960. Material: Solid oakwood. Pierre Chapo is born in a family of craftsmen. After his regular ...

A simple and refined design in which solid walnut finds its highest expression. The Invito solid wood stool combines timeless style with authentic and...

This pair of stackable stools from the 1990s—model "Frosta" by IKEA—embodies the clarity and practicality that define Scandinavian design. Crafted from molded birch plywood and finis...

Bar stool needle swivel in polished aluminium in chrome finish. On swivel base with footrest. With adjustable height from 58 to 112 cm. Also available...

Set of two stools with three legs entirely realized in black stained wood, designed in the style of Charlotte Perriand and manufactured in the 1950s. Charlotte Perriand (1903-1999) is one of the most important female furniture designers of the mid 20th century. As early as 1927 Perriand produced a number of critically acclaimed innovative pieces of metal furniture, which drew the attention of Le Corbusier and Pierre Jeanneret. The result was the beginning of a work relationship that lasted many years. At Le Corbusier’s studio Charlotte Perriand developed a series of tubular steel chairs, among them the famous adaptable chaise longue, which was produced by Thonet two years later. Perriand’s work continued to evolve and in the mid 1930s, she started to experiment with natural materials such as wood and cane. She traveled to Japan in 1940 as an official advisor on industrial design to the Ministry for Trade and Industry to advise the government on how to raise standards of design in order to develop products for export to the West. Perriand adapted local techniques of woodwork and weaving - straw, bamboo and twigs becoming her materials of choice. It was especially after World War II, when Charlotte Perriand developed a new concept for the way of living by increasingly integrating the human dimension into her productions. Through flexible use of materials she achieved recognition with her pure and powerful style – as exemplified in her free form massive wood table models. Conscious of economic and social realities, she decided to opted upon large-scale production, and finding a new synthesis between tradition and industry. “Always concerned with innovation rather than trying to affirm a formula for renovation”, she designed various housing developments such as the Unité d’Habitation in Marseilles, with Le Corbusier in 1949, as well as rooms at the International Students’ Residence in Paris in 1953. Included was a library built in...