Molly McCall Art

This will be shipped direct from the artist to you or your framer. In this photograph a silhouetted horse follows a silhouetted figure closely as they trek through a field. The use of abstracted figures helps emphasize the emotional aspect of Kelly's main theme: the bond between humans and animals. Pete Kelly finds his inspiration in nature and the landscape. Specifically focusing on, "The reclamation by nature of urban settings", Kelly finds a particularly strong aesthetic and power in the beauty of the urban landscape. "I try to see beauty around me, drawing beauty from ugliness by capturing close up textures of fading paint or graffiti, or by reducing the shape of the subject to silhouette." Kelly's fascination with photography, the quality, and flexibility of the medium began at a very early age. Born in England in 1966, and as the son of a military man, Kelly spent most of his childhood growing up in West Germany. After leaving school Kelly enrolled in a photography course with the R. A. F Photographic Unit, based in Wildenrath in Germany. Although this initial training lasted only six months, it established a life long passion and dedication to photography. Already an avid traveller, Kelly initially decided to return to the UK,
to study Graphic Design at Stockport College, before moving to America in 1987. After completing an Internship at an innovative commercial photography studio in America,
Kelly began working as a Photographers Assistant. Working closely with a range of photographers allowed him to intrinsically develop his own
refined sense of aesthetic as well as develop and master photographic theory and technique. Now working as a Fine Art Photographer in his own right,
 Pete Kelly utilizes the most cutting edge equipment and techniques,
 painting with photography by compositing and layering photographs...

Men Legs One by Ricky Cohete From Motion series Archival pigment print Size 36" x 24" Ed of 10 + 1AP Unframed Throughout his exploration of the movement of the body, with modern an...

Diver - Signed limited edition archival pigment print, 2002 - Edition of 5 Powerful photo of a man diving, in profile. This print that is being offered is a high-quality Archiv...

Diane K, Pharrell B&W, Toni Garnn II, Triptych 2017 by Hunter & Gatti From the series of IWMYAS Acrylic and oil-pastel black & white pigment print Overall size: Image Size: 33.8 H x ...

Man Curve Four by Ricky Cohete From Motion series Archival pigment print Size 36" x 24" Ed of 10 + 1AP Unframed Throughout his exploration of the movement of the body, with modern ...

Unique Collage Printed on Canson Platine Fiber Rag Framed in black wood to 31 x 38 cm This image is from Sarah Hadley's series The Whispering Dark, about her unusual childhood grow...

"OTHER 50" Photography (FRAMED) 60" x 48" inch Edition of 10 by Giuliano Bekor Archival pigment print mounted on dibond Custom frame comes with non reflective museum glass Men's - Other Series Intro This series connecting us to nature’s raw materials to create a piece that is organic and pure. We put on the mask and the headdress not to hide but to reveal ourselves, to give ourselves the freedom to break with taboo, to transgress, to transform. Referencing ritual and native practices, this collection pays homage to an identity built by reaching into the Other and imbibing cross-cultural forms of self-expression. ABOUT THE ARTIST Internationally recognized photographer, Giuliano Bekor, holds a portfolio that includes work from the realms of fashion, beauty, celebrity, advertising, and fine art. Giuliano’s photography has been featured in top publications around the globe, and his client list includes an endless file of beauty industry leaders, advertising agencies, celebrities, producers, and artists. With 30 years in the industry, Giuliano has perfected his craft to an exceptional level of expertise. Composed of light, color, space and form, Giuliano brings ideas conceptualized in his own imagination into reality throughout his work. Currently living between New York and Los Angeles, Giuliano is often on the move traveling for work and inspiration. Always the restless visionary, he ceases to continually express his fresh and nuanced style. For Giuliano Bekor, a photograph is an image that comes into being consciously, composed of light, color, space and form. Like a painter, he sketches, refining ideas through pen and pencil well before the shutter clicks. A camera is strictly a means to an end, a way of making a palpable visual record of an idea that gestates in his mind, gains shape by his hand, and resolves through his eye as it peers through the lens. His subject is the human body, almost always nude. These images delve into the splendor of the body - how it can express the inner meaning of who we are. Limbs, torsos, muscles and bones are exposed as though carved out of a supple, glowing stone that flexes and twists. Many of these photographs feature subjects posed with the eyes obscured, the face covered. If we look closely, Bekor says, we can see that the body is as much a window into the soul as the eyes. This is a gallery of the soul etched into the forms we assume in the physical world. Through exaggerated contrast between light and dark, smooth and textured, vaporous and tactile, Giuliano deliberately filters the extraneous. The camera captures the image, but for Bekor each exposure is a transformation - of himself, his subjects, and us. He is digging into uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting. The intensity of detail, the fiercely exquisite perfection of the bodies themselves, the unflinching, scrupulous engagement of the lens, negates all pretense of politeness. Confronted, we are summoned to look. So we must. And we do. And we experience the beautiful human forms we inhabit and the silent, eloquent language they speak. EXHIBITION HIGHLIGHTS Giuliano Bekor’s most recent fine art photography solo shows include: 2019 - March Lips The cool HeArt gallery...

Toni Garnn and Jennifer Lopez, Diptych. Gold Edition, 2017 by Hunter & Gatti From the series of IWMYAS Acrylic and oil-pastel black & white pigment print Overall Frame size: 37 H x ...

Elizabeth Olsen and Elizabeth Banks Diptych. Gold Edition From the series of IWMYAS Acrylic and oil-pastel black & white pigment print Overall Frame size: 37 H x 56 W x 2 D in. Overa...

Jamie Dornan and Antonio Banderas, Diptych. 2017 by Hunter & Gatti From the series of IWMYAS Wax, acrylic oil pastel on glicée print archival metallic paper. Overall size: 107 H x 16...

Elizabeth Olsen, Jennifer Lopez, Toni Garnn, Elizabeth Banks, 2017 by Hunter & Gatti From the series of IWMYAS Acrylic and oil-pastel black & white pigment print Overall Frame size: ...

"OTHER 01" Photography 48" x 48" inch Edition of 10 by Giuliano Bekor Archival pigment print Not framed. Ships in tube. Men's - Other Series Intro This series connecting us to nature’s raw materials to create a piece that is organic and pure We put on the mask and the headdress not to hide but to reveal ourselves, to give ourselves the freedom to break with taboo, to transgress, to transform. Referencing ritual and native practices, this collection pays homage to an identity built by reaching into the Other and imbibing cross-cultural forms of self-expression. ABOUT THE ARTIST Internationally recognized photographer, Giuliano Bekor, holds a portfolio that includes work from the realms of fashion, beauty, celebrity, advertising, and fine art. Giuliano’s photography has been featured in top publications around the globe, and his client list includes an endless file of beauty industry leaders, advertising agencies, celebrities, producers, and artists. With 30 years in the industry, Giuliano has perfected his craft to an exceptional level of expertise. Composed of light, color, space and form, Giuliano brings ideas conceptualized in his own imagination into reality throughout his work. Currently living between New York and Los Angeles, Giuliano is often on the move traveling for work and inspiration. Always the restless visionary, he ceases to continually express his fresh and nuanced style. For Giuliano Bekor, a photograph is an image that comes into being consciously, composed of light, color, space and form. Like a painter, he sketches, refining ideas through pen and pencil well before the shutter clicks. A camera is strictly a means to an end, a way of making a palpable visual record of an idea that gestates in his mind, gains shape by his hand, and resolves through his eye as it peers through the lens. His subject is the human body, almost always nude. These images delve into the splendor of the body - how it can express the inner meaning of who we are. Limbs, torsos, muscles and bones are exposed as though carved out of a supple, glowing stone that flexes and twists. Many of these photographs feature subjects posed with the eyes obscured, the face covered. If we look closely, Bekor says, we can see that the body is as much a window into the soul as the eyes. This is a gallery of the soul etched into the forms we assume in the physical world. Through exaggerated contrast between light and dark, smooth and textured, vaporous and tactile, Giuliano deliberately filters the extraneous. The camera captures the image, but for Bekor each exposure is a transformation - of himself, his subjects, and us. He is digging into uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting. The intensity of detail, the fiercely exquisite perfection of the bodies themselves, the unflinching, scrupulous engagement of the lens, negates all pretense of politeness. Confronted, we are summoned to look. So we must. And we do. And we experience the beautiful human forms we inhabit and the silent, eloquent language they speak. EXHIBITION HIGHLIGHTS Giuliano Bekor’s most recent fine art photography solo shows include: 2019 - March Lips The cool HeArt...