MORRIS, CARL Paintings

By Forrest Moses (American, b. 1934) Carmel California, 1967 Medium: Oil on Canvas Size: 18" x 24" Framed Size: 22.5" x 28.5" About the Artist: Fo...

Introducing a beautifully gripping post-war oil painting by British artist Joseph Duncan. Within this intense expressionistic work, the powerful use of c...

Acrylic and graphite on canvas. Signed and titled verso. 59 x 58.5 in. 61 x 60.25 in. (framed) Custom framed in a maple floater with a polyurethane clear coat finish. Provenance B...

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic and mixed media on canvas. Signed, titled, and dated verso. 40 x 76.5 in. 41.75 x 78.25 in. (framed) Custom framed in a solid, unfinished maple floater. Provenance Watson/de Nagy & Company, Houston Private Collection, New York Sherron Francis was born in 1940, in Downers Grove, IL outside of Chicago. She originally enrolled at the University of Oklahoma, but later transferred to the Kansas City Art Institute to focus more on art. Initially, Francis' practice was focused on figurative art, with visiting professor and renowned modern realist Philip Pearlstein remarking on Francis’ draftsman acumen. In the early 1960s, art dealers and gallerists from New York would visit the Institute to entice promising artists by offering scholarships and financial aid. Because such financial arrangements were only made for men, Francis had to persuade the school's leadership to allow for women to also be eligible for merit-based aid. Her advocacy was successful, and she ultimately graduated from the Kansas City Art Institute in 1963. She would then proceed to obtain her MFA from the University of Indiana, before assuming a teaching position at Eastern Michigan University. In 1968, with only $300 on hand, Francis moved to 16 Waverly Place in SoHo, New York. The neighborhood was a hotbed for young AbEx artists of the day, and she quickly befriended the likes of Peter Reginato, Walter Darby Bannard, Michael Steiner, Peter Young, Peter Bradley...

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic on canvas. Signed lower left; signed, titled, and dated verso. 65.75 x 50.25 in. 67.25 x 51.75 in. (framed) Custom framed in a maple floater with a matte white finish. Provenance Takis Efstathiou, PTE Fine Arts, New York Private Collection, New York Theodoros Stamos is heralded as one of the few abstract painters who bridged the New York School’s first and second generations. His age, in particular, afforded him this unique position, as he was the youngest member of the “Irascibles,” the core group of fifteen New York School painters publicized by Nina Leen...

By French post-war artist James Coignard (1925-2008).

Love in Black and Gold - Original Acrylic on Canvas with Quartz Multicolored, iridescent abstract composition by Judith W Winslow (JW) (American, 1943-2023). This piece is textured ...

Love in the Spring at Big Sur California original Acrylic on Canvas Blossoms and flowers with Love (written on painting) and a spring mélange is a creation by Judith W Winslow (Amer...

Introducing a captivating post-war modern painting by German artist Ferdinand Spindel. In a stunning abstract composition, this piece features a harm...

Color Block Geometric Abstract in Acrylic on Canvas Bright, balanced composition by an unknown artist (20th Century). This piece is minimalist in design but maximalist in color - bo...

Seated Nude - Original Abstract Expressionist on Canvas Abstract expressionist figurative composition of a woman in Blue by California artist Harald "Harry" Dry Schmidt (American, 1...

Paracentese de L'homme C Post-Minimalist Original Art Monumental Museum Piece by Peruvian artist Emilio Rodriquez-Larrain (Peruvian, 1928-2015). His work was featured at MOMA as part of their permanent collection and was exhibited as part of Nelson Aldrich Rockefeller Collection exhibit in 1969. The artists is significant and works of this quality are in the Metropolitan Museum, auction high is $25,000. Stunning post-minimalist earth toned abstract with organic forms titled "Paracentese de L'homme C" (Paracenthesis of the man C) by Peruvian artist Emilio Rodriquez-Larrain (Peruvian, 1928-2015), 1964. This was entered into the XXXII 1964 Venice Biennale, arguably one of the most prestigious art events. Signed on verso and entry label for XXXII 1964 Venice Biennale, and Staempfli Gallery label attached to verso. Condition: Very good: professionally cleaned, structurally sound with no issues beyond normal wear with age. Image size: 56.50"H x 55.50"W. Presented in rustic wood slat shadow box frame. Emilio Rodríguez Larraín was a Peruvian postwar and contemporary painter and sculptor who was born in 1928. He was trained at the Lima School of Engineers (currently the National University of Engineering) from 1945 to 1949. This is how he entered art and was able to learn tools and techniques that would help him in his future works. In the 1950s he ventured into painting under the influence of the French architect and abstract art painter Jean Dewasne, thus developing a painting style based on the abstract and the geometric until his trip to Europe where he migrated to the style of modernist informalism. and made paintings that alluded to the cultures of ancient Peru. His work demonstrates versatile artwork of horizontal geometric constructions, expressive paintings and architectural interventions categorized as post minimalism. Received a John Simon Guggenheim Foundation award for his art. Fellow: Awarded 1976 Field of Study: Fine Arts Competition: Latin America & Caribbean His work was featured at MOMA as part of their permanent collection and was exhibited as part of Nelson Aldrich Rockefeller Collection exhibit in 1969. key galleries and museums, including the Revolver Galeria, Lima and the Galeria Lucia de la Puente. His work has also been exhibited in Lima, Madrid, Florence, Venice, Milan, Bergamo, Frankfurt, Berlin, Copenhagen, Mexico City, and Paris. In 2016, the Lima Art Museum presented a retrospective exhibit of his paintings and sculptures, calling Rodriquez Larraine "An important avant-garde sculptor, architect and painter who knew how to adapt to the artistic changes of the time and play a very important role in the visual arts of Peru." The piece we offered the front over of Staempfli Gallery's exhibit of Rodriquez-Larrain work. The write-up of Rodriquez-Larrain's work by The New Yorker, November 3, 1962 states: "Talk story about Emilio Rodriguez-Larrain, a Peruvian painter, who currently has 46 paintings on display at the Staempfli Gallery. A photograph of Emilio, distributed by the gallery, showed a great resemblance to Zero Mostel. He doesn't look like Mostel at all. The picture was taken in Paris last May, when he had the mumps. He was born in Lima in 1928, the son of an industrialist. His father's family came to Peru in the 17th century. Mr. Staempfli met Emilio in Llansa, Spain, last summer. Gordon Washburn, the director of fine arts at the Carnegie Institute in Pittsburgh, who had shown him last year, told Staempfli to look up Emilio, because he knew a tailor in Llansa who would make you a corduroy suit...