Mücke & Melder Stools

Set of 4 restored Bauhaus beech armchairs designed by Mart Stam. Style: Bauhaus Designer: Mart Stam Maker: Robert Slezak Period: 1930-1939 Source: Czechia Material: Beech a...

This Bauhaus style set was produced in the 1930s in Czechoslovakia. The set consists of a round table, two armchairs (S43F) and two chairs (S43) designed by Mart Stam. The furnitur...

Modernist Bauhaus - Art Deco chrome tabouret. Completely restored, new upholstery and leather. Maker: Slezák Company Source Czechia Period: 1930-1939.

Modernist Bauhaus - Art Deco chrome tabouret. Completely restored, new upholstery and fabric Maker: Slezák Company Source: Czechia (Czechoslovakia) Period: 1930-1939.

This Bauhaus armchair was produced in the 1930s by Mücke & Melder Czechoslovakia. New upholstery and new chrome.

Rationalist Tubular stool 1930s Seat upholstered in faux fur.

This Bauhaus style sofa was produced by Robert Slezak's company in the Czech Republic in the 1930s. The sofa has been completely renovated - it has varnished wood, new cushions uphol...

Rare modernist sofa manufactured in the 1930s by Hynek Gottwald, representative of early tubular steel design. The piece has undergone a comprehensive restoration, including newly co...

This refined set of four Bauhaus cantilever armchairs, attributed to Mart Stam, was produced in Italy in the 1980s. Constructed from chrome-plated tubular steel, the chairs exemplify...

Bauhaus tubular chromed steel and ebonized beech armchair by Dutch designer Mart Stam for Thonet, 1932. The original wood finish has worn patches ...

An early example of Portuguese modernist design, this small stool was produced by Fábrica Portugal in the 1930s and reflects the clean lines and functional spirit of the Bauhaus move...

Range S 43 Simplicity that unfolds its effect everywhere: Mart Stam removed the back legs from furniture that for centuries had been created based on the same principles. Through evolutionary refinement, an object that simply looks good in any place where both understatement and quality are wanted. For his furniture designs, Mart Stam placed a high value on usefulness and austerity with regard to aesthetics as well as material. The straight-lined form, a clear construction and improved sitting comfort resulted from this approach. Stam achieved the greatest possible reduction with the cantilever chair S 43 by combining the tubular steel frame with moulded wood elements for seat and backrest. The pure, restrained form of this cantilever chair makes it an exemplary design in the spirit of modernism...